BrianLo
Well-Known Member
That was my hope since I heard of this plan. Marvel behind TOT as originally planned and this ride + more Hollywood placemaking in the backlot.
Mine too, it makes a heck of a lot more sense.
That was my hope since I heard of this plan. Marvel behind TOT as originally planned and this ride + more Hollywood placemaking in the backlot.
I really love Pooh's Hunny Hunt at Tokyo Disneyland since it's mostly AA and the ride design and atmosphere is so beautiful. The only time we see a screen used is during the Tigger scene but it's not that long and I actually like the use for it.
Don't worry guys it will be replaced with an interactive video screen based ride that is half the length and tied to a hot IP!!
chapter two as in "everyone dies until a new hero arrives (aka new CEO)"?Well well.
This saga may run and run. There may be a chapter two.
Time will tell.
My threshold for screens are to use them in a subdued supplemental role. Moderate amount scattered around as environment detail, background art, or methods to handle scene transitions are fine. I dislike them being used as a replacement for sets and characters.Your wording sort of implies PoTC is similar to Mystic Manor in screen density, I don't think that's what you meant though. Mystic Manor is like 90/10, PoTC is more 50/50. I think your threshold may be zero percent... which is fine... but in no way would I classify Mystic Manor as a screen-centric ride. There is one for a transitional scene that some vehicles skip and a projection mapped room whose central focus is a giant AA. It is used extremely sparingly and in two drastically different forms.
Pete needs more representation at the Disney parks besides as a cardboard cutout and his voice is heard at Storybook Circus at New Fantasyland.It'll be great to see the Pegleg Pete they've got planned.
Blue Sky? Also I hope it's not as short as 7DMTI got wind of this about a week ago—my info was clearly later than Lee's or Martin's—and I've had conflicting thoughts. Five years ago, the GMR was an embarrassing relic of the late 80s, hidden behind a giant plastic toy. The ride's pacing, broken FX, awkward script, and even more awkward CMs overshadowed the impressive sets and AAs. Then TCM stepped in as the all-too-obvious sponsor and financed a complete overhaul. Last time I rode it, everything worked. The AAs were smooth; the FX were functioning; the new prerecorded voiceover mostly covered for the bad CM acting. I could see the potential for future updates, and the ride didn't seem so moldy anymore. Most importantly, the ride introduced guests to some of the best movies ever made.
The Mickey attraction will be incredible. @marni1971 can correct me if I'm wrong, but from what I'm told, the cuts haven't been substantial; this thing will almost be Blue Sky. It will be a worthy E-ticket, although a bit too short.
As a kid, the GMR was pure magic. As an adult, I don't consider it an irreplaceable classic. The attraction was really good, but not on the level of POTC, HM, or Horizons. I just hope that Disney maintains the Golden Age of Hollywood in this park's transformation.
Epcot needs two more E rides and a few C- and D-level attractions, which could be extensive new exhibits in Innoventions.
SWL phase two? Or DHS "phase four"...
Things are starting to get really interesting.Well well.
This saga may run and run. There may be a chapter two.
Time will tell.
I agree, the ride will need some screens but used right cleverly.Wrong park. There is a reason @marni1971 said Disneyland Resort.
Thanks, by the way, Marni! (And @MansionButler84 and @Lee)
Your wording sort of implies PoTC is similar to Mystic Manor in screen density, I don't think that's what you meant though. Mystic Manor is like 90/10, PoTC is more 50/50. I think your threshold may be zero percent... which is fine... but in no way would I classify Mystic Manor as a screen-centric ride. There is one for a transitional scene that some vehicles skip and a projection mapped room whose central focus is a giant AA. It is used extremely sparingly and in two drastically different forms.
I do think this ride needs some screens though. We as riders need to jump into the cartoon itself into the fully realized sets. It could make for a fun effect/transition.
At least it doesn't sound as short as 7DMT hopefully.That's between 9-11 minutes! I feel like it's closer to 9 if anything, and though losing the Great Movie Ride is a tragedy, the more I hear about this, the more optimistic I get.
More about the GMR and other.... connected topics. Time will tell.
Don't forget the scene where Pooh falls asleep and everything turns black which really amazed. The music gave me chills.holy crap, the magic kingdom's version is total POS compared to that (()). Amazing sync. I was surprised how the "honey" cars change places as the ride goes... and in some scenes characters in similar cars ride along with you. and everything moves!
Kong might as well be on a track. It follows the same path all day long, which isn't what true trackless rides do (or switch to the indoor portion, which could've been done via a track switch).Pretty sure Kong is trackless
LSP type tracklessPretty sure Kong is trackless
I'd think that a ride like this would fit best along Buena Vista Street. I don't think there's room though.I'll bet Mickey LPS goes in DCA at Paradise Pier. Under the Mickey head or close.
BTW- I'd just love a trackless Haunted Mansion one day. Maybe in the next Magic Kingdom...
Don't get me wrong this idea isn't right due to the placement but is mickey a hot ip? Or an iconic footnote in animation?Don't worry guys it will be replaced with an interactive video screen based ride that is half the length and tied to a hot IP!!
I'm not convinced it will live out the full contract. This is set to open in 2019 with SWL.
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