How 'bout John Carpenter!
James Horner is a much worse offender.
I've studied the works of all the major motion picture composers and have seen John Williams and Hans Zimmer many times in person. While I may not be an expert by any means, I have noticed many of Hans Zimmers pieces... have been entirely based around a simple ascending four note scale.
1) He can do an awesome score with a very prominent, pulsing beat. That's what UoE could be, just place just throbbing with energy, and he could certainly give the music a latent, underlying energy, making the place seemingly on the verge of just letting loose with power, give the energy it's own presence.
2) And he excels at writing kind of quirky, oddball, off-the-wall scores, which would give Universe of Energy just the most perfect mood to it that's just a little bit strange, eclectic, and eccentric. By this criteria, I think my second choice for scoring UoE would be Danny Elfman.
3) To be honest, I think that was his last best, truly iconic John Williams score, in the same vein as Close Encounters, Raiders, Star Wars, Jurassic Park, etc.
To be honest I really want Disney to release the soundtrack for the current UoE.
Whereas I haven't seen them in person/desperately want to, but I still Zimmer's recent works revolve around what you said. (Mind you, the Simpsons Movie was actually quite good and seemed to be a departure from the aforementioned scale. :lol: )
Agreed. While I can usually pick out the style of most composers (especially Jerry Goldsmith... Rudy and Soarin' sound quite similar IMO), Horner seems to have the exact same swells, chimes, etcetera in every score. That said, Titanic is one of my favourites...
Whereas I haven't seen them in person/desperately want to, but I still Zimmer's recent works revolve around what you said. (Mind you, the Simpsons Movie was actually quite good and seemed to be a departure from the aforementioned scale. :lol: )
1. I thought about that same "energy as its own character" mid-post a few pages back. :lol:
2. See, I just think Elfman might get a little too eccentric. The pavillion lost its grandeur IMO when it decided to go the comedy route with Ellen et al, but I just have it in my head that Elfman would take Broughton's score (itself quite lively, I know) and "dumb it down" a little.
Look around on the internet...there are ways of getting both the current attraction audio and the musical score that goes with it...you just have to know the right places to look! If disney released an actual CD version of this it would undoubtably cost you 25 bucks!
I know this might sound a bit odd, but whomever did the ABC (Disney!) Election/Political theme was spot on. Very emotional, very stoic sounding. They could easily do EPCOT music...
:ROFLOL::ROFLOL:How 'bout the National Geographic song.
Look at this old man! This must be where he lives! BUMB BUMB!
Next time The Seas gets a refurb the main song should be changed from
"Big Blue World"
to
"So Long And Thanks For All The Fish".
Long Live 42!!!!!!!!!!
I find it quite amusing that this happens just as we're approaching page 42 of the thread.
You mean 17.
Oh, I must not be getting the maximum amount of posts out of my pages.
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