juniorthomas
Well-Known Member
Tip of the iceberg. Think about it.
Soarin' is one of the most successful and popular attractions at WDW. So, you're an imagineer and you're going to REPLACE the experience with something new. This is so much more than just "make a 5 minute IMAX film."
Which world landmarks are you going to soar over, and how? Permits, governments, schedule, logistics.
I'm guessing they are doing something like a 3D previsualization of all the options. Think a google earth type prep, where you are finding the right path over, say, the pyramids in Egypt.
Add in a dozen or more locations. Now try to make that flight path feel smooth, similar speed, think about the whole path of the attraction, not each individual airplane/helicopter move.
Plan it all, then have your plans go awry because of a revolution in Egypt, or multiple days of bad weather.
As has been said, coordinate shots with on-camera talent, like the skiiers, the jet plane pilots, etc.
Now--have your pilots actually replicate what you want--take, after take, after take.
Feed your crew. Pay them.
Work for months, and months, and months. Finish the film.
Reprogram the seats of the attraction. Test out new smells, order up the concoctions, clean out the old smells.
Test the attraction some more. Adjust.
Oh--film a new intro video. Train cast members. Redo the park maps, new signage. Add advertising to TV, the web, the parks DVDs. Send Stacy over there for a day or two.
Soft-open. Grand open.
Then sit back, after years of hard work, and enjoy the flood of comments: "I liked the OLD film better!" "Why didn't the fly over *my favorite thing*?" etc.
As a producer, this post hit way too close to home.