GiveMeTheMusic
Well-Known Member
It's in better condition, but I don't believe it's digital. After riding on both coasts, the projection quality is consistently higher at DCA.
Sorry, I was being silly and prefer not to use emoticons. (But, in fairness, the Tiki Room WAS significantly referbed after a fire.)Yes but ... History (of Soarin' specifically) would add credence to my point ... have you seen that ride film lately? It's embarrassing and to upgrade that to digital projection would cost what ... 3-5 million maybe? It's inexcusable.
It's in better condition, but I don't believe it's digital. After riding on both coasts, the projection quality is consistently higher at DCA.
An interesting explanation if true (I'm not a film expert but i looked it up and it seems a lot of people agree). But the core problem is that what could be done, isn't.You can't just 'convert to digital..' - there is no digital system that can do what Soarin' has in it's full IMAX glory. Digital is still inferior to IMAX -- even 4k resolution. IMAX is still roughly 10x the resolution of 4k and you still get the benefit of color depth in film that you don't get in digital.
To even get close, they would require using a matrix of projectors with digital processing to get greater resolution from the digital system. (basically how they make video walls).
So sure, they could just convert to digital - and it would suck compared to what the current system could do.
I think it's safe to assume that whatever Disney orders from Vekoma will be customized. The information I was given indicated 16 seats per row, per bay. I hope that it's greater than that and they actually go with the stock model, at least for capacity purposes.
This is what Universal Creative did for The Simpsons Ride.To even get close, they would require using a matrix of projectors with digital processing to get greater resolution from the digital system. (basically how they make video walls).
I always think of the flecks, specs and fuzz as random bird scat in the sky. If you have a large flock of geese flying over and slightly ahead your position, then random scat is to be expected.One thing that bothered me on DCA' Soarin is that the seams where the screen is assembled were very noticeable, it was very distracting. For me it is a toss up on which I find more annoying, seams or flecks, specs and fuzz.
So we've gone from "the film looks like crap" all the way to "that's because it IS crap". LMAO!I always think of the flecks, specs and fuzz as random bird scat in the sky. If you have a large flock of geese flying over and slightly ahead your position, then random scat is to be expected.
Does Pandora smell like baby powder?This is what Universal Creative did for The Simpsons Ride.
The Simpsons ride never gets old!The key to keeping this ride fresh is having the alternate storylines. I think in the end, this will help in re-rideability.
Then again, I love the Simpson ride at Universal. That one has been fun for me every time and it doesn't change.
Your statement about digital looking worse might be true, IF Soarin at Epcot was rocking a completely brand new spotlessly clean copies of the IMAX film right this second
i am not a huge fan of all the screens used in rides, but SO agree that multiple versions helps a lot.The Simpsons ride never gets old!
As for alternate storylines: I can not praise ST2 enough for that, I keep coming back and it still feels fresh. It works on ToT too. One would hope that modern techology allows for many more rides to have some form of alternate versions.
Same goes for Test Track once RSR happens. Epcot is becoming more and more irrelevant the more they sit back and do nothing.I also thought that there may be two layers of screens (as can be seen in the leaked documents). I thought that it may be something like what's planned for the Hogwarts Express. I think calling it a Soarin' clone is likely inaccurate, what it may do though is make the current version of Soarin' obsolete.
Indeed. Orlandos issue isn't so much dirty film, it's dirt ON film. IMAX projection rooms are meant to be sterile, and be sealed to outside air. DCAs is a true clean room. Epcots is a cheap room with an air handling system that can't hope to do the same. Hence dirt and dust in the air gets onto the film and projector glasswork.It's in better condition, but I don't believe it's digital. After riding on both coasts, the projection quality is consistently higher at DCA.
Wow. Quoted for truth.Same goes for Test Track once RSR happens. Epcot is becoming more and more irrelevant the more they sit back and do nothing.
Indeed. Orlandos issue isn't so much dirty film, it's dirt ON film. IMAX projection rooms are meant to be sterile, and be sealed to outside air. DCAs is a true clean room. Epcots is a cheap room with an air handling system that can't hope to do the same. Hence dirt and dust in the air gets onto the film and projector glasswork.
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