Animaniac93-98
Well-Known Member
I am too and I'm hoping the two of them (especially top guy Iger) can push the stubborn TDO execs into doing stuff.
I am too and I'm hoping the two of them (especially top guy Iger) can push the stubborn TDO execs into doing stuff.
Maybe the definition of an E-ticket has changed? I'm not saying that it's all about thrills now, but even a well imagined and themed area, now a days, might need an element of thrill for this generation (which is MUCH different then the last generation) for it to get that E-ticket status. Just like guests likes and dislikes change, attraction classifications could as well.An E Ticket means much more than G forces to Imagineers and longtime Disney fans. But to the young generation "E Ticket" only means short thrill rides and barf bags, if they even know what an E Ticket is to begin with.![]()
Maybe the definition of an E-ticket has changed? I'm not saying that it's all about thrills now, but even a well imagined and themed area, now a days, might need an element of thrill for this generation (which is MUCH different then the last generation) for it to get that E-ticket status. Just like guests likes and dislikes change, attraction classifications could as well.
On a side note, as much validity as people put into this whole E-ticket thing, I would love to hear from an imageneer as to how they classify attractions. Do they talk about them like we do around each other, just to the general public, or they have a different system all together?
It looks like it might happen. I heard Iger was both pleased with WDI's presentations (yay for Fantasyland!) and annoyed to see that all of Lasseter's complaints about WDW were true (boo about poor maintenance and refurb scheduling). I honestly think that better days are ahead for WDW, as long as the people who recognize the resort's issues are allowed to properly fix the problems. Iger's visits brought hope to the Florida WDI team.
Of course, in the grand scheme of things, a change in exec leadership wouldn't hurt the P&R division, either.![]()
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I'm afraid that my family wouldn't be too big on riding "another kiddie dark ride."
Yes, we know that it's more than that, but when some people see The Little Mermaid on something and they assume it's schlock.
You can definitely expect a better queue. Because of the frequent rain, Florida versions generally get more elaborate queues than the California ones. Toy Story Midway Mania is a great example of this—we have a very impressive area designed to make Guests feel like they're shrinking to the size of a toy, while DCA has a series of switchbacks.
We do refer to the scope of an attraction by the letter ticket nomenclature. We also use the terms dark ride, flat ride, show etc. Just as pointed out, the higher the letter that usually means the higher the budget, size, complexity etc. The Little Mermaid will be the first true E-ticket to meet the quality standards set by Disney to be opened here in the states since Tower of Terror and Indiana Jones (Anaheim).On a side note, as much validity as people put into this whole E-ticket thing, I would love to hear from an imageneer as to how they classify attractions. Do they talk about them like we do around each other, just to the general public, or they have a different system all together?
kramden88;3486641Also said:On the old 20K plot in Fantasyland.
On the old 20K plot in Fantasyland.
lol time frame and the generation they were built had a LOT to do with this. are you trying to tell me a WDW PoTC built NOW would get an E ticket....cmon now....PotC, HM, and JC are still considered E-tickets without the thrill factors, and Guests are responding to TSMM as if it's an "E" when it's really only a "D." M:S is supposed to be an "E," but Soarin' gets much higher ridership without the same barf-worthy thrill.
good stuffWe do refer to the scope of an attraction by the letter ticket nomenclature. We also use the terms dark ride, flat ride, show etc. Just as pointed out, the higher the letter that usually means the higher the budget, size, complexity etc. The Little Mermaid will be the first true E-ticket to meet the quality standards set by Disney to be opened here in the states since Tower of Terror and Indiana Jones (Anaheim).
While Donosaur, EE and the like could be considered E-tickets, the important part of my post was the statement, "to meet the quality standards set by Disney." They meet the litmus tests to be E-tickets, mainly because of their budgets and size, but that's about all they have going for them.good stuff
so now that i know your in the know, can you shead some light on what soarin, TSMM, MILF, MS, EE (which i was sure was an E b/c of the complexity that went into designing the queue let alone the ride system and yeti), RnRC, TT, Dinosaur/CtX, or any other ride after ToT I forgot, and what there letter code is and why. sorry if thats gonna take a lot but i love disney imageneering and im really curious b/c the letter thing seamed really ambigious to me (but i was born in 86, when walt was around it was far more concrete), and people talk like the letters they believe are fact.
On a side note can you explain what is going to give TLM dark ride that E status and why Pooh's Hunny Hunt got the same thing. Is it just because of the LPS?
lol time frame and the generation they were built had a LOT to do with this. are you trying to tell me a WDW PoTC built NOW would get an E ticket....cmon now....
It looks like it might happen. I heard Iger was both pleased with WDI's presentations (yay for Fantasyland!) and annoyed to see that all of Lasseter's complaints about WDW were true (boo about poor maintenance and refurb scheduling). I honestly think that better days are ahead for WDW, as long as the people who recognize the resort's issues are allowed to properly fix the problems. Iger's visits brought hope to the Florida WDI team.
Of course, in the grand scheme of things, a change in exec leadership wouldn't hurt the P&R division, either.![]()
![]()
In regard to your question concerning TLM, the budget will be close to the $100 million mark and the attraction will include advanced AA, full-scale physical sets, elaborate effects etc. Pooh in Tokyo meets every criteria for E-ticket status in complexity, budget, sets, production etc.
The budget in Anaheim is over the $100 million mark ... by quite a bit from what I recall ... and this IS WDI, after all ... so whatever it is they'll go over it by quite a bit.
And if it comes to MK, it'll be stripped down a bit ...
~WDI: Home of the $7 million urinal~
Yea I know. When it comes to quoting budgets I tend to go below the "official" number just out of principal. I've heard $150 million and up for LMR! You and I both know that these budgets are waaaaayyyyyy overinflated. If my company (or most other independent themed entertainment design firms for that matter) were given the same budget for any Disney E-ticket we could deliver much more.The budget in Anaheim is over the $100 million mark ... by quite a bit from what I recall ... and this IS WDI, after all ... so whatever it is they'll go over it by quite a bit.
And if it comes to MK, it'll be stripped down a bit ...
~WDI: Home of the $7 million urinal~
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