LittleBuford
Well-Known Member
Can you offer any examples to back up this very sweeping and extreme assertion?And it's destroying the parks.
Can you offer any examples to back up this very sweeping and extreme assertion?And it's destroying the parks.
You know we are in the Splash Mountain thread right?Can you offer any examples to back up this very sweeping and extreme assertion?
Given that the retheme hasn’t even happened yet, I don’t think it can be offered as a valid example.You know we are in the Splash Mountain thread right?
One of the greatest themed attraction in the history of the world.
Did you just ask for an example?
Can you offer any examples to back up this very sweeping and extreme assertion?
I dislike this mural intensely, as I made clear in the Jungle Cruise thread. The problem here isn’t inclusivity, however, but design. The aesthetic is all wrong, regardless of the characters depicted in the poster.
I dislike this mural intensely, as I made clear in the Jungle Cruise thread. The problem here isn’t inclusivity, however, but design. The aesthetic is all wrong, regardless of the characters depicted in the poster.
No, I didn’t get one. There are plenty of recent examples of bad design at WDW that have nothing to do with inclusivity. The new crêperie in the France pavilion, the badly written Arabic in the Morocco pavilion, parts of the new entrance at the Polynesian, and the Harmonious barges are just some that spring to mind.You asked for a example. You got one.
I'd also argue that inclusive design doesn't cost more than design that isn't inclusive. (As was insinuated in another comment.)No, I didn’t get one. There are plenty of recent examples of bad design at WDW that have nothing to do with inclusivity. The new crêperie in the France pavilion, the badly written Arabic in the Morocco pavilion, parts of the new entrance at the Polynesian, and the Harmonious barges are just some that spring to mind.
Correlation isn’t causation. That the new Jungle Cruise mural seeks to be more inclusive is not the reason it looks bad.
That terrible mural replaced the well designed and non offensive mural in the queue. That is not just correlation. That is why that would be a reasonable "valid" example.Correlation isn’t causation.
It does when making something new for the sake of adding inclusivity costs additional money. Reimaginings. POTC, Jungle Cruise, Splash Mountain, Haunted Mansion (too soon?) etc.I'd also argue that inclusive design doesn't cost more than design that isn't inclusive. (As was insinuated in another comment.)
You're seriously going to maintain that the entrance to the Polynesian (to pick just one of my examples) was rebuilt in the name of inclusivity?I also find it funny that all of your examples, except for creperie, were creative moves that were pushed forward with the idea of(more marketable in the name of) culturing or not wanting to offend.
There was a list there that mentioned earlier in there with the idea in mind or as more marketable. Should the Polynesian culture not be a consideration in the design? The company pays a team at an executive level to oversee this aspect of design on major projects. I am not arguing against the idea of inclusiveness. If you hire an agenda team and pay them and promote them to the public...then your Polynesian themed hotel design should go over well and be...more Polynesian inspired than what was before it right? Or does inclusiveness only matter when they can squeeze it in as a selling point?You're seriously going to maintain that the entrance to the Polynesian (to pick just one of my examples) was rebuilt in the name of inclusivity?
It seems to me that you're stretching the concept well beyond what it can reasonably accommodate simply because it offers a convenient scapegoat. The common denominator here is bad design, nothing else.
But this is purely made up. The remodelled entrance at the Polynesian has nothing to do with an inclusivity agenda, nor has it resulted in the resort looking “more Polynesian than what was before it”; on the contrary, wood textures have been replaced by metal and concrete.If you hire an agenda team and pay them and promote them to the public...then your Polynesian themed hotel design should go over well and be...more Polynesian inspired than what was before it right?
An update on this: it's not even a mural, as previously reported. It's a piece of art in one of the galleries in Disney Springs, which is a moderate size, which is why some of us (myself included) misremembered it as a mural. Regardless of this fact, it was supposed to be for characters pre-dating 2000; replacing the Brer with Tiana relegates her to the bottom of the painting, away from the other princess, and not surrounded by other human characters. There are other characters from the time frame they could have chosen instead of giving Tiana the position of a sloppy tacked-on afterthought. Or, better yet, just give her her own beautiful pieces.Thanks! Do you know how I might find it on Google? I tried searching and got nowhere with the keywords I was using.
Exactly. The first sentence of this post sums up the issue with the executive level. Shouldn't it though?But this is purely made up. The remodelled entrance at the Polynesian has nothing to do with an inclusivity agenda, nor has it resulted in the resort looking “more Polynesian than what was before it”; on the contrary, wood textures have been replaced by metal and concrete.
Viewers back in 1946 recognised the issues with the film, which centre on its romanticised depiction of plantation life.I think a lot of people who criticize it have not seen it, and I've seen it three times and still can't figure out why it's blown up to be this big huge scary thing.
Thanks for this update. Do you have an image of the whole thing to share?An update on this: it's not even a mural, as previously reported. It's a piece of art in one of the galleries in Disney Springs, which is a moderate size, which is why some of us (myself included) misremembered it as a mural. Regardless of this fact, it was supposed to be for characters pre-dating 2000; replacing the Brer with Tiana relegates her to the bottom of the painting, away from the other princess, and not surrounded by other human characters. There are other characters from the time frame they could have chosen instead of giving Tiana the position of a sloppy tacked-on afterthought. Or, better yet, just give her her own beautiful pieces.
Thanks for this update. Do you have an image of the whole thing to share?
did you see itViewers back in 1946 recognised the issues with the film, which centre on its romanticised depiction of plantation life.
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