I ask this in sincerity- can anyone provide examples of period-appropriate artwork that might have inspired this mural? The criticism that the painting is completely anachronistic seems strong - it doesn’t FEEL appropriate, which in theme park terms is the most important thing - but I’m not an art historian.
I think the bright, saturated colors and inclusion of actual Disney characters (Louis) is adding to the anachronistic feel.
About 100 pages ago, I fell down a rabbit hole of research into this. For starters, Malaika Favorite is an artist with her own distinct style. I believe she was selected for the TBA mural because her current work is evocative of a particular African American movement in the southern U.S. stretching from the 1900s to today.
From Reconstruction to the Civil Rights era, the movement of self-taught (for obvious reasons) artists known as
memory painters who used traditional folk art colors, styles, and techniques to chronicle life events (like funerals, weddings, births, harvests, etc.) in the post-war South. Until photography became more accessible to African Americans, this is how much of their history was recorded. These artists are considered storytellers.
One of the most famous of these was
Clementine Hunter (active a bit later than 1920s, but part of the same movement and style). Her work was often painted on found objects (no money for canvases) called childish and amateurish by critics, but has since come to be seen as exemplary of the movement:
Another example would be
Sister Gertrude Morgan:
The earliest were people like
Bill Traylor, who were born enslaved but later became free to depict life from their own perspectives. The movement ran deep in Louisiana, Mississippi, Alabama, and the Carolinas, but spread north during the Great Migration. You can see some of the same colors and imagery that became so prominent in the Harlem Renaissance (which
@LittleBuford has pointed out).
I don't believe the TBA mural was done to imitate this style, I think Favorite was just being consistent with her own style. But hers has its place in a long and sacred tradition that would be consistent with what Imagineers seem to be going for: community memory folk art in the African American tradition.
Is it too much of a reach for WDI to go in a direction like this and expect audiences to dissociate the style from more contemporary versions drawn from the same inspiration? Maybe. Or maybe this is a good way to build in the authenticity they say they're committed to when representing cultures in their attractions and films.