I haven't seen where Iger was speaking specifically about Tiana's Bayou Adventure, but I think he was acknowledging that by putting so much emphasis on the cultural and representational aspect of the stories Disney's been telling, it crossed a big and vocal chunk of fans who don't care about all that and see it as indicative of societal decline.
But I also know Disney has another big chunk of fans who scrutinize their every move for appropriation, exclusion, and bad representation.
I don't think Disney anticipated that the first group would respond so vehemently to their attempts to be inclusive of the second.
And this, I believe is why they're rooting it in actual U.S. history and African American/bayou culture rather than JUST on the Princess and the Frog story. That will make it more timeless vs. just a trendy IP.So how is this ride going to age? poorly. Splash Mountain was one of the greatest theme park rides ever made, it was a big draw for people to the parks, now it's like replacing space mountain with the spiderman ride or the small world with a toy story mania clone.
My bad. I got my Mission Breakout and Cosmic Rewind wires crossed. I would have to agree that I thought retheming Tower of Terror in California Adventure was a mistake. Then we visited a few years back and rode it. I must admit that it was a lot of fun - completely different vibe from Tot. I actually enjoyed it. At that time I thought that it looked out of place but perhaps that has changed with the build out of the Avengers Campus. Cosmic Rewind is in the top two or three rides for my family in all of WDW so not a failure at all. Agreed that connection story to Epcot is weak but the vast majority of people could care less.updates are great. Snow White at Disneyland (along with the other dark rides there) are great examples of updating classic attractions.
Maelstrom and the Energy pavilion both needed updates, yes. They did not need complete rethemes that ruin the pavilions connection with the park.
And I was referring to Mission Breakout at California Adventure, although Cosmic Rewind isn’t much better but in a few years it can be re-themed back to universe of energy since it’s all screens anyways, haha.
You can do all of that but make Tiana a hero triumphing over a villian something exciting not just cooking its boringAnd this, I believe is why they're rooting it in actual U.S. history and African American/bayou culture rather than JUST on the Princess and the Frog story. That will make it more timeless vs. just a trendy IP.
As am I.Always glad to be helpful. Have a wonderful new year!
I know some here blame "messaging" for Disney's recent box office misses, but I don't think it's so simple. Disney is rebuilding its movie business around Direct-to-Consumer, and I think that's having a big effect on box office.Meaning… that they view it as an issue that needs to be corrected or they’ll continue losing money.
Are there no villains in Tiana's Bayou Adventure?You can do all of that but make Tiana a hero triumphing over a villian something exciting not just cooking its boring
I think they'd say it's because the story isn't at the center. But I think it's actually because they might be less of the focus. Why do I think this? Because the insistence that the TBA mural is "objectively bad," or "looks like something a child would do."Are they reacting poorly because they re not the center or because the story isn’t the center? This whole conversation started because of the mural that doesn’t fit in Frontierland or 1930’s New Orleans. Not because of Tiana.
I think they'd say it's because the story isn't at the center. But I think it's actually because they might be less of the focus. Why do I think this? Because the insistence that the TBA mural is "objectively bad," or "looks like something a child would do."
But by whose standards does it not fit? The audience segment feeling scorned. The WDI team thinks it fits. Disney retains the rights to change the area from Frontierland to Bayou land (or literally anything else).
To be clear: it's perfectly fine to not like the mural, to miss Splash Mountain, or to critique the theme or its execution. But in my opinion, minority cultures should be treated respectfully and not subject to mean spirited and condescending criticism from majority cultures, which is what I'm seeing a lot of here.
Did you see my post from this morning trying to show the art style's consistency with the self-taught memory painters? I think it's a pretty strong connection.My point is that the WDI team isn’t too concerned if it fits. Or at least not as concerned as the primary reason for it existing. I’m about 99% sure that it TBA was built 6 years ago that mural wouldn’t exist.
I think the art looks fine. It has its place. Its place just isn’t at Frontierland and part of an attraction that’s supposed to be set in 1920’s New Orleans. But I’m also not an art buff. The one with Louis looks out of place but the other one with those faces (that I’m not sure I saw until recently) really looks out of place. I do believe things can be objectively ugly or beautiful.
Did you see my post from this morning trying to show the art style's consistency with the self-taught memory painters? I think it's a pretty strong connection.
Totally fine for you to say, "I think it looks out of place." But if someone who is from there and steeped in that culture say, "no, actually, it's pretty authentic," it seems like a good response would be open-mindedness to new insight rather than dismissal based on your personal preferences.
Oh, I agree they seem to be taking some creative license here. They seem to be pulling in geography from well outside New Orleans, business practices from 15- or so years later, and art styles that were popularized 20 years after the 1920's setting of the film. All these things did actually exist in the time of TBA's setting, though.I don’t know who you are, nor know your background or education in these things. Even a generous view of actual historical figures or events this claims to draw inspiration from is off by a few decades, as is the case with this mural and art. Maybe they should have set it in the late 50’s or 60’s when it would’ve been more authentic to actual people and events.
Fog and smoke is a problem with ride sensors in many cases and that is why it goes away in real life applicationsAssuming I'm reading the leaves correctly, one thing I'm looking forward to is the addition of a fog screen and/or fog effects. It lends itself well in creating a swampy bayou mystique. So often fog and smoke effects are left on the cutting room floor or turned off later, never to return. With the addition of that "True Bayou Magic" hint, it seems likely it'll be a key aspect of the attraction. Possibly right before the big drop! Oh and scents too! Gimmicky to some, but I think they'll enhance and further differentiate it from the original attraction.
I'm hopeful that log flumes get a pass. Seems like they might still plan to integrate those effects.Fog and smoke is a problem with ride sensors in many cases and that is why it goes away in real life applications
Imagine fog at the bottom of the drop blocking a sensor that tells the brake at the top to let another RV drop out, if the way is not clear the brake won't release and the ride goes down until the control has all the sensor readings back. Dropping through fog would be OK but at the block transitions it will interfereI'm hopeful that log flumes get a pass. Seems like they might plan to incorporate some.
Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.