Figments Friend
Well-Known Member
This Attraction better be good…..
( pounds fist into hand firmly )
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( pounds fist into hand firmly )
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This Attraction better be good…..
( pounds fist into hand firmly )
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A look at Maelstrom and DCA’s Tower of Terror will give you an idea of how this will go.I almost hope that this retheme tanks and is rejected by park fans, with lower guest satisfaction scores than it's predecessor. With the hope that it makes Disney think twice about retheming rides in the future.
I actually like Mission Breakout a lot. Of course, the fact that I can still ride the better ToT influences my opinion, I’m sure.A look at Maelstrom and DCA’s Tower of Terror will give you an idea of how this will go.
DCA ToT<DCA GotG<DCA GotG:MAD<<<<<DHS ToT.I actually like Mission Breakout a lot. Of course, the fact that I can still ride the better ToT influences my opinion, I’m sure.
Or posters complaining about posters.Slow news day if we're complaining about posters on a construction wall.
Or posters complaining about posters.
Or posters complaining about posters complaining about posters.
And pray tell, what were those officially released rationalizations?Just look to how they rationalized the box office failure of PATF (which now for some odd reason has two massive E ticket attractions, a standalone restaurant, and soon multiple retail locations, etc., all while never being a major retail or sales driver).
Not me, the way it ruined the skyline and theming of DCA is really bad and I don’t care for the attraction at all. It doesn’t make sense, and feels like a universal ride.I actually like Mission Breakout a lot. Of course, the fact that I can still ride the better ToT influences my opinion, I’m sure.
Box-office returns aren't everything. I suppose it's subjective, but I feel pretty confident saying (almost as a statement of fact) that The Princess and the Frog is an infinitely superior film to Chicken Little, and one that has left a much larger cultural mark.Just look to how they rationalized the box office failure of PATF in 2009.
PATF, now for some curious reason, has two massive E ticket attractions, a standalone restaurant, and soon multiple retail locations, etc., all while never being a major merch or revenue driver.
“Sure, it made less than those iconic Disney films Bolt, Chicken Little, and G-Force that year at the box office, but it was important and is beloved by audiences (in ways we cannot show you, but believe us, they really do).”
“I mean sure, that cherished blockbuster Chicken Little has even sold 20% more DVD’s and Blu-Rays than PATF since release, but seriously, PATF is HUGE! Or something!”
See, it’s easy.
Box-office returns aren't everything. I suppose it's subjective, but I feel pretty confident saying (almost as a statement of fact) that The Princess and the Frog is an infinitely superior film to Chicken Little, and one that has left a much larger cultural mark.
Unless it’s The Black Cauldron.This is why using a films initial box office can certainly give some information, but is foolish to use when discussing a films impact or cultural presence.
So many important films have had lousy box offices and live on. That’s the beauty of film, it’s forever.
Unless it’s The Black Cauldron.
DCA ToT<DCA GotG<DCA GotG:MAD<<<<<DHS ToT.
Kitchen Kabaret overlay confirmed!Ok, so we are getting turned into food. Finally, something interesting!
I’ve been to both nearly as much here’s why DCA is so low:
-Ruins its normal elevator theme immediately by being pushed back from the drop shaft ruining the tension.
-Wave goodby to the real world was always cheesy and the mirror effect not super impressive
-No random drop sequence
-Always seemed so short of a ride cycle
DCA ToT is to DHS ToT as MK PotC is to DLs, a hacked half experience. At least GotG does its own thing, has random drops and does the fun bounces during the video sections, it’s more fun. MAD is better though because of the creepy queue changes, the cast acting terrified, and the rock soundtrack. It still can’t hold a candle to DHS ToT though.
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