In regards to Facilier, has Disney ever even cared that much about continuity until now? Look at the
Ratatouille ride - how does THAT relate to the continuity of the movie? Remy apparently has his restaurant, but Gusteau's is still open (it was shut down by the health department) and Skinner still works there (Linguini tossed his butt to the curb after he became owner of the restaurant). Not to mention Gaston is walking around alive after he fell off the roof of a castle, Rapunzel still has her long blonde hair, the Beast is still a beast, Ariel is still a mermaid if you happen to meet her in her grotto...
Would anybody even care if Facilier appeared in the attraction just because it takes place after the movie?
PATF, now for some curious reason, has two massive E ticket attractions, a standalone restaurant, and soon multiple retail locations, etc., all while never being a major merch or revenue driver.
That's what I've been saying before. Disney initially brushes the film off as a flop and ignores it for years and now all of a sudden it's getting an attraction, a restaurant, etc.? Granted, I'm sure Tiana merchandise has always sold really well, but if that's the case, why did it take a whole decade for the character to get an attraction? It's all very suspicious.
And pray tell, what were those officially released rationalizations?
Well, you see, the film wasn't even an actual flop - it just didn't do as well as Disney was hoping it would. This is because they gave it a crummy release date up against
Avatar,
Sherlock Holmes, and the second
Alvin and the Chipmunks sequel (that SOMEHOW was such a huge hit!). So what did Disney think? They assumed that it was a flop because it was hand-drawn as opposed to CGI (reminder, when
Strange World flopped they didn't automatically assume it was because people don't like CGI animation anymore). They also thought it was because the name of the film was too "girly", which was why
Tangled wasn't called
Rapunzel.
Box-office returns aren't everything. I suppose it's subjective, but I feel pretty confident saying (almost as a statement of fact) that The Princess and the Frog is an infinitely superior film to Chicken Little, and one that has left a much larger cultural mark.
No argument there (although I've never thought that
Chicken Little was that bad).