General Grizz said:The design fits well in an airport. The design is cool.
I think the placement is flawed, however.
That is a REALLY complex answer, Sean, and the reason I haven't put it out there yet is because there's so much to discuss. Ironically, it's the mixture of two KINDS of good that ultimately make the Land flawed!AdLibSean said:Hey Grizz, let me add my thanks to the already many thanks you've received. I'd be interested to get your take on why you think the placement is flawed. Not that I disagree...just interested. :wave:
General Grizz said:I agree that Soarin' fits in Test Track. The Motion pavilion is based on transportation, getting place. "From here to there, for every need and every care," according to the World of Motion. .
Steve, I meant that the Travel Agency theming fits more in a pavilion that celebrates travel and transportation. The airport/travel agency idea was brought to The Land, but there is not much in an airport theme that contributes to the themes behind the Land: man's interaction with nature.wdwmagic said:On that basis would you put Living with the Land in the motion pavilion aswell, since it involves a boat (transporation)?
To me Soarin' fits perfectly in the Land. Forget the ride system, Soarin' is about giving guests a unique way to experience the Land. There arent many people who get to handglide over such spectacular landscapes. Soarin' gives people that chance, and does it very well indeed.
askmike1 said:1) I completely agree with Steve. Whether your watching a movie about 'The Land', taking a boat ride to learn about 'The Land' or flying above the diversity of 'The Land', you are still dealing with The Land. Although the ride part of Soarin' has to do with flying, the story of Soarin has entirely to do with showing us the different types of land in the world.
maelstrom said:The Land now feels like a congested airport. The queue for Soarin' will extend to the exterior of the pavilion on peak days, based on what CMs have said. This will cause backups on the ramps, leading to even more frenzy. The frantic feeling of the airport fits in with the lines, but not the theme of a serene land that was depicted in the version we had before. The peaceful and serene feeling of The Land is gone. There is no more "land" in The Land. They killed The Land. The Land is dead.
It is huge, but even the CMs have said that the new railings outside of the Land were constructed in order to "ease guest flow into the pavilion..."GymLeaderPhil said:There is plenty of queue space in Soarin'... I doubt that we will ever see it filled. The pictures do not do the queue space justice, because it's huge.
General Grizz said:Steve, I meant that the Travel Agency theming fits more in a pavilion that celebrates travel and transportation. The airport/travel agency idea was brought to The Land, but there is not much in an airport theme that contributes to the themes behind the Land: man's interaction with nature.
The most obvious improvement to the story of The Land is the addition of Soarin’. Regardless of whether the attraction has been borrowed from California Adventure, movie and all, Soarin’ is a gorgeous flight over The Land, showing us vistas such as oceanscapes, mountains, rivers, crops, and civilization. It is a rich, aroma filled extension of the story being told in Living with the Land, providing an exhilarating interaction for the human passengers with nothing but the earth beneath them.General Grizz said:Where can you see the STORY of the Land being improved?
Not from the views provided so far. Along with the story that Soarin’ and its queue are presenting, the previous stories found inside Living with the Land, Circle of Life, the Garden Grill remain apparently. The rethemed balloons continue to tell us the story of the seasons, now with the addition of seasonally themed, vibrantly colored groundscapes below them in the newly configured seating areas. The new, as yet unopened Sunshine Season food court area is providing a new story as well, with new, fresher, and more internationally varied cuisine allowing the ingredients born from The Land to tell their own story through taste.Is there anywhere where the story of the Land is NOT being told?
Again, the biggest change is the addition of Soarin’ and yes, it is for the best as already described. The fountain is now gone, but the story of water has not been lost since it can be found nearby aboard the boats in Living with the Land. The other most significant and far reaching change is the overall redesign of the Pavilion’s color scheme and introduction of more contemporary materials and styles, from innovative metal trees to eye-popping patterns. The Land now stands unrivalled in beauty compared with Future World’s other Pavilions, offering new visual rhythms and a sense of grace unseen previously inside these walls.What was the biggest change, and was it for the best? In terms of beauty? In terms of storytelling or uniqueness?
It complements it, it matches it, and it contrasts it all at the same time. The white brings us the color of clouds, apple blossoms, and snow and a feeling of freshness. The seasonal colors on the main floor demonstrate the myriad of colors that swirl around us throughout each year. The bright yellow tapestries surrounding the brightly colored seasonal balloons are like the rays of the sun shining down on The Land below. Overall, the new color scheme brings a new burst of life and airy color to a previously dark, drab, cavernous space.Does the color scheme complement the Land?
Soarin’ stands as a testimony to man’s ability to connect with the earth and its atmosphere in new ways. The airport theme reminds us of how we can reach those heights in our everyday lives. The new Sunshine Season dining area will bring us a dramatically different selection of foods. There will be nothing fried, no burgers, and everything will be prepared fresh before your eyes, demonstrating in stark contrast to the previous menu how much smarter man has become about the foods we eat and the methods in which we cook them. Food grown right inside Living with the Land’s hydroponic gardens will provide a touchstone to the story told throughout the Pavilion.Point out new areas where we see man's interaction with nature highlighted.
mickhyperion said:Since the bulk of the discussion is happening in this thread, I'm going to repeat my comments from the other Land thread. Sorry for the redundancy.
The most obvious improvement to the story of The Land is the addition of Soarin’. Regardless of whether the attraction has been borrowed from California Adventure, movie and all, Soarin’ is a gorgeous flight over The Land, showing us vistas such as oceanscapes, mountains, rivers, crops, and civilization. It is a rich, aroma filled extension of the story being told in Living with the Land, providing an exhilarating interaction for the human passengers with nothing but the earth beneath them.
That they have chosen to lead guests into this experience through an airport themed extension of the Pavilion is clever and contemporary. The story it tells us is that through these portals, flight can give you views of The Land that you cannot see from the ground. Rather than take us on some sort of nostalgic trip through the past to theme this attraction, Disney has presented us with an opportunity available to all in the 21st century: a modern airport, inspiring young and old to seek out this connection with the earth and its atmosphere.
Not from the views provided so far. Along with the story that Soarin’ and its queue are presenting, the previous stories found inside Living with the Land, Circle of Life, the Garden Grill remain apparently. The rethemed balloons continue to tell us the story of the seasons, now with the addition of seasonally themed, vibrantly colored groundscapes below them in the newly configured seating areas. The new, as yet unopened Sunshine Season food court area is providing a new story as well, with new, fresher, and more internationally varied cuisine allowing the ingredients born from The Land to tell their own story through taste.
Again, the biggest change is the addition of Soarin’ and yes, it is for the best as already described. The fountain is now gone, but the story of water has not been lost since it can be found nearby aboard the boats in Living with the Land. The other most significant and far reaching change is the overall redesign of the Pavilion’s color scheme and introduction of more contemporary materials and styles, from innovative metal trees to eye-popping patterns. The Land now stands unrivalled in beauty compared with Future World’s other Pavilions, offering new visual rhythms and a sense of grace unseen previously inside these walls.
It complements it, it matches it, and it contrasts it all at the same time. The white brings us the color of clouds, apple blossoms, and snow and a feeling of freshness. The seasonal colors on the main floor demonstrate the myriad of colors that swirl around us throughout each year. The bright yellow tapestries surrounding the brightly colored seasonal balloons are like the rays of the sun shining down on The Land below. Overall, the new color scheme brings a new burst of life and airy color to a previously dark, drab, cavernous space.
Soarin’ stands as a testimony to man’s ability to connect with the earth and its atmosphere in new ways. The airport theme reminds us of how we can reach those heights in our everyday lives. The new Sunshine Season dining area will bring us a dramatically different selection of foods. There will be nothing fried, no burgers, and everything will be prepared fresh before your eyes, demonstrating in stark contrast to the previous menu how much smarter man has become about the foods we eat and the methods in which we cook them. Food grown right inside Living with the Land’s hydroponic gardens will provide a touchstone to the story told throughout the Pavilion.
This new era for The Land looks to be one of dynamic excitement, new experiences, and a furthering of the Pavilion’s story without diluting it in the least. The Land looks renewed and envigorated like a bountiful garden and is sure to inspire the imagination and the taste buds, while providing a highly repeatable destination for all to enjoy.
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