Smiley/OCD
Well-Known Member
And now that it will become a bayou, those pesky alligators that occasionally wonder onto the outside of SM, can now fit right in without batting an eye…maybe in the ride itself…
Mr. Penguin, judging from your many comments here, you seem to be a relatively strong proponent of this makeover, but this question is for anyone with a positive outlook on this:
Do you really believe that Disney is going to knock this out of the park or do you think we're likely getting a screen-laden overlay with three new animatronics, a dozen animatronics removed, a semi-incoherent plot, and very little thrill factor (aside from the drop itself, which will probably make no sense in the context of the story.).
I'm asking because I would like to ride a good attraction, whether it replaces a classic or not. I'd rather they not replace Splash Mountain, but whatever. However, I fear that everything I said in the second half of this comment is going to be true. And that would not be an attraction worth riding, waiting in line for, or even getting excited for.
Mr. Penguin, judging from your many comments here, you seem to be a relatively strong proponent of this makeover, but this question is for anyone with a positive outlook on this:
Do you really believe that Disney is going to knock this out of the park or do you think we're likely getting a screen-laden overlay with three new animatronics, a dozen animatronics removed, a semi-incoherent plot, and very little thrill factor (aside from the drop itself, which will probably make no sense in the context of the story.).
I'm asking because I would like to ride a good attraction, whether it replaces a classic or not. I'd rather they not replace Splash Mountain, but whatever. However, I fear that everything I said in the second half of this comment is going to be true. And that would not be an attraction worth riding, waiting in line for, or even getting excited for.
Mr. Penguin, judging from your many comments here, you seem to be a relatively strong proponent of this makeover, but this question is for anyone with a positive outlook on this:
Do you really believe that Disney is going to knock this out of the park or do you think we're likely getting a screen-laden overlay with three new animatronics, a dozen animatronics removed, a semi-incoherent plot, and very little thrill factor (aside from the drop itself, which will probably make no sense in the context of the story.).
I'm asking because I would like to ride a good attraction, whether it replaces a classic or not. I'd rather they not replace Splash Mountain, but whatever. However, I fear that everything I said in the second half of this comment is going to be true. And that would not be an attraction worth riding, waiting in line for, or even getting excited for.
I agree. I loved PatF, and I've been a big advocate for it getting it's own ride. But this has mediocrity at best written all over it. I too hope I a wrong, I just can't see any way that I am. The big problem with this whole project is, anything less than perfection, will be seen as a failure. But that is what happens when you decide to change a ride that is about as close to perfection as you can get.I personally don't have faith they will do a great job with this but I hope I am back here eating those words when they are done.
View attachment 650696
How Bowers and his eye for fonts, kerning, and serifs strikes again. Cannot unsee.
Seems pretty obvious people will call this "Tiana's" . . .Why not Just ¨Bayou Falls¨or ¨Bayou Mountain.¨
I get they want to distance themselves from Splash, fine, but good god this name is weak.
At least for ¨Remy's Ratatouille Adventure¨ everyone just calls it ¨Ratatouille,¨ ¨Remy,¨ or ¨Rat.¨
Cosmic Rewind is a great name, so what was the thinking here? I guess there wasn't any.
Yes, exactly. Not a big deal, but set off my OCD. Here’s how he would fix it.I don't get it. Is the suggestion that the N of "Tiana" is too far from the first A?
FTFYAnd now that it will become a bayou, those pesky alligators that occasionally wonder onto the outside of TBA, can now fit right in without batting an eye…maybe in the ride itself…
Yes, exactly. Not a big deal, but set off my OCD. Here’s how he would fix it.
HB has been doing design for a very long timeHis version looks good, but I don't see the problem with the original design. The claim that the A is too far from the N makes little sense given that it's exactly the same distance from the I that precedes it.
ETA: Looking again, I see that the gap he perceives results more from the relationship of the N to the second A. His spacing does indeed look more balanced. That said, I'm not seeing anything approaching TI ANA's in the original arrangement.
Screens are here to stay, at every park, might as well embrace them.
I didn't criticise his redesign; on the contrary, I acknowledged it as an improvement. That doesn't mean I have to agree with him that the original spacing resembles TI ANA'S, however. Others may see it that way, but I don't.HB has been doing design for a very long time
I embrace them when and if they do something embraceable.Screens are here to stay, at every park, might as well embrace them.
Thank goodness you did this. Disney will def change it now!View attachment 650798
Whipped this logo up in about 20 mins in Photoshop. They could've used this name in reference to the fact there's several drops and the new theme. It's a win-win.
Screens are to parks what cgi is to movies.I embrace them when and if they do something embraceable.
There are attractions that make good use of screens, but there are unfortunately many more that fail to use them as anything more than a design shortcut. An exceptional "screen" element will make you believe in what you are meant to be seeing and draw you deeper into the world of the attraction, but few things will pull you out of the world faster than a screen effect that's poorly executed.
Consider how Madame Leota in The Haunted Mansion has been effective and enchanting for more than 50 years, and yet Costance Hatchaway in the same ride feels stale and lame after a little more than a decade.
And generally speaking, I can't think of a design element that has lower batting average than projections and screens. Far too many of them are obvious, lazy, or poorly integrated, and ones that genuinely elevate the attraction are quite few and far between. That their use is on the rise seems to contribute more to the first category than the second, which is really troubling, especially as the cost to visit theme parks also increases.
The distaste for screens isn't unfounded.
Screens *can* be fine. But, to me, you lose an important dimension to it all. Our brains perceptively register you’re watching a screen, and keeps you from fully buying in to the experience. At some point, why not just watch ride videos?I embrace them when and if they do something embraceable.
There are attractions that make good use of screens, but there are unfortunately many more that fail to use them as anything more than a design shortcut. An exceptional "screen" element will make you believe in what you are meant to be seeing and draw you deeper into the world of the attraction, but few things will pull you out of the world faster than a screen effect that's poorly executed.
Consider how Madame Leota in The Haunted Mansion has been effective and enchanting for more than 50 years, and yet Costance Hatchaway in the same ride feels stale and lame after a little more than a decade.
And generally speaking, I can't think of a design element that has lower batting average than projections and screens. Far too many of them are obvious, lazy, or poorly integrated, and ones that genuinely elevate the attraction are quite few and far between. That their use is on the rise seems to contribute more to the first category than the second, which is really troubling, especially as the cost to visit theme parks also increases.
The distaste for screens isn't unfounded.
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