News Splash Mountain retheme to Princess and the Frog - Tiana's Bayou Adventure

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dreday3

Well-Known Member
Mr. Penguin, judging from your many comments here, you seem to be a relatively strong proponent of this makeover, but this question is for anyone with a positive outlook on this:

Do you really believe that Disney is going to knock this out of the park or do you think we're likely getting a screen-laden overlay with three new animatronics, a dozen animatronics removed, a semi-incoherent plot, and very little thrill factor (aside from the drop itself, which will probably make no sense in the context of the story.).

I'm asking because I would like to ride a good attraction, whether it replaces a classic or not. I'd rather they not replace Splash Mountain, but whatever. However, I fear that everything I said in the second half of this comment is going to be true. And that would not be an attraction worth riding, waiting in line for, or even getting excited for.

I think there will be animatronics, I think there will be screens, I think there will be lighting effects to simulate fireflies and if done right, it can all be pretty awesome.

Screens are here to stay, at every park, might as well embrace them.

As for story, have to be honest, I could never figure out what the heck was happening on Splash. I just heard a little tune (barely, found it hard to hear on that ride) watched the animatronics and enjoyed the drop. 🤣
 

tanc

Premium Member
I wish Disney live streamed these events, I guess there was nothing significant, but we won't even know unless there's a press release
 

brettf22

Premium Member
BA86517D-1767-4B30-86A0-E822F590E88B.jpeg


How Bowers and his eye for fonts, kerning, and serifs strikes again. Cannot unsee.

 

TheMaxRebo

Well-Known Member
Mr. Penguin, judging from your many comments here, you seem to be a relatively strong proponent of this makeover, but this question is for anyone with a positive outlook on this:

Do you really believe that Disney is going to knock this out of the park or do you think we're likely getting a screen-laden overlay with three new animatronics, a dozen animatronics removed, a semi-incoherent plot, and very little thrill factor (aside from the drop itself, which will probably make no sense in the context of the story.).

I'm asking because I would like to ride a good attraction, whether it replaces a classic or not. I'd rather they not replace Splash Mountain, but whatever. However, I fear that everything I said in the second half of this comment is going to be true. And that would not be an attraction worth riding, waiting in line for, or even getting excited for.

I am overall positive about this and I think the change will be in-between those two scenarios. There will definitely be less total animatronics but will Uncle several modern version ones that look really good, and some other more simple ones and then some screens and projection effects includes as well.

No idea about the story but I think that part should be fine and the thrills should be the same as before - maybe even heightened if they utilize Friends of the Other Side well ( could be creepy)

It likely won't be perfect but I think it will be well done overall and not a quick, cheap, 99% screens overlay
 

Dranth

Well-Known Member
Mr. Penguin, judging from your many comments here, you seem to be a relatively strong proponent of this makeover, but this question is for anyone with a positive outlook on this:

Do you really believe that Disney is going to knock this out of the park or do you think we're likely getting a screen-laden overlay with three new animatronics, a dozen animatronics removed, a semi-incoherent plot, and very little thrill factor (aside from the drop itself, which will probably make no sense in the context of the story.).

I'm asking because I would like to ride a good attraction, whether it replaces a classic or not. I'd rather they not replace Splash Mountain, but whatever. However, I fear that everything I said in the second half of this comment is going to be true. And that would not be an attraction worth riding, waiting in line for, or even getting excited for.

A few animatronics and screens is better than the busted mess this thing is turning into. Besides, what is the alternative? They aren't going to back out of this.

I personally don't have faith they will do a great job with this but I hope I am back here eating those words when they are done.
 

erasure fan1

Well-Known Member
I personally don't have faith they will do a great job with this but I hope I am back here eating those words when they are done.
I agree. I loved PatF, and I've been a big advocate for it getting it's own ride. But this has mediocrity at best written all over it. I too hope I a wrong, I just can't see any way that I am. The big problem with this whole project is, anything less than perfection, will be seen as a failure. But that is what happens when you decide to change a ride that is about as close to perfection as you can get.
 

yensidtlaw1969

Well-Known Member
Why not Just ¨Bayou Falls¨or ¨Bayou Mountain.¨

I get they want to distance themselves from Splash, fine, but good god this name is weak.

At least for ¨Remy's Ratatouille Adventure¨ everyone just calls it ¨Ratatouille,¨ ¨Remy,¨ or ¨Rat.¨


Cosmic Rewind is a great name, so what was the thinking here? I guess there wasn't any. :D
Seems pretty obvious people will call this "Tiana's" . . .
 

LittleBuford

Well-Known Member
Yes, exactly. Not a big deal, but set off my OCD. Here’s how he would fix it.


His version looks good, but I don't see the problem with the original design. The claim that the A is too far from the N makes little sense given that it's exactly the same distance from the I that precedes it.

ETA: Looking again, I see that the gap he perceives results more from the relationship of the N to the second A. His spacing does indeed look more balanced. That said, I'm not seeing anything approaching TI ANA's in the original arrangement.
 
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JoeCamel

Well-Known Member
His version looks good, but I don't see the problem with the original design. The claim that the A is too far from the N makes little sense given that it's exactly the same distance from the I that precedes it.

ETA: Looking again, I see that the gap he perceives results more from the relationship of the N to the second A. His spacing does indeed look more balanced. That said, I'm not seeing anything approaching TI ANA's in the original arrangement.
HB has been doing design for a very long time
 

LittleBuford

Well-Known Member
HB has been doing design for a very long time
I didn't criticise his redesign; on the contrary, I acknowledged it as an improvement. That doesn't mean I have to agree with him that the original spacing resembles TI ANA'S, however. Others may see it that way, but I don't.
 

yensidtlaw1969

Well-Known Member
Screens are here to stay, at every park, might as well embrace them.
I embrace them when and if they do something embraceable.

There are attractions that make good use of screens, but there are unfortunately many more that fail to use them as anything more than a design shortcut. An exceptional "screen" element will make you believe in what you are meant to be seeing and draw you deeper into the world of the attraction, but few things will pull you out of the world faster than a screen effect that's poorly executed.

Consider how Madame Leota in The Haunted Mansion has been effective and enchanting for more than 50 years, and yet Costance Hatchaway in the same ride feels stale and lame after a little more than a decade.

And generally speaking, I can't think of a design element that has lower batting average than projections and screens. Far too many of them are obvious, lazy, or poorly integrated, and ones that genuinely elevate the attraction are quite few and far between. That their use is on the rise seems to contribute more to the first category than the second, which is really troubling, especially as the cost to visit theme parks also increases.

The distaste for screens isn't unfounded.
 

Incomudro

Well-Known Member
I embrace them when and if they do something embraceable.

There are attractions that make good use of screens, but there are unfortunately many more that fail to use them as anything more than a design shortcut. An exceptional "screen" element will make you believe in what you are meant to be seeing and draw you deeper into the world of the attraction, but few things will pull you out of the world faster than a screen effect that's poorly executed.

Consider how Madame Leota in The Haunted Mansion has been effective and enchanting for more than 50 years, and yet Costance Hatchaway in the same ride feels stale and lame after a little more than a decade.

And generally speaking, I can't think of a design element that has lower batting average than projections and screens. Far too many of them are obvious, lazy, or poorly integrated, and ones that genuinely elevate the attraction are quite few and far between. That their use is on the rise seems to contribute more to the first category than the second, which is really troubling, especially as the cost to visit theme parks also increases.

The distaste for screens isn't unfounded.
Screens are to parks what cgi is to movies.
Used sparingly, they can deliver things that props can never do.
Overuse - and both of these things lead to overuse - they become distractions unto themselves.
I could see screens used to great effect as depth and background for Tiana's if they don't get out of hand.
I don't know PatF (I should check it out) but from the little that I've seen, the movie can really lend itself to great visuals for this re-do.
That's coming from a guy who doesn't want this.
So, yes - I'm hoping they do this well.
 

Tha Realest

Well-Known Member
I embrace them when and if they do something embraceable.

There are attractions that make good use of screens, but there are unfortunately many more that fail to use them as anything more than a design shortcut. An exceptional "screen" element will make you believe in what you are meant to be seeing and draw you deeper into the world of the attraction, but few things will pull you out of the world faster than a screen effect that's poorly executed.

Consider how Madame Leota in The Haunted Mansion has been effective and enchanting for more than 50 years, and yet Costance Hatchaway in the same ride feels stale and lame after a little more than a decade.

And generally speaking, I can't think of a design element that has lower batting average than projections and screens. Far too many of them are obvious, lazy, or poorly integrated, and ones that genuinely elevate the attraction are quite few and far between. That their use is on the rise seems to contribute more to the first category than the second, which is really troubling, especially as the cost to visit theme parks also increases.

The distaste for screens isn't unfounded.
Screens *can* be fine. But, to me, you lose an important dimension to it all. Our brains perceptively register you’re watching a screen, and keeps you from fully buying in to the experience. At some point, why not just watch ride videos?
 
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