Wow, you must be kicking yourself for not knowing. That's why it's worth going on premier day.Michel was standing at the ride exit when we got off the boat. Our friends who rode with us let him know how amazing we thought it was.
Of course I had no idea who the guy was until they explained it as we were walking away lol. Otherwise I'd have thrown him a compliment too!
Not necessarily.Maelstrom was a short ride to begin with. The fact that they were able to add some time to it to add in some scenes is a good thing. It looks like an upgrade, and the technology is great. My only complaint is the EPCOT tier system will make it impossible to do the park in one day without missing one of: Soarin, Test Track, Frozen.
That expression on that CM Says..."I'm so Done with my life!"spotted this today
Whenever you have those kinds of thoughts... just look at photos like these... and think of the alternatives
Disney has long used the queue as the opening chapter of an attraction. Frequently used to introduce concepts (like how its done in Everest).. or set tones and transitions (like Nemo)... or simply entertain and impress while waiting.
The alternative blows.
Yes but that ride sucks lol.
Understood. I'm a little biased too since I hated Maelstrom. I don't mind low tech rides, but I felt the ride made no cohesive sense and felt far below the Disney standard. However, I agree with you that a World Showcase ride shouldn't attend to the general Disney corporate machine. Basically what I'm saying is that I felt they needed to replace Maelstrom, but with something that fit the unique tone of World Showcase and actually ties into the country of Norway in some significant way. But instead, we ended up getting a Fantasyland ride in a place where it doesn't belong. While I'm personally a big fan of Frozen, I'll admit they've gone overboard with it (the Sing along is a complete waste of space and needs to go asap) and was unsure of how the ride's poor placement would affect its quality positively or negatively. Judging from the videos, I was very pleasantly surprised to see that the ride ending up being better than even my most optimistic predictions. In the end, we both have past experiences that help inform how we ended up feeling about the attraction. Its as simple as that.That's something I strongly disagree with. I preferred Maelstrom because of how unique it was compared to the general Disney corporate machine. Technically inferior, uniquely its own. It's now TLM with better pacing. Believe it or not, there is not a designated correct preference.
I'll admit upfront, I don't like Frozen. I think amongst the pre designated Disney classics, it's at or near the bottom. So take that for what it is.
The fact that Tony believed so deeply in him and went way out of his way to get him in WDI should speak volumes about his talent.Indeed.
Tony strongly felt that Michel was just the type of 'new blood' needed for WDI.
A lot of effort and quite a bit of trouble went into getting him hired and over here Stateside from what I have heard.
He believed in him, and believed Michel had a lot to offer and could bring a valuable dose a quality design to the table.
His work speaks for himself, as all good work does, and the work he did for Disneyland's 'Fantasy Faire' was quite nice.
I definitely see Michel's artistic influence in the queue areas.
Looks great!
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The thing with HM and Pirates though is that every little vignette tells a story, whether it's the bride auction, the prisoners trying to escape, the drunk with the pigs, Madam Leota, the dog in the graveyard... they're clearly incidents in a bigger tale, and that builds up into a rich experience where you're drawn into a world, instead of just having a few figures waving and singing at you. It's that world building and micro-stories that elevate a dark ride from being a promo-piece to a fully immersive experience that you can ride over and over and still see new things. It's a skill completely lost to today's imagineers.
how come WDW always has to be the lab rat to test rides and technology that will be *perfected* in DL?
I would have to watch the movie again (haven't seen it since it's initial theater run)... but I remember the sets being TALL (like no ceiling) not necessarily bare.
People should know Norwegians are pretty utilitarian... tidy, even sparse, and efficient are cultural traits as well. But while the hallways, etc in the castle may not have been cluttered with lots of stuff, they were not devoid of style or detail.
I can see them adding to this attraction eventually (maybe with more background stuff, and cleaning up any clunky AA problems. I think they were rushed into finishing it, which unfortunately left some areas wanting (mostly blank screens, Dead Olaf).
What I am mostly hoping for is that there is a return to normalcy for Stave Church.
A few things, actually.what was planned for japan?
Oh boy.
I'm having difficulty seeing it for what it is on its own and cannot stop seeing Maelstrom. The ride path is identical so I find myself comparing. It's too bad they couldn't change it more to be more original. I'm sure I'll get plenty used to it.
I personally prefer more book report like attractions for movies and slow rides like this and I feel like it's a bit scattered with random scenes. Just feels disorganized to me.
The Olaf AAs are really awesome however and the colors and other technological elements are beautiful.
Help me understand-is the old disembarking area the new load area? Or am I confused at what I'm looking at. Also, there does appear to be some sort of indoor queue which was reported a long time ago to not be happening. ?
Oh boy.
I'm having difficulty seeing it for what it is on its own and cannot stop seeing Maelstrom. The ride path is identical so I find myself comparing. It's too bad they couldn't change it more to be more original. I'm sure I'll get plenty used to it.
I personally prefer more book report like attractions for movies and slow rides like this and I feel like it's a bit scattered with random scenes. Just feels disorganized to me.
The Olaf AAs are really awesome however and the colors and other technological elements are beautiful.
Help me understand-is the old disembarking area the new load area? Or am I confused at what I'm looking at. Also, there does appear to be some sort of indoor queue which was reported a long time ago to not be happening. ?
Ok I can see that clearer now. Thanks!Yes, the old unload area is now the load area. The space that used to hold the theater with the film is now part of the indoor queue.
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