Disneyhead'71
Well-Known Member
What if they call it Toy Story Midway? Like Andy built a Carnival out of Tinker Toys and such.
The term E Ticket is used, as I understand it, to categorize the best examples of theming, scale, and quality of the ride experience. There is a very clear and distinct difference between this........
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.............and this.
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Even people who don't like Tower of Terror at all could admit that it's on a completely different level than Dumbo.
I know how Disney used it. I was referring to how it's used in the fan community.The Ticket lettering scheme was a way for Disney to charge more for the most popular rides since you bought tickets for each ride back in the day.
I imagine, if they were to implement that strategy today, theming, etc. wouldn't be as much of a consideration as popularity and demand would be.
I dont understand why anyone would complain about Disney adding highly themed flat rides to DHS. Honestly flat rides are great at adding capacity and atmosphere to the parks. I would go as far to say that certain flat rides are as iconic to Disney as many E Tickets. DHS could benefit greatly from these rides and would really have wonderful little Toy Story themed area anchored by Midway Mania. As long as there is a balance between large attraction and smaller ones (which there would be in DHS) I see no problem with the new additions.
What if they call it Toy Story Midway? Like Andy built a Carnival out of Tinker Toys and such.
If you look at the rides that actually were E Tickets back then the argument could be made that it's because those were viewed as the best offerings each park had at that time.But yeah, you're right. In the fan community, it's come to being defined as how much they spend on the attraction and not its demand.
Just like how Suess Landing blends so well with WWOHP up the road.
It is an interesting question though that I have been wondering myself about this complete makeover of DHS to DHA. I was listening to a Len Testa/Jim Hill podcast about this DHS makeover that is coming and they were discussing this very issue regarding mashing of different themes together. I am trying to visualize how you merge a Pixar Place Land with a Star Wars Land and the early Hollywood look of the front of the park with Tower of Terror and throw in RNRC to boot.
I suppose if things are sufficiently spread out it shouldn't be too terrible of an issue. Even in MK you can see Space Mountain from different lands within that park. I just think (and hope) that this rumored Pixar expansion with smaller kid friendly rides could turn out to be nice for this park, but I want to believe that it won't be a cookie-cutter version of both DLP and HKDL. I know Jim even mentioned that there has been discussion about adding a new carousel to this area. That could be a nice addition.
ToT fits only because of the Twilight Zone connection which was Television. RcRC is as a studio and entertainment venue (hollywood studio's). It isn't about an out of date rock band or a long mothballed television show. It's about entertainment. Everything in there is about entertainment whether it's movies, television, stage shows, animation, etc. Even the hated "Sounds Dangerous" was too deep for today's park going neophytes. What is always said, we had to sit in the dark and listen to a lame show. Yup, that is what you had to do and if it hadn't shot high over their heads they would have realized that it was to show the importance of sound affects in the overall vision of any show. They started the show with characters that you could see. Then switched over to just sound affects and you were able to still follow the plot and picture the action. I guess those of us that were old enough to remember radio shows knew what was happening and we could construct sets in our imaginations that no Hollywood production company could hope to build. But, it was lost on all but a few.This is my concern as well. How do you create a cohesive theme park with the varied IP's? Even RnRC and ToT- how do they fit together? I guess one highlights the best of tv and one radio-but Aerosmith really does not fit with the theme of that area at all. How does an out of date rock band fit with the old Hollywood feel they are going for? How will Toy Story blend into a Cars area (if happening) and then transition to Star Wars? I hope some of the money they are spending will help the park tell a story....
You could have said that about Horizons in 1983 if you didn't select an ending.First ride that I know of with actual random ride sequences. I say it is an E.
This is my concern as well. How do you create a cohesive theme park with the varied IP's? Even RnRC and ToT- how do they fit together? I guess one highlights the best of tv and one radio-but Aerosmith really does not fit with the theme of that area at all. How does an out of date rock band fit with the old Hollywood feel they are going for? How will Toy Story blend into a Cars area (if happening) and then transition to Star Wars? I hope some of the money they are spending will help the park tell a story....
ToT fits only because of the Twilight Zone connection which was Television. RcRC is as a studio and entertainment venue (hollywood studio's). It isn't about an out of date rock band or a long mothballed television show. It's about entertainment. Everything in there is about entertainment whether it's movies, television, stage shows, animation, etc. Even the hated "Sounds Dangerous" was too deep for today's park going neophytes. What is always said, we had to sit in the dark and listen to a lame show. Yup, that is what you had to do and if it hadn't shot high over their heads they would have realized that it was to show the importance of sound affects in the overall vision of any show. They started the show with characters that you could see. Then switched over to just sound affects and you were able to still follow the plot and picture the action. I guess those of us that were old enough to remember radio shows knew what was happening and we could construct sets in our imaginations that no Hollywood production company could hope to build. But, it was lost on all but a few.
In answer to your question about how Toy Story will blend into Cars land it is simply by being in the Pixar section of the park. Pretty simple to follow really. And Star Wars will not need to transition because like Fantasyland, Advertureland, Tomorrowland and the others are under the heading of Magic Kingdom, it will be in it's own separate area but still under the obvious heading of "Entertainment".
If you look at the rides that actually were E Tickets back then the argument could be made that it's because those were viewed as the best offerings each park had at that time.
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When fans describe an attraction as an E Ticket today, even though the ticket system is long gone, I believe they're looking for modern comparisons to what these attractions were back then. The highest quality offerings the park has on its roster.
what would you call soarin? D or EYou could have said that about Horizons in 1983 if you didn't select an ending.
However, shock horror, I actually agree with something you've said. Star Tour is an E.
Don't worry, the spinner isn't coming to TSPL.
It's going where the BAH was.
And themed to Frozen.
OK, I just made all that up. Sorry, I'm bad like that.
It should be a D. Everything aside from two hour waits points to a D. A good D but with the bland queue, exposed services, clearly visible ride system, blank screen on arrival (where's the show with that?) and a collection of hard edited isolated film clips it can't be a E.what would you call soarin? D or E
What if they call it Toy Story Midway? Like Andy built a Carnival out of Tinker Toys and such.
That's actually a pretty good assessment. I hope with Avatar Disney improves on some of Soarin's shortcomings.It should be a D. Everything aside from two hour waits points to a D. A good D but with the bland queue, exposed services, clearly visible ride system, blank screen on arrival (where's the show with that?) and a collection of hard edited isolated film clips it can't be a E.
The score could be though.
This has always been my issue with Soarin. It actually is a pretty awesome ride system but the finished product comes across as unpolished. Hopefully, the forthcoming updates can move it to a D+ or E-. Perhaps that is some of the same foolish optimism that my students have going into finals, though.It should be a D. Everything aside from two hour waits points to a D. A good D but with the bland queue, exposed services, clearly visible ride system, blank screen on arrival (where's the show with that?) and a collection of hard edited isolated film clips it can't be a E.
The score could be though.
I've never been on Soarin', but so far the ripoff at Busch Gardens Williamsburg called Europe in the Air sounds better just by comparison. It's got an actually themed queue, invisible ride system, the screen when you get on looks like a hangar, and they at least tried to tie the clips together with a cloud scene between destinations.It should be a D. Everything aside from two hour waits points to a D. A good D but with the bland queue, exposed services, clearly visible ride system, blank screen on arrival (where's the show with that?) and a collection of hard edited isolated film clips it can't be a E.
The score could be though.
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