V_L_Raptor
Well-Known Member
The “future” in “Future World” became the next year’s worth of earnings calls. All the riffing on meeting characters and everything else hangs from that.
This. Entirely this. While I think we don’t have to necessarily “accept change” from the POV of just letting it happen, I think that it’s important to remember that, when this stuff happens, there’s usually reasons behind it (and on multiple occasions the replacement is better. Especially with some of the recent Epcot replacements (Guardians. Frozen))The real answer is no, but I know that’s hard pill to swallow. I’m a major EPCOT fan, wish more than anything that I got to experience most of the original stuff, but the truth is that we don’t get any element of the park’s core ideas and themes, even fleeting ones, without the inclusion of IP.
That’s not even necessarily all Disney’s choice. The guests actively want that. The percentage of people hungry for OLDCOT style attractions with no IP and such is far dwarfed by the percentage of people who aren’t.
But beyond that, time just caught up to EPCOT in the same way it did Tomorrowland. The future gets here eventually and it just isn’t workable to come in and redo attractions every 10 or 15 years when the world catches up to their views of tomorrow. All of the muses of tomorrow of those classic EPCOT rides have been passed.
The original ones that remain either rooted themselves mostly in the past (SSE, though it does touch on tomorrow, it is mainly a look back) or deal with ideas relevant to today (LWtL).
That combined with the demands of I’d say a solid 95-97% of the guests visiting these parks is what has changed EPCOT.
The original EPCOT was wonderful. Iconic. But no, it would not survive in 2024. In some other timeline maybe but the world we live in showed that the future EPCOT looked to just was never going to come to fruition and it would make those attractions seem very out of place these days.
It’s hard to remember now but there was a time when EPCOT was viewed as a dying place and that was right when they began this almost 25 year cycle now of tinkering with it. Had they just let it sit any longer I honestly think EPCOT would look even less like it’s original self today.
What the audiences want changed. We cannot sit here and say “it worked then” and still blindly believe it would now. It wouldn’t. The audience of 1981 and the audience of 2024 are not the same. Time changes all cultures. What the people who participate in that culture, especially pop culture, want changes.
Disney fans, and EPCOT fans in general; just have to remember that they are but a small drop of water in a large sea. Disney cannot, and should not, cater just to us. If they did, these parks would one day cease to exist because what we want is not always (in fact rarely) is not going to align with what the majority wants.
Disney parks are parks for the majority. They always have been, that was Walt’s whole point. He didn’t anticipate the parks picking up a dedicated fandom, and you know I doubt he’d be playing right to them even he became aware of one had he lived to see it.
I understand Disney Adults are attached to these places and their memories of them. That’s what makes us Disney Adults.
But we cannot be selfish, and demanding they stay as whatever they were when we were kids getting to experience them is the most selfish thing we as fans can do. We have to accept the change because, well, these parks are for other people to come in and make their own memories now. We can either choose to come along for that, or be the curmudgeons sitting around with a frown saying “well back in my day.”
I would much rather be the former than the latter.
And it’s been like that ever since it became Eric Idle and Ellen. The only difference is that, unlike when they were doing it in the 90’s and 00’s, Guardians and Moana are pretty good. But also I can’t imagine Communicore Hall was part of such an earnings call lmaoThe “future” in “Future World” became the next year’s worth of earnings calls. All the riffing on meeting characters and everything else hangs from that.
They're not wasting any time here. Maybe this really will be ready by next July.
IP isn't really the issue. It's putting IP into places that don't make thematic sense. One of Walt's main ideas was to cross promote between the studio and Disneyland. There were plenty of IP based attractions in Walt's day as well. People like to remember only the non-IP based ones.“Keep IP out of Epcot” is one of the many statements made by Disney Adults who are culture blind and think that the parks are theirs.
At the end of the day, it’s foolish to say this, along with some other classics I’ve seen on this forum like “Marvel has no place in the parks.”
These parks are for families. Yes, they have offerings to appeal to those like us, but at the end of the day it’s elitist to say these things.
Families have expectations of what they will see when they go to Disney. Right now, those expectations include Frozen, Moana, Guardians of the Galaxy, catch my drift? These people want to go to Disney to see what their family currently loves.
What most forum members want is to go to exactly what their childhood was. They would rather alienate the family audience coming to see Elsa and Star-Lord so that they can see an outdated energy lecture and a hodgepodge Norway boat ride.
IP free Epcot doesn’t work today because audience taste changes. And this isn’t a “general audience is getting dumber” thing. This is simply how times change. Disney is in the home now more than ever whatnot with how cheap DVDs have gotten and especially now with Disney+. Previously, seeing original characters such as Figment, the Country Bears, or even for many Br’er Rabbit, was part of the Disney experience, as it is a similar feeling to seeing a new Disney movie in theaters. You go to the theater and you meet Aladdin and his Genie, just as you go to the park and meet Dreamfinder and Figment.
Nowadays, Disney’s brand is built heavily around the characters you know. Yes, new characters get popular, but they become popular via cultural osmosis as opposed to people going to experience the new Disney adventure. This is how Encanto got so big.
So now, the expectation with Disney is that you’re going to see your family’s favorite characters. You’re going to see Tiana, Anna, Star-Lord. Because that’s what Disney is to that family.
Once again, as I've said before:Encanto and Indiana Jones in Animal Kingdom? Does not fit.
Welcome to the 21st Century at Disney, where the only thematic convention has become "If we build it, they will spend."IP isn't really the issue. It's putting IP into places that don't make thematic sense. One of Walt's main ideas was to cross promote between the studio and Disneyland. There were plenty of IP based attractions in Walt's day as well. People like to remember only the non-IP based ones.
Snakes, why does it always have to be snakes?!?Once again, as I've said before:
1) Encanto's plot is heavily animal dependent
2) EVERY Indiana Jones movie prominently features animals (or insects, sometimes both)
Animal = Animal
Welcome to the 21st Century at Disney, where the only thematic convention has become "If we build it, they will spend."
Still impressed on the TRON and GOTG fumble. Absolutely the worst mix-up of all time on where IPs should go.
would an ip free Epcot survive in this day and age ? I look at my own kids as an example, and I genuinely think they would be board out of their minds with the majority of the rides Epcot had to offer back then outside of journey into your imagination.
IP based attractions are not the only problem plaguing EPCOT right now. The issue is that Disney is learning the wrong lessons from their mistakes. There are plenty of IP based additions that can and will work for EPCOT now and in the future. The problem is one of integration and quality.The real answer is no, but I know that’s hard pill to swallow. I’m a major EPCOT fan, wish more than anything that I got to experience most of the original stuff, but the truth is that we don’t get any element of the park’s core ideas and themes, even fleeting ones, without the inclusion of IP.
That’s not even necessarily all Disney’s choice. The guests actively want that. The percentage of people hungry for OLDCOT style attractions with no IP and such is far dwarfed by the percentage of people who aren’t.
But beyond that, time just caught up to EPCOT in the same way it did Tomorrowland. The future gets here eventually and it just isn’t workable to come in and redo attractions every 10 or 15 years when the world catches up to their views of tomorrow. All of the muses of tomorrow of those classic EPCOT rides have been passed.
The original ones that remain either rooted themselves mostly in the past (SSE, though it does touch on tomorrow, it is mainly a look back) or deal with ideas relevant to today (LWtL).
That combined with the demands of I’d say a solid 95-97% of the guests visiting these parks is what has changed EPCOT.
The original EPCOT was wonderful. Iconic. But no, it would not survive in 2024. In some other timeline maybe but the world we live in showed that the future EPCOT looked to just was never going to come to fruition and it would make those attractions seem very out of place these days.
It’s hard to remember now but there was a time when EPCOT was viewed as a dying place and that was right when they began this almost 25 year cycle now of tinkering with it. Had they just let it sit any longer I honestly think EPCOT would look even less like it’s original self today.
What the audiences want changed. We cannot sit here and say “it worked then” and still blindly believe it would now. It wouldn’t. The audience of 1981 and the audience of 2024 are not the same. Time changes all cultures. What the people who participate in that culture, especially pop culture, want changes.
Disney fans, and EPCOT fans in general; just have to remember that they are but a small drop of water in a large sea. Disney cannot, and should not, cater just to us. If they did, these parks would one day cease to exist because what we want is not always (in fact rarely) is not going to align with what the majority wants.
Disney parks are parks for the majority. They always have been, that was Walt’s whole point. He didn’t anticipate the parks picking up a dedicated fandom, and you know I doubt he’d be playing right to them even he became aware of one had he lived to see it.
I understand Disney Adults are attached to these places and their memories of them. That’s what makes us Disney Adults.
But we cannot be selfish, and demanding they stay as whatever they were when we were kids getting to experience them is the most selfish thing we as fans can do. We have to accept the change because, well, these parks are for other people to come in and make their own memories now. We can either choose to come along for that, or be the curmudgeons sitting around with a frown saying “well back in my day.”
I would much rather be the former than the latter.
I completely disagree and really like the story treatments that they're going for.Encanto and Indiana Jones in Animal Kingdom? Does not fit.
Idk, Guardians as-is would’ve felt even more redundant next to Space Mountain than Tron does today. Maybe if it was a completely different ride system, but Cosmic Rewind is just so fun…Still impressed on the TRON and GOTG fumble. Absolutely the worst mix-up of all time on where IPs should go.
Yup, that's what I've been saying from the start of the ip debate. Most expect and want to see ip in the parks. Myself included. What I don't want is ip for the sake of ip. Give me an ip that fits, makes sense in the area that it's going, and I'll support you all the way.IP isn't really the issue. It's putting IP into places that don't make thematic sense. One of Walt's main ideas was to cross promote between the studio and Disneyland. There were plenty of IP based attractions in Walt's day as well. People like to remember only the non-IP based ones.
My idea for a Tron land has always been something like Diagon Alley with a ‘secret’ entrance but here you’d walk into an 80s arcade and in the back you enter a hole in the wall that takes you into the land.Tron should have been at DHS... THey could have based an entire land off Tron and computer games... The tone would have been a better fit for DHS, and then they could have spent some money on TOmorrowland giving it a heart and soul again... Say what you want about the 94' makeover, but it at least had a direction....with Timekeeper, Alien Encounter and a completely refurbished and redecorated land full of color and eye candy. I love the mid-mod aesthetics of the original Tomorrowland most...but it seems like we are left in this in-between place. They need to create new attractions that have something to do with the theme of the land and boot the Monsters to DHS with the new Door coaster. There is plenty of space to work with in Tomorrowland...they just need some creativity, imagination, and a decent budget.
NOT EVERYTHING BELONGS AT HOLLYWOOD STUDIOS.Tron should have been at DHS
2) EVERY Indiana Jones movie prominently features animals (or insects, sometimes both)
Animal = Animal
Completely agree with this. However, sometimes an IP's theme can be up for interpretation. For example, I'd consider Monsters Inc Laugh Floor & Buzz Lightyear IPs that fit with Tomorrowland, as they both contain sci-fi elements. However some argue they don't fit at all in Tomorrowland because they don't represent the futureYup, that's what I've been saying from the start of the ip debate. Most expect and want to see ip in the parks. Myself included. What I don't want is ip for the sake of ip. Give me an ip that fits, makes sense in the area that it's going, and I'll support you all the way.
Oh I agree and I'll take it a step further. How you use the IP can make all the difference. Take Avatar for example. There are ways to use that IP that would be an absolutely terrible fit for the animal kingdom. But the way they did it, works pretty well. There's a lot more that goes into the whole debate of IP or no IP. Or at least there should be.Completely agree with this. However, sometimes an IP's theme can be up for interpretation.
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