jt04
Well-Known Member
Merf Saved SSE
Got to ride tonight. Spoilers ahead...... They have turned on the "lightning in a bottle" effect in the load/unload. Glad those are back. The subtle sparkling effect is also back on the SSE signs out front.
Rome burning is not working....please, please don't remove the smell! The papyrus paper sound effect was also not working.
The animated chariot rider has not returned, suspect he has ridden into the sunset for good. Too bad. I agree with others, it was strangely mesmerizing.
They have painted some silouettes of smokestacks to create a transition from the Sistine chapel to the industrial revolution. Wouldn't some "Da Vinci mechanical drawings morphing into some industrial age machinery" montage painting or sets work here? Just a thought.
Paperboy is looking at a painted cityscape. Very well done IMO. I always wondered why he was facing the vehicles instead of how it is now. It makes much more sense how it is now. Great change!
All is the same from the computer room through the blue stars. I was hoping for some kind of set pieces in the dome. Oh well.
Now the descent. I really like the future cityscape that is drawn on the screen. It is a great filler while they process your future.
But the best news of all (for me at least) is that they really cleaned up the descent. Almost all of the chicken wire is gone! Not only that but most of the star field curtains are also gone. This has the effect of making the tunnel much darker. The triangles block much of the infrastructure so it is not nearly as noticiable. At the same time they are subtle enough not to distract people from the screens. It is a good balance IMO. And they don't add light to the tunnel because they have a paint on the edges that seems to glow very faintly from the light on the monitors. I think it works. They have definitely made a strong effort to improve the weaknesses of the tunnel. The emphasis is on the monitors and I doubt that will change for a couple years. So all in all it is much better. I hope they continue to tweak things. There is continuity problems between some of the sets on the ascent. The music was off at some points so I think they may be working on the "soundtrack". Otherwise the audio was very good! All in all, a real effort was made to address people's concerns and that is a postive trend. Way to go Disney.
Got to ride tonight. Spoilers ahead...... They have turned on the "lightning in a bottle" effect in the load/unload. Glad those are back. The subtle sparkling effect is also back on the SSE signs out front.
Rome burning is not working....please, please don't remove the smell! The papyrus paper sound effect was also not working.
The animated chariot rider has not returned, suspect he has ridden into the sunset for good. Too bad. I agree with others, it was strangely mesmerizing.
They have painted some silouettes of smokestacks to create a transition from the Sistine chapel to the industrial revolution. Wouldn't some "Da Vinci mechanical drawings morphing into some industrial age machinery" montage painting or sets work here? Just a thought.
Paperboy is looking at a painted cityscape. Very well done IMO. I always wondered why he was facing the vehicles instead of how it is now. It makes much more sense how it is now. Great change!
All is the same from the computer room through the blue stars. I was hoping for some kind of set pieces in the dome. Oh well.
Now the descent. I really like the future cityscape that is drawn on the screen. It is a great filler while they process your future.
But the best news of all (for me at least) is that they really cleaned up the descent. Almost all of the chicken wire is gone! Not only that but most of the star field curtains are also gone. This has the effect of making the tunnel much darker. The triangles block much of the infrastructure so it is not nearly as noticiable. At the same time they are subtle enough not to distract people from the screens. It is a good balance IMO. And they don't add light to the tunnel because they have a paint on the edges that seems to glow very faintly from the light on the monitors. I think it works. They have definitely made a strong effort to improve the weaknesses of the tunnel. The emphasis is on the monitors and I doubt that will change for a couple years. So all in all it is much better. I hope they continue to tweak things. There is continuity problems between some of the sets on the ascent. The music was off at some points so I think they may be working on the "soundtrack". Otherwise the audio was very good! All in all, a real effort was made to address people's concerns and that is a postive trend. Way to go Disney.