Not to belabor the point, but I’m of the opinion that I only care about what gets them to foot the bill.
When we look at the cross section of E-tickets globally in the last ten years they are split approximately 50/50 for IP v. Original. Yet if I had to make my personal top five out of that cross section I’d easily say 4/5 fall into the IP category.
There is nothing morally or creatively superior about an original attraction if WDI is given a budget, an ability to adapt and not create a simple book report with an IP.
Whatever makes Bob cough up the budget, a deal with the devil. Things like Pandora, Carsland and the devil of all devils (the pirates ride based on the IP is better than the amazingly wonderful original concept) prove one needn’t dismiss IP on principle. It would be nice for a mix, but it is 1 million times better than stagnation and decay. Something I’m pretty sure several people would prefer rather than swallow their fear of IP.
To make matters worse I’m pretty sure there are at least three IP based rides in 2019/2020 that very well will wind up on people’s top 10 lists globally.
Universal’s approach being very different than Disney’s, who sometimes at least actually understand how to mold the tools they are given.