I think it is happening. The parks are making more and more money even with lower attendance.
Everything being outlined by Iger from way back in 2019 seems to be coming true: higher prices and lower crowds = happier guests. Happier guests spend more money. Happier guests are more willing to return later at higher prices.
In balance, yes. This is a workable approach.
However, there have been plenty of alarms going off internally that they had pushed it too far too quickly... and their window to more easily course-correct is largely closed. They've had every tool needed to fine-tune pricing on individual components based on real time feedback - heralded as a huge benefit of this model - but instead they got themselves addicted to what they *could* charge instead of what data was telling them they *should* charge.
As other divisions increasingly returned losses, Consumer Experiences (Parks / Resorts / Retail) became leaned on more and more as a cash cow. We've been in this stage for well over a decade now, and the corporate culture and expectations have all evolved just to accept this as the norm. Underdeveloped parks with misguided and (at times) creatively bankrupt additions have compounded the issues. Continuing to demand more and more for less and less was always going to find a tipping point. Unfortunately, they blew by that several miles ago.
The Parks are still profitable, spectacularly so. But their continued placement as a one-way revenue generator is shortsighted.
There used to be a great, balanced, clear understanding that the parks could deliver much more than straight cashflow to the company. You have millions of people paying handsomely to come into your place willing and happy to be marketed to. The fact that today's WDC - a CONTENT and DISTRIBUTION company - neglects this opportunity is baffling. When was the last time we saw some in-park muscle used to promote new films or projects? We used to see special parades, shows, etc, and now that's given way to "special" cupcakes or a trailer in One Man's Dream.
With the seemingly endless chain of box office disappointments, it's easy to see at least some correlation. Are films failing due to poor awareness and marketing? Or are they not investing in this marketing because they lack confidence in the release? And if so, how have they missed on so many projects in a row?
This cycle of reverse synergy is unsustainable.
If *anyone* in the C-suite would start to understand all that they're leaving on the table, we could begin to see change.
Knowing what I know, I'm not optimistic.