?Gal Gadot will do the Hebrew dub of The Evil Queen.
That would’ve been the better post to make, and then people would not have misunderstood you.It wasn't a joke or anything. Disney films are dubbed in different languages and Gal is going to dub The Evil Queen in Hebrew, meaning she's going to record her lines in Hebrew for the Hebrew dub.
I understood the original post and am honestly confused by your criticism of it.That would’ve been the better post to make, and then people would not have misunderstood you.
I think it’s this more than anything, the comments come off as a slight on our generation, we grew up on Disney, grew up on love at first sight, grew up on true love being the ultimate power… and then a kid calls it weird and says the Prince is a stalker because he falls in love with her at first sight, it just rubs the wrong way.I mean, by that standard, Ariel too is a stalker, spying on Eric and developing a fixation on him without his knowledge. Only recently have Disney films moved away from a fairytale notion of romance in which the protagonists—often teenagers—basically fall in love at first sight. In that regard, Snow White and the Seven Dwarfs is consistent with a much longer tradition that continued into the ’90s.
I’m your generation (or just a few years behind), and I didn’t take it as a slight at all. As I asked in a subsequent post, do the grown adults (mostly men, it seems) who are apparently so affronted by her words respond this strongly when the young people in their lives express similar sentiments about things they view as old-fashioned? I would hope and expect not. I find the whole thing extremely strange and frankly unsettling. The supposed adults in the room should have more self-control.I think it’s this more than anything, the comments come off as a slight on our generation, we grew up on Disney, grew up on love at first sight, grew up on true love being the ultimate power… and then a kid calls it weird and says the Prince is a stalker because he falls in love with her at first sight, it just rubs the wrong way.
Not that different from kids calling people boomers because they think their beliefs are “outdated”.
I guess they thought I was making fun of her accent, which wasn't my intention at all.I understood the original post and am honestly confused by your criticism of it.
It is extremely unsettling.
Halle Bailey said nothing wrong but was still subjected to a good deal of abuse on this forum.
That was my comment…. And it was not meant to be a slight…. As I am a middle age man who grew up on Disney… we sometimes need to see other perspectives then just view it through our lensI’m your generation (or just a few years behind), and I didn’t take it as a slight at all. As I asked in a subsequent post, do the grown adults (mostly men, it seems) who are apparently so affronted by her words respond this strongly when the young people in their lives express similar sentiments about things they view as old-fashioned? I would hope and expect not. I find the whole thing extremely strange and frankly unsettling. The supposed adults in the room should have more self-control.
I think he was referring to Zegler’s comments, but your point still stands.That was my comment…. And it was not meant to be a slight…. As I am a middle age man who grew up on Disney… we sometimes need to see other perspectives then just view it through our lens
Tonight is the Oscars, so out of curiosity, here's the 10 nominees ranked by domestic gross:
Wicked: $473 million
Dune: Part 2: $282 million
A Complete Unknown: $73.7 million
Conclave: $32.4 million
The Substance: $17.4 million
The Brutalist: $15.7 million
Anora: $15.6 million
I'm Still Here: $5.2 million
Nickel Boys: $2.7 million
Emilia Perez: No domestic numbers (Netflix USA distribution)
While it hasn't set the world on fire, Cap: Brave New World has quietly managed to slowly start inching it way to a decent WW box office -
Currently sitting at ~$342M WW its almost a certainty that it will hit over $400M on its way to $425Mish if not a bit more by the end of its run, putting it into profitability range during theatrical and certainly when it leaves and does its post-theatrical run.
Which shows that again don't count a movie out until the end of its theatrical run, it may just end up legging it out even if its slow.
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