Casper Gutman
Well-Known Member
Ah, so it looks too much like previous Pixar films but doesn't look enough like previous Pixar films.
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Disney (and others) at the Box Office - Current State of Affairs
- Thread starter Disney Analyst
- Start date
Casper Gutman
Well-Known Member
I mean, Disney's been saving the box office - and theatrical release in general - for over a decade. 2024 was an outlier that a lot of folks who hate Disney for their own reasons gleefully grabbed on to.
I think I'm going to be disappointed by the fact that The Wild Robot seems to have a massive voice cast. The trailer (at least the first one, don't know if there's another) made it seem like it doesn't need dialogue at all. But maybe I'm just spoiled by how awesome Robot Dreams is.
CinematicFusion
Well-Known Member
Is it a hit or not?
“The audience knows” cuts through the noise, it’s very straightforward. Look at the recent success of Inside Out 2 compared to Wish. IO 2 is packing theaters and topping viewership charts because people want to see it. No amount of PR spin or cultural factors can change the fundamental truth that people choose what they want to watch.
Inside Out 2 didn’t just magically succeed because of marketing or external forces, it succeeded because it’s resonating with audiences. On the flip side, Wish didn’t see the same level of success. Why? Because the audience wasn’t as interested, plain and simple.
And it’s not just about movies. Look at the viewership numbers for Suits. The show connected with its audience. When you see packed theaters for one film and empty seats for another, or massive streaming numbers for a show like Suits, it’s clear… butts in seats and viewership numbers tell the story.
I will entertain that timing can be an influence. Star Wars hit at the right time in 1977 to give a feel-good movie when audiences needed it most, but it also happened to be one of the greatest movies of all time. People watch what they want to watch. The audience knows what it wants, and the numbers for Inside Out 2 versus Wish, as well as the enduring popularity of Suits, prove it.
That’s my take
Phroobar
Well-Known Member
The books had a cast of characters. It wasn't just the robot learning to survive in the wilderness. It was the robot taking care of the animals. It was sweet.
Casper Gutman
Well-Known Member
There are ABSOLUTELY NO external reasons for the success of Suits. It's just SUCH an exceptionally well-written and acted show with a totally unique theme. Certainly a show that will be discussed in a decade's time.
This is like coming into a discussion of world history and constantly asserting "The good guys always win" as though it explains something.
CinematicFusion
Well-Known Member
Yes, agree. Timing can indeed be a significant influence. Meghan Markle's relationship with Prince Harry brought additional attention to Suits. Without that spotlight, the show might have remained buried on Netflix.
However, the audience wouldn't have stayed if the show wasn't great. I agree with you; it's a very well-written show. My wife and I are watching it now. Exceptional pick up by Netflix.
All this isn’t world history. It’s simply that solid story telling and well written characters attracts an audience. That and fantasy. There is a reason my wife made me buy tickets to Deadpool. Girls want to be with Hugh Jackman and guys want to be him…
… or the fantasy of emotion and giving the audience permission to embrace their feelings is powerful stuff in Inside Out.
Vicarious Fan
Member
I watched all of Suits last year because I was really bored.... it isn't good it doesn't connect with audiences. It was a hit because it came out as Megan Marckle became a household name when she married the Prince of England and went on the publicty tour. Netflix was smart to put that show on the front page. it's as simple as that.
People aren't going to the theater as much because during covid people could buy a 55 inch 4k tv from Amazon for $300 and they got used to watching movies at home. The convince of watching a movie at home instead of going to the theater and spending upwards of $70 for a movie has created a shift.
People only go to theaters now for big event films like Barbie, Mario, Dune2 etc. Inside Out 2 is an event film.
CinematicFusion
Well-Known Member
Ok… disagree with your suits review but I’m only on season one.
Audience says this:
“In one week alone, it accumulated over 3 billion minutes of viewing, and in a four-week period, it reached a total of 16.71 billion minutes streamed .
This surge in viewership has made Suits one of the most-watched acquired series on streaming platforms, even breaking records previously held by other popular shows”
Agree, landscape of movie-going has shifted significantly. People are less inclined to go to theaters for smaller, character-driven films like Bull Durham or When Harry Met Sally. However Studios still expect animated features and big-budget family films, such as Wish and Inside Out, to attract large audiences to theaters.
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Disney Irish
Premium Member
Maybe the bomber bots forgot it was coming out this weekend, I know some of our posters here forgot.
Seriously though, It is starting to get getting review bombed already just not heavy yet, you get nice little gems like this -
Clearly that reviewer didn't see the movie. I'm sure more will be on the way over the weekend. We'll see if it has any real effect.
Rotten Tomatoes does such damage to itself by not finding a way to combat this nonsense.
Disney Irish
Premium Member
Agreed, they've really become a joke over the last couple years, so much so everyone is starting not to trust it as evidenced by some of discussions in various threads here.
Wendy Pleakley
Well-Known Member
And if Inside Out did poorly people would be tripping over themselves to find dubious reasons.
If anyone needs an example of this, look to the Mario movie last year. People were griping about it because Mario was portrayed as untalented until the princess taught him and turned him into the hero. Poor emasculated Mario!
Then it was a huge hit and suddenly the reason was because it didn't have an ulterior agenda or message.
It's obvious and tiresome.
Casper Gutman
Well-Known Member
They had lines of attack prepared - you can find them out there if you look. However, they didn’t gain traction and the film was clearly going to be a success, so we aren’t likely to see a full court press. The hate network needs to appear strong and successful - they won’t waste credibility among their massive audience. It’s one of the reasons they didn’t go all in on Barbie, despite it being an exponentially more political film than anything Disney released last year. TV series are always an easier target because it’s so much harder to define and prove “success.”
CinematicFusion
Well-Known Member
It’s all true, we had meticulously organized a review bot army to unleash a wave of heavy criticism on Inside Out 2. We had our lines of attack prepared, and everything was set for a full-blown review bombing. But then, something unexpected happened—the movie turned out to be good… really good!
The bots, emotionally overwhelmed by the film's heartfelt storytelling and vivid imagination, couldn’t stick to the plan. Instead of spewing out criticisms, they started writing flowery praises about the flick. Suddenly, our carefully orchestrated negative campaign turned into an unsolicited fan club. The bots were raving about Joy, Sadness, and the beautiful depiction of emotions. It was a disaster for our evil plan but a triumph for Pixar!
Who knew that even bots have a soft spot for a well-crafted emotional rollercoaster? Guess you just can’t fight genuine quality—even with an army of bots!
FRIDAY PM: There’s not stopping the influx of cash at theaters coast to coast for Disney/Pixar’s Inside Out 2which is ending Friday at $60M, the second best opening day for an animated movie after the studio’s 2018 title Incredibles 2 at $71.2M. It’s also leaps and bounds ahead of the first day of last summer’s animated hit, Sony’s Spider-Man: Across the Spider-Verse which did $51.8M. All of this is leading to the third best opening ever for an animated movie after Incredibles 2 ($182.6M) and last year’s Super Mario Bros Movie ($146.3M 3-day).
Not a surprise, Inside Out 2 gets a solid A CinemaScore, which is the same grade as the first 2015 movie.
The bots, emotionally overwhelmed by the film's heartfelt storytelling and vivid imagination, couldn’t stick to the plan. Instead of spewing out criticisms, they started writing flowery praises about the flick. Suddenly, our carefully orchestrated negative campaign turned into an unsolicited fan club. The bots were raving about Joy, Sadness, and the beautiful depiction of emotions. It was a disaster for our evil plan but a triumph for Pixar!
Who knew that even bots have a soft spot for a well-crafted emotional rollercoaster? Guess you just can’t fight genuine quality—even with an army of bots!
FRIDAY PM: There’s not stopping the influx of cash at theaters coast to coast for Disney/Pixar’s Inside Out 2which is ending Friday at $60M, the second best opening day for an animated movie after the studio’s 2018 title Incredibles 2 at $71.2M. It’s also leaps and bounds ahead of the first day of last summer’s animated hit, Sony’s Spider-Man: Across the Spider-Verse which did $51.8M. All of this is leading to the third best opening ever for an animated movie after Incredibles 2 ($182.6M) and last year’s Super Mario Bros Movie ($146.3M 3-day).
Not a surprise, Inside Out 2 gets a solid A CinemaScore, which is the same grade as the first 2015 movie.
Tha Realest
Well-Known Member
When did Feige “leave” Marvel or only work in a part time basis?
Animaniac93-98
Well-Known Member
This feels like an important statistic, from Deadline's Saturday morning update:
"In a clear sign that Disney+ family subscribers will continue to come out to great movies, PostTrak noted that 52% of those watching Inside Out 2 are subs of the Mouse House service...If a Disney+ subscriber were to wait and watching Inside Out 2 at home, their kids would experience immense FOMO for these event films won’t hit the OTT service for another 80-90 days, if not more."
But it sounds like kids aren't really making up a large % of the audience, from the same article::
"PostTrak exits are still huge at 89% positive, 71% definite recommend with 63% women attending and 21% of the audience under 12, 32% between 13-17 (the largest demo), and 51% between 18-34."
Current weekend prediction at $140-$150 million
deadline.com
"In a clear sign that Disney+ family subscribers will continue to come out to great movies, PostTrak noted that 52% of those watching Inside Out 2 are subs of the Mouse House service...If a Disney+ subscriber were to wait and watching Inside Out 2 at home, their kids would experience immense FOMO for these event films won’t hit the OTT service for another 80-90 days, if not more."
But it sounds like kids aren't really making up a large % of the audience, from the same article::
"PostTrak exits are still huge at 89% positive, 71% definite recommend with 63% women attending and 21% of the audience under 12, 32% between 13-17 (the largest demo), and 51% between 18-34."
Current weekend prediction at $140-$150 million
Pixar Comes Alive: ‘Inside Out 2’ Turns Box Office Right Side Up With 2nd Best Animated Pic Opening Of All-Time At $155M – Sunday AM Update
'Inside Out 2' Clocks second best opening for an animated movie at domestic box office with $155M. 'Bad Boys' franchise crosses $1 billion.
deadline.com
TalkingHead
Well-Known Member
63% women sounds like Barbie audience overlap. Assuming that percentage is high for a family franchise title? Feels like a perfect storm for this movie: Inside Out hasn’t been an overexposed franchise, 9 years since the last entry, summer timing, Pixar brand, adult and critical well-regarded first film.
Kinda surprised I haven’t seen many if any reactions raving this is a great movie. Consensus seems to be good/okay, relief they didn’t fumble it with bonus points because of the good will from the first movie. Money talks but quality issues remain in Disney/Pixar animation.