BrianLo
Well-Known Member
Wish was allowed a much longer theatrical window than those three films, with no streaming date announced beforehand (or surcharge for home viewing in Raya's case) and had an exponentially bigger marketing and especially merchandising campaign -- I don't think Disney merchandised any movie, not even Rise of Skywalker or the MCU, this hard since Frozen II. Covid was still considered an issue when Raya and Encanto were released, and Strange World might as well have not existed given how poorly Disney marketed it. Wish had Disney's full support behind it and was supposed to be everything Disney Adults had been clamoring for online the past few years (a "real" villain! fairy tale setting! etc.), and it just ate dirt. I honestly think it's their biggest embarrassment since The Black Cauldron, since WDAS has never really had a flop that wasn't seen as outside the company's "comfort zone" (like a Fantasia, Black Cauldron, or pulp adventure is) before.
I was not defending Wish. Quite the opposite.
I’m still confused why that movie fell apart so spectacularly. It was innocuous but I didn’t think bad to the point the audience would reject it.
I’m very curious to see how it does on streaming. Not to make an argument that it’s salvageable but to see if the audience just is truly rejecting it in all formatted releases like Strange World (ie if there’s just general audience apathy regarding it). There was an actual big push from Disney for it and lots of merch was floating around the parks. If it has a robust response on streaming though then Disney has something clearly structurally wrong with its theatrical abilities.