Having a BA in Communication Studies, I can authoritatively state that the current version of the script is much more accurate and precise than previous incarnations. It connects together each scene and explains how one influences the next. It tells us that the alphabet the Phoenicians invented is the same alphabet we use today.
Do I miss the grandiosity of the previous script? Sure... but the new script does a much better job of communicating history to us. And shouldn't a ride about communication history do just that?
What if they get Judi Dench to sing "Tomorrow's Child"? :ROFLOL:
Having a BA in Communication Studies, I can authoritatively state that the current version of the script is much more accurate and precise than previous incarnations. It connects together each scene and explains how one influences the next. It tells us that the alphabet the Phoenicians invented is the same alphabet we use today.
Do I miss the grandiosity of the previous script? Sure... but the new script does a much better job of communicating history to us. And shouldn't a ride about communication history do just that?
At the risk of angering my fanboi posse, I tend to agree with you.
The script isn't as bad as some say it is ... but those triangles just sitting there. What's the deal with them?
~Starkwood=24's version of Blackwater?~
It is still the history of communication. No matter how Disney PR tries to spin it.That might be a good point if the pavilion was still about communication, and not just plain innovation.
It is still the history of communication. No matter how Disney PR tries to spin it.
It is still the history of communication. No matter how Disney PR tries to spin it.
Whenever I hear Disneys new description of the ride (guests discover how each generation has invented the future for the next generation and how the spirit of innovation has moved mankind from the caves to the cosmos) I hear essentialy the history of communications dumbed down.I was just pointing out to my friend while on the ride the other day that the scenes they've changed and added to try to better reflect the innovation theme are actually just as or more pertinent to communication. Advanced mathematics are just as important as theater, and computers, well...
DUH!
That's about the only offense about the script that is ever really pointed out. And the 2007 script comparing The Great Library of Alexandria (which, BTW was NEVER even mentioned in previous incarnations despite it's importance in Communications History) is not really significantly different than the 1994 script saying that Rome built the first World Wide Web.Sorry, but I have to disagree with this one. Saying that the idea of the records that were thought to be lost were kept by the jewish and arab scholars as "the first backup system" is pretty silly and that's not the only offense in the script.
Thanks. I just don't understand the hatred towards this script, it is more effective and precise than the old one. And that's coming from a Communications Major from one of the Top 10 public universities in the nation (not to pound that over everyone's head... but seriously, folks!).[/QUOTE]At the risk of angering my fanboi posse, I tend to agree with you.
Whenever I hear Disneys new description of the ride (guests discover how each generation has invented the future for the next generation and how the spirit of innovation has moved mankind from the caves to the cosmos) I hear essentialy the history of communications dumbed down.
I do not recall hearing the wording first world wide web in the Irons script.As previously stated, considering Irons talked about Rome building the first world-wide-web, Judi talking about the first back-up system is tit-for-tat and just a trade off.
I do not recall hearing the wording first world wide web in the Irons script.
[FONT=Arial,Helvetica,sans-serif]The mighty Roman empire bridged three continents with a vast system of roads, the fastest information highways the world had ever known. East, west, north, and south, all roads led to Rome. [/FONT]
Just to add my two cents to the whole narration thing:
The main problem, as stated, is the script. It plays too much to the lowest common denominator
Secondly, and I hope this doesn't sound sexist, I just think that SSE should have a male narrator (father time) and LWTL should have a female voice (mother earth). Nothing against Judi Dench (and whoever is the voice of LWTL), I just have way too much time to think about things.:animwink:
I'm sorry, but I have to say something here. Even though this is my first post, I've been lurking around this thread forever. First off gustaftp, Jeremy Iron's script doesn't refer to Rome building the first world wide web. The 2007 version is the one that includes this horrible line. Irons' script read, "The mighty Roman empire bridged three continents with a vast system of roads- the fastest information highways the world had ever known. East, west, north, and south- all roads led to Rome." Much more articulate and memorable IMHO. The new line is, "Rome built the first world wide web, and it's leading us into the future." Not only is this dumbed down, it's horribly structured. Half the sentence is in past tense and half is in future tense. You may be a communications major, but any 5th grade English student knows what's wrong with that sentence.
To add on to SirGoofy's horrible lines, how about the entire civil war scene? "Now communication technology races headlong into the future, and soon people all over the world are sharing life's most important moments faster than ever before." Slavery just ended and the script is talking about life's most important moments, as if it was a Kodak moment. On top of that, the man holding the paper is African American, which simply doesn't make sense in context and is borderline offensive.
That leads me to another thing I can't stand about the new attraction. Instead of the inventions being the focus of each scene, it's more about the time period. As mentioned above, for some reason the Civil War is emphasized in the printing press scene. Instead of celebrating the art of cinema, we are hit over the head with the fact that it's the 1930s with the Olympics footage, the advertisement for the Mickey Mouse cartoon, and the ticket taker holding a newspaper, again referring to the Olympics. Finally, instead of concentrating on television itself, the next scene emphasizes that it is the 60's (1969 to be exact). There's a Beatles reference, Mouse Trap, the moon landing etc.
Not to be a downer, but when someone actually defends the new version, I've got to play devil's advocate. SSE used to be my favorite attraction, but I find the new version to be a complete disaster of epic proportions. Don't even get me started on the descent.
That might be the best first post I've ever read.
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