Bairstow
Well-Known Member
Weekend Review #3: Let's Try Hard Not To Think About How The Cars Universe Works
Like seriously? This is the new "if Goofy and Pluto are both dogs, why does Goofy talk and stand on his hind legs?".
Recode's Peter Kafka interviewed Bob Iger's favorite analyst, Rich Greenfield of BTIG on the podcast Recode Media. Peter and Rich discuss the challenges facing legacy media companies in the quickly changing digital landscape and how they should navigate it. For those who've heard about Rich from reading Spirit's threads or have seen him on CNBC/Bloomberg, this is a good opportunity to hear him speak at length on his views. (Also, he is so right about Disney selling Pay TV rights to Netflix being a bad deal in the long run for TWDC.)
Essential Reading: Re-Imagineering
Going forward, this section of weekend review will be dedicated to writing from the past that is both informative for younger fans coming into the MAGIC scene and relevant to current events in the spheres of film and theme parks. Today's piece of essential reading comes from Re-Imagineering, a blog chock full of great critical essays from the mid-late aughts on the state of the Disney parks at the time. This essay about Ellen's Energy Adventure, titled "Audio Anarchronistics", really gets at the problems so many have with the Guardians overlay of DCA's ToT; how will this cheap, thematically inconsistent (ignoring the upcoming Marvel Land that could be much different than what has been proposed as a companion to M:B) attraction age in say 5-10 years? Disney has stood the test of time because it is timeless, but what are the implication of putting Marvel on the fast and cheap UNI IP multiplex model? Speaking of which...
Afrofuturism and "Black Panther"
So a trailer for this little movie called "Black Panther" came out last week and it was kind of a big deal. It is the first Marvel Studios film with a black protagonist with a largely black cast and crew, including director Ryan Coogler ("Creed" and "Fruitvale Station"). The film is also notable for being the first big budget Hollywood tentpole to be deeply influenced by Afrofuturism, a tradition that draws on African culture and combines it with science fiction and futurism which you can learn more about here, here and here. Wakanda is a product of this rich legacy and the production team on Panther has gone to great lengths to bring this world onto the big screen. The trailer offers us a glimpse into this world and Birth.Movies.Death's Siddhant Adlakha wrote a detailed break down of its contents, especially how it relates to Afrofuturism.
But to bring this back to the theme parks for a second, I want to visit this world badly. However, the current path that the Bobs have put us on will never get us there because they don't have the confidence in Marvel to truly recreate worlds like Wakanda for guests to explore and return to again and again. Themed entertainment, even if it's just adapting existing properties is capable of so much more than just being a highly profitable ancillary revenue stream. 'Tis a shame indeed.
Let's Dig Into The Design of BLACK PANTHER by Siddhant Adlakha BMD
Portfolio Review: The Personal Art of Bill Cone and Sharron Calahan
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So to conclude this weekend review, let's take a look at the work of two the artists who helped create the look and feeling of the world of "Cars", visual development artist Bill Cone and cinematographer Sharon Calahan. Both are long time Pixarians who have been with the studio since "Toy Story". In addition to their work at Pixar, they are both prolific plein air painters. Here's a sample of their work.
Bill Cone
Pastel
Pastel
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Sharon Calahan
The mystery of where the Cars come from is literally the only interesting thing about that series.
That and why they run on petrol but apparently eat horseradish.
Wait...