A Spirited Perfect Ten

JediMasterMatt

Well-Known Member
Oh god help the kids working the FP return

They will need full on counseling if they have to deal with the technological issues of the MagicBand on the return side and the scheduling side...

This information was shared with me when I was again pointing out to a couple of contacts in guest services that having the DAS people trying to go through the already congested crowds at the FP return point to get a return time was just adding to the problem. I was offering my input that Disneyland Resorts stand alone kiosks for return times was perhaps a better solution.

Imagine the what it will look like when you have regular FP+ returns, people with normal FP+ issues like early late arrivals, people loitering for their return times, people with DAS trying to get return times, and people with DAS returning with return times...

It will make Dick Cheney's arteries look like the epitome of perfect health.
 

truecoat

Well-Known Member
Yes and no. He's out of touch in that the fans want this "NOW" while he doesn't want to make the CapEx until the movie comes out.... He has to make sure it's a worthwhile investment.

Of course it's the highest grossing IP ever when you add up movies, toys, games, etc. I've bought it on VHS twice and DVD once.

VHS, LD, DVD & Blu ray. I didn't have a CED or as it was known Selectavision.
 

PhotoDave219

Well-Known Member
They will need full on counseling if they have to deal with the technological issues of the MagicBand on the return side and the scheduling side...

This information was shared with me when I was again pointing out to a couple of contacts in guest services that having the DAS people trying to go through the already congested crowds at the FP return point to get a return time was just adding to the problem. I was offering my input that Disneyland Resorts stand alone kiosks for return times was perhaps a better solution.

Imagine the what it will look like when you have regular FP+ returns, people with normal FP+ issues like early late arrivals, people loitering for their return times, people with DAS trying to get return times, and people with DAS returning with return times...

It will make **** Cheney's arteries look like the epitome of perfect health.

But its NextGen! It will solve all the problems! They spent so much $$$$! /sarcasm
 

Nemo14

Well-Known Member
But its NextGen! It will solve all the problems! They spent so much $$$$! /sarcasm
and they're magical!
stars.gif
 

truecoat

Well-Known Member
I'm cross posting this here because it is a frequent point of contention in these threads. I'd love to hear @WDW1974 and even @wdwmagic 's take on my analysis of our audience. None of this is meant to be pro/con of one vs the other... but rather be able to understand where the motivations differ, and why different parties approach things differently with different takeaways.

Those who like to throw out labels frequently too... I'll not name individuals for fear of including/excluding someone to harm... I'd love to hear your inputs as well. Personally I think there is a tier beyond 'student of walt' and 'disney fanatic' that are our extreme cases... but to keep it to a single novel.. I didn't elaborate on those :D

---------
On the topic of 'why are people here' - What throws people is a forum like this is an outlet for many different types of people.

I'm putting this bit up top for the TL:DR crowd...
-----
An analogy people might relate to is Motion Pictures. Most people goto the movies to be entertained. They are not interested in the process of movie making, just the movie OUTPUT. But behind the movie there is all sorts of disciplines, theories, principles that are work together. Most consumers have no interest in these things, or even take them for granted. A movie being 'good' or 'bad' is a subjective topic usually based on if the viewer enjoyed it.. and they are less interested in understanding why the movie did or did not connect with them. These are simply the movie consumers.. or movie fans.

But there is a whole other audience that is aware of the science or techniques used.. and are interested in or maybe simply have a more heightened awareness to those topics. They can label a film not just on the enjoyment factor but also on merits of its elements or assembly. They may label films 'good' or 'bad' based on more of the components of the project rather than simply their personal tastes. They may find their conclusions a bit more objective, even if the individual gradings are still subjective. IE: A movie critic that has to review a Romantic Comedy they have no interest in and tries to critique the film's elements like actor performance, photography, set/costumes, writing, etc.. Because they are looking at components that can be argued individually on their own merits, they tend to be more conclusive in their labels. A fan might simply say "I didn't like it"... a critic might say "Its a bad film"

The pinnacle of this is the Award Shows. The voters are critiquing films on dimensions the 'movie fan' are oblivious to or don't care about. The fan largely cares only if the film worked for them personally. But because these award folks are in the industry of creating that stuff and or admire the process itself, they grade each other on merits of portions of the project. They focus in on the 'art of the show' and less about 'what resonated with the public'. And we have the classic "why did the english patient get best picture??? I hate that movie" situation :)

---------

Ok, now how does this map out in Disney terms? TL:DR readers check out now...

These are categories... not necessarily hard boundaries. Many may have motivations fed by multiple categories, but most people with self-study would probably associate themselves with one more strongly than another.

  • You have the trip planners - I need info or advice on trip specifics. I'm not seeking a lecture on history or why such and such is a bad art choice. These people can be anything from Disney first timers.. to those looking to enhance their vacations. These people come to the forum just when they have a need. Some users switch into this mode when focused on a single objective.
  • You have the 'discovery phase' for newer guests - They've enjoyed Disney as a customer, and now they seek out more and more details about 'what is available'. These are the people that are eager to find out 'what else does Disney offer'. They are lured by a taste of the good stuff.. and they are desperately seeking more. They may have a budding interest in the company's past, but are more driven by seeking out the experiences. They may not be actively planning a trip... but they are building out their "wish list" of activities and are excited to see change as it represents new opportunities. These people will be heavy forum users who ramp up their time here.
  • You have the "in search of..." crowd - Typically users who may be trying to find some detail about memories of old.. or maybe come from a related topic that is crossing over into the Disney business and are just trying to find info. These people are usually transient.
  • You have the 'fanatic customer' - These are the customers that just can't get enough Disney. They go to the parks as much as they can... they look at disney news, fan talk, etc because it gives them 'their disney dose' when they aren't at Disney. They consider themselves well educated in Disney's offerings and will retain a lot about the past offerings as they experienced them. They may appreciate nostalgia, or throwbacks especially to things they experienced... but it's mostly about what they will experience or look forward to experiencing. They are eager for news, sharing, and details because the internal motivation is they want to consume the product themselves. They like Disney communities as they can surround themselves with people with similar interests and likes. They'll love the 'what is your favorite XYZ' thread, etc.
All of the above tend to be people that focus on Disney as CONSUMERS. The last category is typically the type that can evolve into the 'pixie duster' label -- Their eagerness for more and more leads to excitement and payoff for just anything Disney puts out. They are also the ones that can get offended or defensive when someone is critical of the thing they find so much pleasure in. They can take the criticism as an attack on their personal interests or values. It hits close to home when what you enjoy is looked down on or made into a negative.

What confuses people is there are other categories of users that appreciate Disney as not just CONSUMERS of the product, but as students of the HOW behind the output of Disney. Be it students of the ART behind things, the SCIENCE, the BUSINESS, the SHOW. Many consumers of Disney don't look at Disney ITSELF as if it were a Model itself to dissect and analyze. People forget, Disney is/was a trendsetter in establishing entire new industries. Disney is/was a role model for many types of trades.... be it artists, producers, designers, engineers, or business managers.

This is an entirely different side of Disney that attracts many people. The "art of the show" so to speak. Their interest in the product is not primarily driven as a CONSUMER of it, but motivated by the creative or business processes themselves. Disney is a leading producer of things they are interested by. They are interested in the technical merit of things, the reasons behind choices, the art of the show that when applied correctly has established concepts and products that are loved the world over.

  • 'fans of WDI' - the early stage of geeking over Disney. They will be interested in all the backstage magic. They will be interested in understanding HOW things are done. They can be motivated by 'the knowing the secret behind the magic', they are interested in how its achieved. The thirst for knowledge or personal attachment drives them. They get enjoyment from seeing how the magic is made. Typically these fans will eagerly seek out all details on attractions, their background, their histories, their evolution. Driven by wanting more.. more examples, more variations, etc. Interviews are about finding the details you couldn't see, or learning the tricks behind it all, etc.
  • 'Students of Walt' - Eventually these people might evolve into wanting to understand WHY things are done.. because they often have their own take on creative decisions and things they think would be cool or not. The study of the 'why' leads them to understand the PRINCIPLES involved (vs simply knowing the EXAMPLES) and what steered successful efforts. They will be interested in hearing from the imagineers themselves because they want to understand and get deeper details. They will be interested in the new projects because its another new example to interpret, understand, and make their own critique using their understandings of the principles involved. They will read books and do research to gain more insight, more reference, more knowledge from those that were responsible for things they look up to as such great achievements. These people will GEEK OVER DISNEY vs just be excited to consume Disney as an entertainment experience.
So what you have is the Disney GEEK vs the Disney FAN. Some may think they geek over the outputs.. but the evolution is to not just obsess over the examples... but understand the principles that allowed such a wide variety of examples to all be successful. It's about understanding the theory, and not just the practice. Why? Some may aspire to be in that kind of business, some just like to dream, some see it as analyzing the company and it's future.

Where the friction comes in is when these later categories can be CRITICAL of the Disney product... and not from a consumer view, but from the view of product creation and management. They are critical of the process that lead to the attraction/experience. In doing so they often label things as 'good' or 'bad'. People who are just looking at it as a point of consumption... can take offense when someone calls something they appreciate 'bad'. They think it's a reflection on them as well in a negative connotation. "you like THAT??"

Disney FANS may be less critical in the sense of things that don't interest them, they can simply pass over unless it directly blocks them. Disney GEEKs may be more critical of all products, even if they don't directly consume it. The topic of interest for the Geek is the process or output itself.. not necessarily their personal consumption of it.


How about a TL;DR?
 

John

Well-Known Member
I'm cross posting this here because it is a frequent point of contention in these threads. I'd love to hear @WDW1974 and even @wdwmagic 's take on my analysis of our audience. None of this is meant to be pro/con of one vs the other... but rather be able to understand where the motivations differ, and why different parties approach things differently with different takeaways.

Those who like to throw out labels frequently too... I'll not name individuals for fear of including/excluding someone to harm... I'd love to hear your inputs as well. Personally I think there is a tier beyond 'student of walt' and 'disney fanatic' that are our extreme cases... but to keep it to a single novel.. I didn't elaborate on those :D

---------
On the topic of 'why are people here' - What throws people is a forum like this is an outlet for many different types of people.

I'm putting this bit up top for the TL:DR crowd...
-----
An analogy people might relate to is Motion Pictures. Most people goto the movies to be entertained. They are not interested in the process of movie making, just the movie OUTPUT. But behind the movie there is all sorts of disciplines, theories, principles that are work together. Most consumers have no interest in these things, or even take them for granted. A movie being 'good' or 'bad' is a subjective topic usually based on if the viewer enjoyed it.. and they are less interested in understanding why the movie did or did not connect with them. These are simply the movie consumers.. or movie fans.

But there is a whole other audience that is aware of the science or techniques used.. and are interested in or maybe simply have a more heightened awareness to those topics. They can label a film not just on the enjoyment factor but also on merits of its elements or assembly. They may label films 'good' or 'bad' based on more of the components of the project rather than simply their personal tastes. They may find their conclusions a bit more objective, even if the individual gradings are still subjective. IE: A movie critic that has to review a Romantic Comedy they have no interest in and tries to critique the film's elements like actor performance, photography, set/costumes, writing, etc.. Because they are looking at components that can be argued individually on their own merits, they tend to be more conclusive in their labels. A fan might simply say "I didn't like it"... a critic might say "Its a bad film"

The pinnacle of this is the Award Shows. The voters are critiquing films on dimensions the 'movie fan' are oblivious to or don't care about. The fan largely cares only if the film worked for them personally. But because these award folks are in the industry of creating that stuff and or admire the process itself, they grade each other on merits of portions of the project. They focus in on the 'art of the show' and less about 'what resonated with the public'. And we have the classic "why did the english patient get best picture??? I hate that movie" situation :)

---------

Ok, now how does this map out in Disney terms? TL:DR readers check out now...

These are categories... not necessarily hard boundaries. Many may have motivations fed by multiple categories, but most people with self-study would probably associate themselves with one more strongly than another.

  • You have the trip planners - I need info or advice on trip specifics. I'm not seeking a lecture on history or why such and such is a bad art choice. These people can be anything from Disney first timers.. to those looking to enhance their vacations. These people come to the forum just when they have a need. Some users switch into this mode when focused on a single objective.
  • You have the 'discovery phase' for newer guests - They've enjoyed Disney as a customer, and now they seek out more and more details about 'what is available'. These are the people that are eager to find out 'what else does Disney offer'. They are lured by a taste of the good stuff.. and they are desperately seeking more. They may have a budding interest in the company's past, but are more driven by seeking out the experiences. They may not be actively planning a trip... but they are building out their "wish list" of activities and are excited to see change as it represents new opportunities. These people will be heavy forum users who ramp up their time here.
  • You have the "in search of..." crowd - Typically users who may be trying to find some detail about memories of old.. or maybe come from a related topic that is crossing over into the Disney business and are just trying to find info. These people are usually transient.
  • You have the 'fanatic customer' - These are the customers that just can't get enough Disney. They go to the parks as much as they can... they look at disney news, fan talk, etc because it gives them 'their disney dose' when they aren't at Disney. They consider themselves well educated in Disney's offerings and will retain a lot about the past offerings as they experienced them. They may appreciate nostalgia, or throwbacks especially to things they experienced... but it's mostly about what they will experience or look forward to experiencing. They are eager for news, sharing, and details because the internal motivation is they want to consume the product themselves. They like Disney communities as they can surround themselves with people with similar interests and likes. They'll love the 'what is your favorite XYZ' thread, etc.
All of the above tend to be people that focus on Disney as CONSUMERS. The last category is typically the type that can evolve into the 'pixie duster' label -- Their eagerness for more and more leads to excitement and payoff for just anything Disney puts out. They are also the ones that can get offended or defensive when someone is critical of the thing they find so much pleasure in. They can take the criticism as an attack on their personal interests or values. It hits close to home when what you enjoy is looked down on or made into a negative.

What confuses people is there are other categories of users that appreciate Disney as not just CONSUMERS of the product, but as students of the HOW behind the output of Disney. Be it students of the ART behind things, the SCIENCE, the BUSINESS, the SHOW. Many consumers of Disney don't look at Disney ITSELF as if it were a Model itself to dissect and analyze. People forget, Disney is/was a trendsetter in establishing entire new industries. Disney is/was a role model for many types of trades.... be it artists, producers, designers, engineers, or business managers.

This is an entirely different side of Disney that attracts many people. The "art of the show" so to speak. Their interest in the product is not primarily driven as a CONSUMER of it, but motivated by the creative or business processes themselves. Disney is a leading producer of things they are interested by. They are interested in the technical merit of things, the reasons behind choices, the art of the show that when applied correctly has established concepts and products that are loved the world over.

  • 'fans of WDI' - the early stage of geeking over Disney. They will be interested in all the backstage magic. They will be interested in understanding HOW things are done. They can be motivated by 'the knowing the secret behind the magic', they are interested in how its achieved. The thirst for knowledge or personal attachment drives them. They get enjoyment from seeing how the magic is made. Typically these fans will eagerly seek out all details on attractions, their background, their histories, their evolution. Driven by wanting more.. more examples, more variations, etc. Interviews are about finding the details you couldn't see, or learning the tricks behind it all, etc.
  • 'Students of Walt' - Eventually these people might evolve into wanting to understand WHY things are done.. because they often have their own take on creative decisions and things they think would be cool or not. The study of the 'why' leads them to understand the PRINCIPLES involved (vs simply knowing the EXAMPLES) and what steered successful efforts. They will be interested in hearing from the imagineers themselves because they want to understand and get deeper details. They will be interested in the new projects because its another new example to interpret, understand, and make their own critique using their understandings of the principles involved. They will read books and do research to gain more insight, more reference, more knowledge from those that were responsible for things they look up to as such great achievements. These people will GEEK OVER DISNEY vs just be excited to consume Disney as an entertainment experience.
So what you have is the Disney GEEK vs the Disney FAN. Some may think they geek over the outputs.. but the evolution is to not just obsess over the examples... but understand the principles that allowed such a wide variety of examples to all be successful. It's about understanding the theory, and not just the practice. Why? Some may aspire to be in that kind of business, some just like to dream, some see it as analyzing the company and it's future.

Where the friction comes in is when these later categories can be CRITICAL of the Disney product... and not from a consumer view, but from the view of product creation and management. They are critical of the process that lead to the attraction/experience. In doing so they often label things as 'good' or 'bad'. People who are just looking at it as a point of consumption... can take offense when someone calls something they appreciate 'bad'. They think it's a reflection on them as well in a negative connotation. "you like THAT??"

Disney FANS may be less critical in the sense of things that don't interest them, they can simply pass over unless it directly blocks them. Disney GEEKs may be more critical of all products, even if they don't directly consume it. The topic of interest for the Geek is the process or output itself.. not necessarily their personal consumption of it.


Excellent dissection of fandom....applause!
 

JediMasterMatt

Well-Known Member
But its NextGen! It will solve all the problems! They spent so much $$$$! /sarcasm

I'm still waiting for Winnie the Pooh to *say my name or my custom "it's a small world" doll to show up at the finale. Remember when there were promises of enhancements or positive things happening when this magic bean was sold?

If you'd ask Clubber Lang what he thinks about MM+'s future:

rocky-iii-33.png


*E.T. said my name while I was riding at Universal. Of course, not to show that I'm just picking on Disney, to make E.T. do that, they have to artificially slow down the queue at the ride to collect everyone's name, issue a card, and then turn it in. Even in it's early form, ride personalization impacts capacity. Still... that intergalactic passport is pretty sweet and I get to watch a video with THE Steven Spielberg. I'd much rather do that than have the consequences of the MagicBand.
 

truecoat

Well-Known Member
I'm still waiting for Winnie the Pooh to *say my name or my custom "it's a small world" doll to show up at the finale. Remember when there were promises of enhancements or positive things happening when this magic bean was sold?

If you'd ask Clubber Lang what he thinks about MM+'s future:

rocky-iii-33.png


*E.T. said my name while I was riding at Universal. Of course, not to show that I'm just picking on Disney, to make E.T. do that, they have to artificially slow down the queue at the ride to collect everyone's name, issue a card, and then turn it in. Even in it's early form, ride personalization impacts capacity. Still... that intergalactic passport is pretty sweet and I get to watch a video with THE Steven Spielberg. I'd much rather do that than have the consequences of the MagicBand.

Family of five of us riding so he says goodbye Rob, Bob, Bobby, Barbie, Barb.

No that's not our real names haha.
 

Tony Perkis

Well-Known Member
Unfortunately that probably means like every Disney movie since Mulan there will be will be a comic sidekick (I knew I hated that ball robot) to play off the main characters.

Let's just say I'm expecting something like Tangled on Tattoine
Star Wars has always had comic sidekicks. In the original trilogy, that's C3PO, and to a lesser extent, R2D2. It worked because the humor was solid and their roles were integral to the plot.
 

ChrisFL

Premium Member
*E.T. said my name while I was riding at Universal. Of course, not to show that I'm just picking on Disney, to make E.T. do that, they have to artificially slow down the queue at the ride to collect everyone's name, issue a card, and then turn it in. Even in it's early form, ride personalization impacts capacity. Still... that intergalactic passport is pretty sweet and I get to watch a video with THE Steven Spielberg. I'd much rather do that than have the consequences of the MagicBand.

And that was implemented waaaay back in 1990
 

ford91exploder

Resident Curmudgeon
Star Wars has always had comic sidekicks. In the original trilogy, that's C3PO, and to a lesser extent, R2D2. It worked because the humor was solid and their roles were integral to the plot.

That's true - Then we got Mushu in Mulan, and Olaf in Frozen both of whom are logically equlvalent to Jar Jar Binks, At least the Bug in Wall-E was silent...

Why can't Disney do sidekicks like Puss-in-Boots ie Should we shave him Boss?, While Donkey is asleep :)
 

ford91exploder

Resident Curmudgeon
I'm cross posting this here because it is a frequent point of contention in these threads. I'd love to hear @WDW1974 and even @wdwmagic 's take on my analysis of our audience. None of this is meant to be pro/con of one vs the other... but rather be able to understand where the motivations differ, and why different parties approach things differently with different takeaways.

Those who like to throw out labels frequently too... I'll not name individuals for fear of including/excluding someone to harm... I'd love to hear your inputs as well. Personally I think there is a tier beyond 'student of walt' and 'disney fanatic' that are our extreme cases... but to keep it to a single novel.. I didn't elaborate on those :D

---------
On the topic of 'why are people here' - What throws people is a forum like this is an outlet for many different types of people.

I'm putting this bit up top for the TL:DR crowd...
-----
An analogy people might relate to is Motion Pictures. Most people goto the movies to be entertained. They are not interested in the process of movie making, just the movie OUTPUT. But behind the movie there is all sorts of disciplines, theories, principles that are work together. Most consumers have no interest in these things, or even take them for granted. A movie being 'good' or 'bad' is a subjective topic usually based on if the viewer enjoyed it.. and they are less interested in understanding why the movie did or did not connect with them. These are simply the movie consumers.. or movie fans.

But there is a whole other audience that is aware of the science or techniques used.. and are interested in or maybe simply have a more heightened awareness to those topics. They can label a film not just on the enjoyment factor but also on merits of its elements or assembly. They may label films 'good' or 'bad' based on more of the components of the project rather than simply their personal tastes. They may find their conclusions a bit more objective, even if the individual gradings are still subjective. IE: A movie critic that has to review a Romantic Comedy they have no interest in and tries to critique the film's elements like actor performance, photography, set/costumes, writing, etc.. Because they are looking at components that can be argued individually on their own merits, they tend to be more conclusive in their labels. A fan might simply say "I didn't like it"... a critic might say "Its a bad film"

The pinnacle of this is the Award Shows. The voters are critiquing films on dimensions the 'movie fan' are oblivious to or don't care about. The fan largely cares only if the film worked for them personally. But because these award folks are in the industry of creating that stuff and or admire the process itself, they grade each other on merits of portions of the project. They focus in on the 'art of the show' and less about 'what resonated with the public'. And we have the classic "why did the english patient get best picture??? I hate that movie" situation :)

---------

Ok, now how does this map out in Disney terms? TL:DR readers check out now...

These are categories... not necessarily hard boundaries. Many may have motivations fed by multiple categories, but most people with self-study would probably associate themselves with one more strongly than another.

  • You have the trip planners - I need info or advice on trip specifics. I'm not seeking a lecture on history or why such and such is a bad art choice. These people can be anything from Disney first timers.. to those looking to enhance their vacations. These people come to the forum just when they have a need. Some users switch into this mode when focused on a single objective.
  • You have the 'discovery phase' for newer guests - They've enjoyed Disney as a customer, and now they seek out more and more details about 'what is available'. These are the people that are eager to find out 'what else does Disney offer'. They are lured by a taste of the good stuff.. and they are desperately seeking more. They may have a budding interest in the company's past, but are more driven by seeking out the experiences. They may not be actively planning a trip... but they are building out their "wish list" of activities and are excited to see change as it represents new opportunities. These people will be heavy forum users who ramp up their time here.
  • You have the "in search of..." crowd - Typically users who may be trying to find some detail about memories of old.. or maybe come from a related topic that is crossing over into the Disney business and are just trying to find info. These people are usually transient.
  • You have the 'fanatic customer' - These are the customers that just can't get enough Disney. They go to the parks as much as they can... they look at disney news, fan talk, etc because it gives them 'their disney dose' when they aren't at Disney. They consider themselves well educated in Disney's offerings and will retain a lot about the past offerings as they experienced them. They may appreciate nostalgia, or throwbacks especially to things they experienced... but it's mostly about what they will experience or look forward to experiencing. They are eager for news, sharing, and details because the internal motivation is they want to consume the product themselves. They like Disney communities as they can surround themselves with people with similar interests and likes. They'll love the 'what is your favorite XYZ' thread, etc.
All of the above tend to be people that focus on Disney as CONSUMERS. The last category is typically the type that can evolve into the 'pixie duster' label -- Their eagerness for more and more leads to excitement and payoff for just anything Disney puts out. They are also the ones that can get offended or defensive when someone is critical of the thing they find so much pleasure in. They can take the criticism as an attack on their personal interests or values. It hits close to home when what you enjoy is looked down on or made into a negative.

What confuses people is there are other categories of users that appreciate Disney as not just CONSUMERS of the product, but as students of the HOW behind the output of Disney. Be it students of the ART behind things, the SCIENCE, the BUSINESS, the SHOW. Many consumers of Disney don't look at Disney ITSELF as if it were a Model itself to dissect and analyze. People forget, Disney is/was a trendsetter in establishing entire new industries. Disney is/was a role model for many types of trades.... be it artists, producers, designers, engineers, or business managers.

This is an entirely different side of Disney that attracts many people. The "art of the show" so to speak. Their interest in the product is not primarily driven as a CONSUMER of it, but motivated by the creative or business processes themselves. Disney is a leading producer of things they are interested by. They are interested in the technical merit of things, the reasons behind choices, the art of the show that when applied correctly has established concepts and products that are loved the world over.

  • 'fans of WDI' - the early stage of geeking over Disney. They will be interested in all the backstage magic. They will be interested in understanding HOW things are done. They can be motivated by 'the knowing the secret behind the magic', they are interested in how its achieved. The thirst for knowledge or personal attachment drives them. They get enjoyment from seeing how the magic is made. Typically these fans will eagerly seek out all details on attractions, their background, their histories, their evolution. Driven by wanting more.. more examples, more variations, etc. Interviews are about finding the details you couldn't see, or learning the tricks behind it all, etc.
  • 'Students of Walt' - Eventually these people might evolve into wanting to understand WHY things are done.. because they often have their own take on creative decisions and things they think would be cool or not. The study of the 'why' leads them to understand the PRINCIPLES involved (vs simply knowing the EXAMPLES) and what steered successful efforts. They will be interested in hearing from the imagineers themselves because they want to understand and get deeper details. They will be interested in the new projects because its another new example to interpret, understand, and make their own critique using their understandings of the principles involved. They will read books and do research to gain more insight, more reference, more knowledge from those that were responsible for things they look up to as such great achievements. These people will GEEK OVER DISNEY vs just be excited to consume Disney as an entertainment experience.
So what you have is the Disney GEEK vs the Disney FAN. Some may think they geek over the outputs.. but the evolution is to not just obsess over the examples... but understand the principles that allowed such a wide variety of examples to all be successful. It's about understanding the theory, and not just the practice. Why? Some may aspire to be in that kind of business, some just like to dream, some see it as analyzing the company and it's future.

Where the friction comes in is when these later categories can be CRITICAL of the Disney product... and not from a consumer view, but from the view of product creation and management. They are critical of the process that lead to the attraction/experience. In doing so they often label things as 'good' or 'bad'. People who are just looking at it as a point of consumption... can take offense when someone calls something they appreciate 'bad'. They think it's a reflection on them as well in a negative connotation. "you like THAT??"

Disney FANS may be less critical in the sense of things that don't interest them, they can simply pass over unless it directly blocks them. Disney GEEKs may be more critical of all products, even if they don't directly consume it. The topic of interest for the Geek is the process or output itself.. not necessarily their personal consumption of it.

BRAVO - Well done indeed
 

Cesar R M

Well-Known Member
Based on @ParentsOf4 post on the last page it looks like the rooms out of inventory are only driving the rate up by 1% if I read his analysis correctly. DVC helps since they naturally have a higher rate, but there aren't that many additional DVC rooms between this year and last.
It still reminds me of these...

wait for it...


POLY PIZZA HUT BUNGALOWS..

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Six Flags reported the following in its 2013 annual report:

"The vast majority of our capital expenditures in 2014 and beyond will be made on a discretionary basis. We plan on spending approximately 9% of revenues on capital expenditures during the 2014 calendar year."​

From fiscal years 1973 (Disney spent quite a lot in 1972 to finish phase 1 of WDW so I'm skipping that year) until 2005 (Michael Eisner's last year as CEO), Disney averaged 21.3% of domestic Parks & Resorts (P&R) revenue on domestic P&R capital expenditures.

From fiscal years 2006 (Bob Iger's first year as CEO) until 2014 (the most recently completed fiscal year), Disney averaged 13.3% of domestic P&R revenue on domestic P&R capital expenditures.

Disney reported 7.4% in its latest quarter. As I previously wrote, "This is getting into Six Flags territory."

Sorry, I was mistaken. Disney's most recent capex level is actually worse than Six Flags. :banghead:

Sorry, I did not mean to insult Six Flags by suggesting that they would stoop to Disney's pitiful investment levels. :D
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wow.. not even Six Flags levels..
 

Cesar R M

Well-Known Member
I forgot to add one extra tidbit to my long rant from earlier:

- I had two confirmations from different sources that the Disability Access Service card at WDW will be rolled into the Magic Band in the near future and the paper version would be going away. Unfortunately, neither one knew for sure if they were planning on steering the disabled to a FP+ kiosk, the ride entrance, or use of the online app. If it's the kiosk... grab some popcorn as this is going to be good. The FP+ kiosks are already overflowing with Magical experiences.
to save costs, they will probably put all them together. All while good old Park Management will be patting each other in the back for a job well done!
 
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