21stamps
Well-Known Member
Bart's an adult male?
You can’t make sense of it. We’re supposed to pretend that a majority isn’t a majority after all.
Bart's an adult male?
I see a difference between "zip-a-dee-doo-dah" and "Zip a duden duden duden"... is the word "zip" common today? No, but I wasn't alive in the 1800's and have no clue how common or uncommon it was. For all I know it was a very common word back then.. but when I see that "zip ****" was sung to the melody of "Turkey in the Straw" and I see no connection between that and the melody of "Zip-a-dee-doo-dah" then I simply can't accept that one was the derived from the other. It seems to be as much of coincidence as anything else. I'm also a bit perplexed at why you think the two men responsible for the song, that were born and raised in Connecticut in the early 20th century would have even been familiar with "zip ****" which was published in 1834? Do you think Connecticut was a bastion of hold over slave owners from the Civil War era that sat around singing old songs from the slave days? Sorry but when you look at the history of the two songs the evidence just doesn't hold up. I am much more inclined to believe that some woke warriors were looking for some way to make a further connection with the Antebellum South and Song of the South and when they found "Zip ****" they jumped for joy without bothering to look at whether it made sense that two guys from Connecticut would have ever heard of a racist song from the south that was created almost 100 years before they were even born.
No, but I think his point was that Bart should be voiced by a male because he is a male.
Oops, my mistake. Apologies.*her*
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Historical background behind "Zip A Dee Doo Dah" - Behind the Music
This seemingly nonsense song has a lot of baggage packed into its brief stanzas. Disney won an Oscar for it but never made much money from the film.www.behind-the-music.com
This song was performed by a white man in blackface. The objective was to ridicule and draw attention to the inferiority of the black race while simultaneously championing the superiority of the white race:
Not really. The film was theatrically re-released in 1986. Disney was apparently naming the movie online until very recently.
Yeah. The idea to do away with an African American folklore tale in favour of a European tale is rather troubling. We went from one story with black roots to none. Granted, it was a whitewashing not the tale. Which is why I believe steps should have been taken to bring the ride closer to its roots than outright change it.Br’er Rabbit is a tale that has existed for hundreds of years, dating back to West Africa and through oral tradition of generations in the bonds of slavery. It was a tale rooted in empowerment and hope for getting by, it was about a sly rabbit outwitting authority figures and those that wished him harm. It may be unfortunate to be incorporated in Song of the South, but it exists independently of that movie and the ride makes no mention of the problematic aspects. The Br’er Rabbit tales predate Disney by hundreds of years and has continued to be used outside of Disney (there was a Nick Cannon movie in 2006). Cancelling this important story because contemporary Twitter mobs can’t separate it from another part that hasn’t been seen in decades is doing a disservice and burying an important part of history and African-American storytelling tradition. Condemning traditional African folklore for sharing the screen with Song of the South would be like condemning Sleepy Hollow if America turned on Mr. Toad.
So, now that we are cancelling African folklore, what are we replacing it with? A European fairytale with races switched and an element where the African Americans are tormented by voodoo and witch doctors. That sounds more questionable to me and, on top of everything, this will likely be a cheap overlay rather than a new, innovative ride that many believe Princess and the Frog deserves.
Perhaps a better option would be to save the money of an overlay and add an exhibit to the queue of Splash Mountain about the roots of traditional African American storytelling and its importance. Turn it empowering and free the narrative from the connection to Song of the South. Br’er Rabbit remains a tale that needs telling.
SoNo, ideally give minority people more roles in general! Any role! But when a majority of roles on TV are white characters and when there finally is a black character, it's still given to a white actor, that's a problem.
In an ideal world representation on tv would be equal to our society, and it's getting better, but it'll still take some time.
That’s not what I’m saying at all but I’m aware any explanation I could possibly do is futile so I’m not gonna waste my breath.So
Minorities can get a voice role playing a white character but not vice versa?
This thread has been moved to the Political forum - so as long as you are respectful towards others you can get as political as you wish.
And does that mean that Bart Simpson should be voiced at least by an adult male? To be honest, without those characters in The Simpsons, you do not have The Simpsons. It would seem the issue would be less with who is Voice ACTING but the hateful nature in which the character is portrayed. (Apu etc...)
Are you then suggesting there is no explanation? At the end of the day, if we are looking for true "equality", then black voice actors should make up 13% of the voice acting population.That’s not what I’m saying at all but I’m aware any explanation I could possibly do is futile so I’m not gonna waste my breath.
It's how Motown got started by Barry Gordy. Doo-Wop! Incidentally "The Mom" knows a lot about Doo-Wop. Gordy got Smokey Robinson to record an "answer song" to the Silhouettes hit "Get a Job".What's your point here? Both groups are black.
Oops. Misunderstood the announcement. Thought he meant take political talk to a new thread over there and do only non-political talk in here, worrying the new posts I saw appearing were going to get the thread closed. Thanks.
Ooh, was with you until you called the honest working man "hateful".
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