• The new WDWMAGIC iOS app is here!
    Stay up to date with the latest Disney news, photos, and discussions right from your iPhone. The app is free to download and gives you quick access to news articles, forums, photo galleries, park hours, weather and Lightning Lane pricing. Learn More
  • Welcome to the WDWMAGIC.COM Forums!
    Please take a look around, and feel free to sign up and join the community.

Disney (and others) at the Box Office - Current State of Affairs

Disney Irish

Premium Member
We are talking about the box office and who wins at the box office.

Maybe we need to start a second thread called the box office plus residuals, streaming, tv revenue, and ancillary products so those of us who want to discuss the box office can do that here and those who want to look at total revenue over the next several years can do that in a separate thread. It gets very confusing when those of us who want to discuss box office numbers in the “box office” thread keep getting countered with numbers that aren’t box office numbers.

At the box office Mufasa essentially broke even at $722 million, to offset Snow Whites box office loses it would have needed to make about $1.1 billion at the box office.
Ok, but again even if we just count the box office, it would be very hard to have a box office winner that doesn't make profit. The math just doesn't work out the other way. As mentioned that would have to mean that every other studio flopped just as bad or worse.

Also with Avatar 3 happening this year I think its guaranteed that Disney will have at least one movie to offset Snow. So I don't think that is going to be an issue.
 

brideck

Well-Known Member
We are talking about the box office and more specifically recently the conversation has been about who wins at the box office.

Maybe we need to start a second thread called the box office plus residuals, streaming, tv revenue, and ancillary products so those of us who want to discuss the box office can do that here and those who want to look at total revenue over the next several years can do that in a separate thread. It gets very confusing when those of us who want to discuss box office numbers in the “box office” thread keep getting countered with numbers that aren’t box office numbers.

This is because companies don't just magically stop making money at that point. What on earth is the point of complaining about how truncated earnings are too small? If people here are so concerned about Disney's bottom line then maybe they need to stop using figures that don't actually match reality in any particularly concrete way.

If we're just going to talk box office returns, then sure... >95% of all movies lose some amount of money. Makes you wonder why anyone would ever make them if that were the end of the story.
 

Tha Realest

Well-Known Member
I’m sure when Iger came back almost three years ago to “fix” the box office issues the plan all along was to treat $180M tentpoles with previous track records of great success like a VC enterprise. “Hey, as long as two or three hit we’re okay.”
 

Disney Irish

Premium Member
I’m sure when Iger came back almost three years ago to “fix” the box office issues the plan all along was to treat $180M tentpoles with previous track records of great success like a VC enterprise. “Hey, as long as two or three hit we’re okay.”
Anyone that says that movies during theatrical are a money making business is trying to scam you.
 

brideck

Well-Known Member
The box office thread was always a fun discussion because it was real time and changed weekly, I have no interest in waiting a year or more to talk about whether a movie was a success or not so I think I’ll gracefully move on from this thread, it’s morphed into a topic I don’t particularly find interesting.

You don't actually have to wait any amount of time. Just adjust the bombsights (pun intended). If you know that what TP posts is lowballing things for both failures and successes, then you can still have the conversation that you want to have -- you just have to more or less ignore his attempt to be the definitive answer for everything.
 

Tha Realest

Well-Known Member
You don't actually have to wait any amount of time. Just adjust the bombsights (pun intended). If you know that what TP posts is lowballing things for both failures and successes, then you can still have the conversation that you want to have -- you just have to more or less ignore his attempt to be the definitive answer for everything.
Or maybe someone could create a post-theatrical thread, or “value to D+ thread”
 

Disney Irish

Premium Member
Or maybe someone could create a post-theatrical thread, or “value to D+ thread”

Or just understand its an incomplete picture and that there will be no complete answer on a movies profitability. It just means that when a movie does better than breakeven during theatrical its for sure going to be profitable, but if its not it'll take work post-theatrical. And that is the nuisance that some of us provide during the conversation and what happens post-theatrical which many find interesting within the context of the box office.

I mean I understand that this thread was started as just another place to air grievances about Disney, at the time the 2023 box office specifically. But really became a dumping ground for all grievances and some just want to continue only that. The reality is that if someone wanted to just look at box office numbers and nothing else they don't have to come here to do it.
 

Tha Realest

Well-Known Member
Or just understand its an incomplete picture and that there will be no complete answer on a movies profitability. It just means that when a movie does better than breakeven during theatrical its for sure going to be profitable, but if its not it'll take work post-theatrical. And that is the nuisance that some of us provide during the conversation and what happens post-theatrical.

I mean I understand that this thread was started as just another place to air grievances about Disney, at the time the 2023 box office specifically. But really became a dumping ground for all grievances and some just want to continue only that. The reality is that if someone wanted to just look at box office numbers and nothing else they don't have to come here to do it.
(Taps thread sign) Or just create your own thing like DA did!
 

Sirwalterraleigh

Premium Member
Dude, if 3 movies clear enough ROI for the entire slate it doesn't matter if all the others just break even or even lose money.

That is one thing you have to get out of your head, not every one of Disney's movies have to clear breakeven, never was a requirement.
Yeah…for Disney it really does, Jack

Making profit and having wide appeal (you know…eyes? Ticket sales? Pub?) really does matter to Disney.

That doesn’t mean they don’t have flops…but then expanding the existence of flops into that flops don’t matter at all is like what the F student in Econ writes his paper about
 
Last edited:

Sirwalterraleigh

Premium Member
I mean I understand that this thread was started as just another place to air grievances about Disney, at the time the 2023 box office specifically. But really became a dumping ground for all grievances and some just want to continue only that. The reality is that if someone wanted to just look at box office numbers and nothing else they don't have to come here to do it.

Now see here is where you didn’t read post #1. It’s to discuss performance at the box office. Like the actual performance.

Maybe it’s confusing?

And second…you really showed your hand here. I love it when people adamantly say it’s not about defending Disney (specifically)…then actually cry for Disney in an “airing of grievances”

Know when to fold ‘em, Kenny rogers
 

Sirwalterraleigh

Premium Member
Second you assume the end goal is to clear enough to make profit, whatever that number may be, and that they count that as a ROI failure if its only a couple hundred Million. We can't assume that just because that is what "we" would want if we were in their position.

Actually…we do…can…and should “assume” that. Because popularity is a direct correlation to longterm appeal and higher return for the studio and company. It’s 1:1.

What had a better ROI? Batman or bill and Ted’s bogus journey…

That one is a crème puff…easy one.
Not true. The bar isn't as high as all of that. As an example, per Deadline, Mufasa netted $175m for Disney after grossing only $722m against a $200m budget.

If Stitch does as massively as people are thinking (against a very reasonable budget), it'll easily erase SW and then some.
So is it about profit, appeal and making money, or no?

Can you get together with your Gaelic bro and come up with a coherent theme?
 

Sirwalterraleigh

Premium Member
Again I don't know where you get 5 years from for movies. I think you're taking the development phase where no major budget is assigned, which could be years, and trying to attribute that to actual production when the budget is actually rolling. Once it goes into actual production its 6-24 months even with extensive post-production for VFX. For example Zootopia 2 when into production in 2023 and is releasing this Thanksgiving, that is 24 months of production, not 5 years.

Will Zootopia lead to further merch down the line, yes.
Will Avatar lead to further merch down the line, again likely yes.
Will Stitch lead to further merch down the line, a SOLID YES!

So yes the ROI for 2025 will be there no matter what any of the others do.

Because there’s a lot more to movies than just a cast and the camera operators…all the time in development is waste of energy and labor if they aren’t gonna hit. There are no guarantees…but they sure as hell want them. It’s lost opportunity cost. There’s a place where it’s about “genre” and “exposition writing”…it’s called college and that ain’t real. Not in Hollywood

Hell…Disney already has a whole division that they constantly give dead end busy work to with no intention of following up on…it’s called WDI…
Don’t think they need one at the studio too.
 

TP2000

Well-Known Member
You want a prediction? Thunderbolts* should look pretty similar to Cap 4 for its WW total (~$200m/$420m) when all is said and done. This'll put it firmly in the wash category -- far from covered in red ink.

Now that Captain America 4 is done with its run at the box office for all intents and purposes, here's how that looks in both the current situation, and the forward-looking 2.5X situation that adds in unknown future streaming income.

Captain America 4: Production $180, Marketing $90, Domestic $120, Overseas $86 = $64 Million Loss
Alternate Captain America 4:
2.5 Times Production Budget Requires $450 Global Box Office = $34 Million Loss

Same Trajectory.jpg


If Stitch does as massively as people are thinking (against a very reasonable budget), it'll easily erase SW and then some.

This might be a good time to do a pre-summer check in on how Disney's box office losses have piled up the past few months, to see what it will take for Stitch, Elio and Fantastic Four to dig out from underneath those losses before they can get to Christmas with Zootopia 2 and Avatar 3, etc.

The top line number is that as of the middle of May, Burbank has lost $407 Million at the box office in 2025.

Captain America 4: Production $180, Marketing $90, Domestic $120, Overseas $86 = $64 Million Loss
Snow White:
Production $270, Marketing $100, Domestic $52, Overseas $46 = $272 Million Loss
The Amateur:
Production $60, Marketing $30, Domestic $23, Overseas $46 = $21 Million Loss
Thunderbolts: Production $180, Marketing $90, Domestic $77, Overseas $58 = $50 Million Loss???

Still Working On My Beach Body, Check Back in August.jpg

 

Sirwalterraleigh

Premium Member
Now that Captain America 4 is done with its run at the box office for all intents and purposes, here's how that looks in both the current situation, and the forward-looking 2.5X situation that adds in unknown future streaming income.

Captain America 4: Production $180, Marketing $90, Domestic $120, Overseas $86 = $64 Million Loss
Alternate Captain America 4:
2.5 Times Production Budget Requires $450 Global Box Office = $34 Million Loss

View attachment 858520



This might be a good time to do a pre-summer check in on how Disney's box office losses have piled up the past few months, to see what it will take for Stitch, Elio and Fantastic Four to dig out from underneath those losses before they can get to Christmas with Zootopia 2 and Avatar 3, etc.

The top line number is that as of the middle of May, Burbank has lost $407 Million at the box office in 2025.

Captain America 4: Production $180, Marketing $90, Domestic $120, Overseas $86 = $64 Million Loss
Snow White:
Production $270, Marketing $100, Domestic $52, Overseas $46 = $272 Million Loss
The Amateur:
Production $60, Marketing $30, Domestic $23, Overseas $46 = $21 Million Loss
Thunderbolts: Production $180, Marketing $90, Domestic $77, Overseas $58 = $50 Million Loss???

View attachment 858521
There’s also the contention from corporate that the known extensive reshoots for cap 4 cost $0…

As in a gift from SAG and the trade guilds? Hollywood is always so charitable 🤓

(I say this because they’re gonna spin this crap as “standard” to fleece the costs and goose the reported “margins”…this is certain unless an adult level of pragmatic thought is applied)
 

DisneyWarrior27

Well-Known Member
Oh, hey, speaking of Disney box office, they finally started marketing Elio with this first TV spot they played during the final commercial break of American Idol’s part 2 of their 2-night Disney Night event on ABC.



Maybe now they’ll finally market this movie to make it a box office hit.
 

TP2000

Well-Known Member
Or, for those at home who like to use the blanket 2.5 X Production Budget to get to their numbers, here's how that looks so far this year...

Top line number using that equation is that in mid May, Burbank has lost $617 Million at the box office so far this year.

Captain America 4: 2.5 times the production budget of $180 Million = $35 Million Loss
Snow White:
2.5 times the production budget of $270 Million = $473 Million Loss
The Amateur:
2.5 times the production budget of $60 Million = $59 Million Loss
Thunderbolts:
2.5 times the production budget of $60 Million = $50 Million Loss???

The more nuanced breakdown of domestic vs. overseas numbers we use here in the TP2000 Global Command Center show a loss so far this year of $407 Million. But the blanket 2.5 X Production equation shows a much bigger loss so far, with Snow White really causing more damage, and nets a total loss of over $200 Million more at a $617 Million loss.

Are you sure you guys want to use the 2.5X equation this year? It might help the cause to use the Global Command Center equation instead. :oops:


Still Working On My Beach Body, Check Back in August.jpg

 

brideck

Well-Known Member
Or, for those at home who like to use the blanket 2.5 X Production Budget to get to their numbers, here's how that looks so far this year...

Top line number using that equation is that in mid May, Burbank has lost $617 Million at the box office so far this year.

Captain America 4: 2.5 times the production budget of $180 Million = $35 Million Loss
Snow White:
2.5 times the production budget of $270 Million = $473 Million Loss
The Amateur:
2.5 times the production budget of $60 Million = $59 Million Loss
Thunderbolts:
2.5 times the production budget of $60 Million = $50 Million Loss???

The more nuanced breakdown of domestic vs. overseas numbers we use here in the TP2000 Global Command Center show a loss so far this year of $407 Million. But the blanket 2.5 X Production equation shows a much bigger loss so far, with Snow White really causing more damage, and nets a total loss of over $200 Million more at a $617 Million loss.

Are you sure you guys want to use the 2.5X equation this year? It might help the cause to use the Global Command Center equation instead. :oops:


View attachment 858522

Timely. Here's the numbers using the actual formula recommended to you by Brian Lo a few times. [He can correct me, if I've gotten it wrong.] For fun (and because we're all about comparisons here, right? <taps thread sign>) I threw in the top 30 grossers at the BO so far in 2025, so y'all can see what most movies do re: profits and eyeballs.

To get the kind of numbers that Disney needs re: eyeballs takes a big budget and with that comes a whole lot more risk re: profits. Only 3 out of 12 movies with a budget of $40m+ have hit so far this year with Disney being 0 for 4.

1747108179022.png


One big hit and Disney's back in the black for the year, even with Snow White sitting there. Disney has a lot of scratch cards left this year, as they do every year.
 
Last edited:

DKampy

Well-Known Member
Well they will likely turn a profit…

Isn’t there an avatar this year?

But it’s ROI they most care about. And by “most”…I mean 100% of the management of Disney.
To look at the next Disney movie on tap… you don’t think Stitch will achieve ROI
It’s always about ancillaries…merch, licensing, sequels and spins…
We should be good there with upcoming films Fantastic Four, Stitch, Zootopia, Avatar…. I very much doubt a film like The Amateur was ever greenlit with merch and licensing in mind

So why do it for break even?
And if they’re bad…they can make money and STILL lose potential profits down the road. (I’ll not get started on the obvious example there)
I could see a side where Disney goal is for Thunderbolts to break even theatrically at this point it is probably more about reversing the narrative that Marvel does not produce quality anymore
Here’s a good one: “thunderbolts is so well reviewed…great for marvel”
As stated above that is a great start to begin to reverse the trend
But the Seats are largely empty. Are we shooting for cult classic here?

Think Burbank is high fiving that?
7,480 per theater average this weekend is not nothing… most movies released this year would love those averages in a single weekend…I saw a Sunday matinee of Thunderbolts this weekend and there was a decent crowd in my theater
 

Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.

Back
Top Bottom