Casper Gutman
Well-Known Member
When we use language it should mean things - how do we define “propaganda?” I’ll admit that it’s a hard term to pin down, since all films contain moral and ideological positions they try to pass on to the audience to one degree or another. Is the original Ghosbusters, which has a strong libertarian tone, propaganda? Is In the Heat of the Night? Boys Don’t Cry? Amistad? Based on where we draw the line, all can be classed as “propaganda.”So someone thinks something weird about side seats and this is extreme rhetoric ?
Buford you know she deserves some of the criticism for her comments.
Just because some people take it to far doesn’t mean the conversation should be shutdown.
Otherwise no one can critique Elon because some bad apples have gone to far and set cars on fire.
I hate how 12 people saying stupid things on X is always amplified to Zegler haters are all racists!!
It’s just nonsense.
Most people are just sick of every movie having to have some eye rolling message being jammed down our throat.
Every time someone says something like this, here comes the attack mob.
What do you mean by this?
What do you mean by that?
Hoping you say one word wrong so they can jump all over you and call you some type of -ist.
So here is what I mean by it.
I just want to go to a freaking Disney movie and not be reminded of all the political garbage we already have to deal with day to day.
Is that really a terrible thing to ask?
If so then bombs away on me, I guess I’m a terrible person.
For this conversation to have merit, we also need to have a sense of history and the willingness and ability to compare the cultural product of this particular moment to the product of other eras. What about modern films makes it appropriate to label them “propaganda?” What characteristics do they have that earlier films don’t? Is the label identifying something within the film itself or is it the product of cultural, social, political, economic, etc changes effecting the viewers perception of the film? Does the fault lie with the film or with the “political garbage” shaping its reception?