That's a distinction without a difference since it's all under Disney anyway. I'm not sure what relevance it having to be specifically "Disney IP" is any different from any other Disney animation and guests involved in the plot on this ride. So what?
When basic show don't tell in motivation is broken yes. It really is bad in this situation.
These both bluntly announce the expected result. The ellipsis would be filled in with the same thing in both cases. Announcing that I am looking for a thing during a story generally means I will encounter said thing whether I mention that I'm still looking for it or that I feel I should have come across it already.
Did B'rer Rabbit say that? I remember him singing "moving on taught me a lesson" as an alternative evolution of the Zip-A-Dee-Do-Da song that was the finale. Characters singing from their heart is a standard in musical theatre which Disney films took a lot from. Characters just saying what they feel flatly is considered poor writing.
All we can go by.
Do you mean denouement?
Stranger still is the standard those few snippets are being held to. To read some of the posts here, you'd think the script of Splash Mountain was a literary masterpiece!
Indeed. My new phone's autocorrect is clearly not a theater or lit fan.
She will be talking to Juju, you are correct.
Has Disney going Meta ever worked for them? Under New Management, Incredicoaster, Mission BO, the preshow for Cosmic Rewind, Journey Into Your Imagination....Disney needs to just go is in what they do best, telling an earnest and charming story instead of trying to be hip and wink at the audience.
