I know many have already seen Soul by now, and I'm getting there, but I felt compelled to watch the OTHER, chronologically first Pixar movie of 2020 first: Onward.
I think there was the potential for something interesting here, and you can see what they're going for: trying to find meaning in a relationship that was cut short, offering commentary on how skill has been replaced by mediocrity, and in some ways it's the male version of Frozen in terms of the message it offers.
But the whole thing is bogged down by this feeling that everything was only about 80% there before the release date arrived and it had to be sent to theaters. I don't enjoy when Disney/Pixar sets movies in our exact contemporary world but with different character design, and the modern sensibilities of the world-building and the voice acting (I can't speak for his other work, but Chris Pratt might as well be on Parks and Rec here) are going to make this film incredibly dated down the line. The way that "Dad" was portrayed could have led to some inspired animation but I felt like the animators really only had one idea of where it could go, and so hammered that in repeatedly instead of trying to take it in different directions-I think of how expressive the magic carpet from Aladdin was able to be and how one dimensional Dadlegs ended up being by comparison. There is development of the plot and characters, but it all feels like it's a few ingredients away from really forming something cohesive.
It's far from awful (and it is a considerably better movie than, say, the Good Dinosaur), but it is forgettable. It seems like Soul is for the most part being received well, which makes me happy. Hopefully someday Pixar will be able to have another golden age where everything they touched turned to gold, as opposed to the coin flip Pixar films have become.