Andrew C
You know what's funny?
Eventually the time bomb goes off, eh?but I couldn't help myself.![]()

Eventually the time bomb goes off, eh?but I couldn't help myself.![]()
I agree! I hate to go back to my Modern Family example, but it really is on the nose. Diversity is no barrier to good story telling.This is a false dichotomy to begin with. I’ve made clear multiple times that good storytelling is the most important factor. Representation is in no way a hindrance to it.
Same. As you said, though, it’s all going to be deleted, which I happily welcome. Might as well get some words in before that happens lol.I did and I should have stopped there but I couldn't help myself.![]()
Same. As you said, though, it’s all going to be deleted, which I happily welcome. Might as well get some words in before that happens lol.
Representation is not a hindrance to storytelling but an obsession with representation is absolutely a hindrance to storytelling.This is a false dichotomy to begin with. I’ve made clear multiple times that good storytelling is the most important factor. Representation is in no way a hindrance to it.
This presumes there aren't good scripts that are indeed inclusive.Representation is not a hindrance to storytelling but an obsession with representation is absolutely a hindrance to storytelling.
"I will tell you for the first time we received some incredibly well-written scripts that did not satisfy our standards in terms of inclusion, and we passed on them."
![]()
Dana Walden Says ABC Passed on Pilots for Not Being Inclusive Enough
Walden revealed that "for the first time," the network received "some incredibly well-written scripts that did not satisfy our standards in terms of inclusion."www.hollywoodreporter.com
The problem isn't the diversity we see on screen, it's the mindset of the people behind the scenes.
I think you overestimate the number of good scripts there are.This presumes there aren't good scripts that are indeed inclusive.
If you get inclusive scripts that are good and bad. And if you get non-inclusive scripts that are good and bad.
Then why not just go with the best of both worlds: good scripts that are inclusive?
This isn't crazy. Or hard.
Exactly this.This presumes there aren't good scripts that are indeed inclusive.
If you get inclusive scripts that are good and bad. And if you get non-inclusive scripts that are good and bad.
Then why not just go with the best of both worlds: good scripts that are inclusive?
This isn't crazy. Or hard.
Okay, I will say that THAT'S a problem, especially with waning viewership and theater attendance. I'm sure there's a way to have inclusion in said "incredibly well-written"scripts if need be. I mean, that can be accomplished with casting.Representation is not a hindrance to storytelling but an obsession with representation is absolutely a hindrance to storytelling.
"I will tell you for the first time we received some incredibly well-written scripts that did not satisfy our standards in terms of inclusion, and we passed on them."
![]()
Dana Walden Says ABC Passed on Pilots for Not Being Inclusive Enough
Walden revealed that "for the first time," the network received "some incredibly well-written scripts that did not satisfy our standards in terms of inclusion."www.hollywoodreporter.com
The problem isn't the diversity we see on screen, it's the mindset of the people behind the scenes. They're making conscious decisions to forego quality to achieve their DE&I goals.
Network TV saved Disney during the pandemic.Okay, I will say that THAT'S a problem, especially with waning viewership and theater attendance. I'm sure there's a way to have inclusion in said "incredibly well-written"scripts if need be. I mean, that can be accomplished with casting.
Does inclusion mean including actors/actresses from certain groups or including characters from certain groups? Problem is that if you cast someone from a certain ethnicity or race, they will retain that race in the show. That's a visual aspect of the person. If you cast someone with a certain sexual preference or identity, it's as if you HAVE to make their preference or identity a vital part of their character to make that aspect of inclusion known. That's because their characteristic is about behavior and lifestyle, mostly in private life rather than a physical attribute like race or a handicap. How do you show sexual inclusion without making the sexuality an aspect of the character's plot? I can fully understand the choppy waters there.
But that's ABC. Not sure to what extent that applies to other shows or movies. I mean-how many people even watch network tv anymore lol.
Except it seems to be quite hard for current Dis.This isn't crazy. Or hard.
This presumes there aren't good scripts that are indeed inclusive.
If you get inclusive scripts that are good and bad. And if you get non-inclusive scripts that are good and bad.
Then why not just go with the best of both worlds: good scripts that are inclusive?
This isn't crazy. Or hard.
I can say up until my daughter was about 11, anytime she saw kissing on tv she would cover her head with a blanket. Even The Little Mermaind.Part of this stems from heterosexuality being normative and homosexuality being taboo likely in the era you grew up. That makes homosexuality unfortunately seen more 'sexualized' than it really should be. Little Mermaid by all accounts is a kind of raunchy film and I assume something you would have seen during your own childhood.
Why Childrens films matter is because if they become an indiscriminate lens homosexuality becomes more 'normative' and therefore less sexualized for a future generation. I think the goal is to make it normal, but unfortunately the implication that a gay crush is inappropriate, but a straight one is... then gay isn't really normal.
(American) Society isn't clearly there yet, you are right. But I do think that's why Children's movies actually do matter for the next generation.
I still do that...kissing is gross.I can say up until my daughter was about 11, anytime she saw kissing on tv she would cover her head with a blanket. Even The Little Mermaind.![]()
There is no proof a 100 million profit right now.Except it is not breaking even..it will make 100 million in profit at the very least
Edit: It is still ahead of Strange MOM at this point in it’s run and that made close to a billion
Every movie makes a profit eventually. You just need to wait long enough.
Decided to look back earlier in this thread for historical reasons I suppose lol
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