Change KK to Feige, and it is the same thing. Are we now saying Feige's role has been non-creative?I don't "hate" KK...but her track record does not bear out any creative genius on her part. She has producer/executive producer credit in a number of films, some of which were high-profile. She has exactly 1 acting credit. She has zero writing credits. She has zero art/design credits. She also has zero editing or directing credits. To me that says that her roles as producer and executive producer have been non-creative.
So you want the directors of The Game of Thrones and Riann Johnson to get their shot at a new Star Wars movie?Aside from handing The Mandalorian to Filoni and Favreau, she has largely mismanaged the franchise as studio head. I can't ever remember any film series having as many issues with revolving directors and writers - even on individual films in series - what caused all that nonsense?
Not what I said at all.So you want the directors of The Game of Thrones and Riann Johnson to get their shot at a new Star Wars movie?
And there's the rub.Change KK to Feige, and it is the same thing. Are we now saying Feige's role has been non-creative?
(definitely not comparing the two's level of success, Feige clearly has a better track record with the MCU).
And the bolded is definitely a loss for fans.I generally think Kathleen Kennedy gets more criticism than is warranted, but she should be judged according to her results. Which are:
TFA: Greatly over-performed*
Rogue One: Over-performed, but also was very expensive due to reshoots and functional director replacement mid-production
TLJ: Under-performed
Solo: Under-performed, was also very expensive due to lengthy reshoots and replacement of Lord & Miller with Ron Howard
TROS: Under-performed; fired original director and had to bring back JJ
Notwithstanding claims of corporate support for Kennedy, soon after TROS was released, Iger himself they were taking a "pause" on films:
Star Wars Movies Will Take a Break After Episode IX, Disney Says
Walt Disney Co. Chief Executive Officer Bob Iger said he’s not at all concerned that consumers may be overexposed to the Star Wars brand, but the film franchise will go on “hiatus” after December’s big release.www.bloomberg.com
Rian Johnson trilogy - Not official cancelled but not likely to ever happen
Benioff/Weiss trilogy - Not happening
Josh Trank/James Mangold film - Cancelled
Patty Jenkins' Rogue Squadron - 2023, we'll see
Taika Waititi's Star Wars Movie - TBD, he has like a half dozen other projects
Kevin Fiege Star Wars Movie - TBD, will probably happen, but he has an entire division he's also running
Out of those announced projects, only three look to still be in development, but each of those directors/producers have a few other projects on their plate (I think Jenkins has prioritized WW sequel and the Cleopatra film ahead of Rogue Squadron).
Again, she has a tremendous resume (how much of that is due to proximity to Spielberg is a fair question), but is somewhat spotty on SW films. Even successes like Rogue One have to be looked at critically, given the complete reworking in the midst of production. It's fair to say that was the right decision - many of the better parts of that film could be attributed to Tony Gilroy's reshoots. The same move seems to not have improved Solo from what we could tell (and it's worthwhile to note Lord & Miller haven't ever delivered a bad or even, merely average, product). I am not sure how much money they are out from those cancelled or stalled production deals. Plus, it seems the company is shifting Star Wars more towards a D+/series template.
* Produced and directed by JJ Abrams, who is a considerable producer in his own right
I love films more than TV series, and I generally agree, but I am not sure how you can justify $200M for a film - which may or may not release to full strength in what remains of the movie theater industry - when you can spend 60-70% of that on a series that will air over two months and stave off streaming churn.And the bolded is definitely a loss for fans.
Series are great, and they have their place...but Star Wars is such that it deserves the depth and detail full-length films allow.
I just don't think SW is the franchise to use for those purposes. I love The Mandalorian, and think SW series are great for fleshing out side stories, etc...but I don't want them to stop making SW films if they can figure out how to fix the issues that plagued the most recent ones.I love films more than TV series, and I generally agree, but I am not sure how you can justify $200M for a film - which may or may not release to full strength in what remains of the movie theater industry - when you can spend 60-70% of that on a series that will air over two months and stave off streaming churn.
Marvel has been around twice as long and has tons of known heroes as well as villains to work with. Creating and executing a long term plan for individual releases along with team up movies was a genius move, and to that end I think Feige should get some credit on the creative front. As much as I love Star Wars, Feige started with a much deeper bench than Kennedy did.And there's the rub.
Why does KK have so many producing credits, yet having so much difficulty running her studio and getting predictable results, while Feige seems to have a similar resume, but his studio is churning out hit after hit?
I don't buy Marvel's history vs. Star Wars' history as a reason Lucasfilm is struggling at all.Marvel has been around twice as long and has tons of known heroes as well as villains to work with. Creating and executing a long term plan for individual releases along with team up movies was a genius move, and to that end I think Feige should get some credit on the creative front. As much as I love Star Wars, Feige started with a much deeper bench than Kennedy did.
Also comics have a history of reboots, so you can kill someone off and then start over a decade later if need be. Allowing Han and Luke to be killed of (and before Episode IX no less) was incredibly stupid from a flexibility standpoint, and now forces the hand of others in future timelines as well as no shot for the "old guys" to show up in Batuu if a shake up is needed.
No…I think Lucas tried to use her by exploiting his friendship with her mentor…I'm sorry, I thought your comment about being caught between a cat and mouse game was you indicating that she got the job through hijinks and not competency.
That’s not even close…Feige has Sheparded 25+ movies in 15 yearsChange KK to Feige, and it is the same thing. Are we now saying Feige's role has been non-creative?
(definitely not comparing the two's level of success, Feige clearly has a better track record with the MCU).
Nobody at Disney seems to grasp the reasons why Star Wars worked beyond its place and time (that’s a big one). I’m not sure George Lucas does…definitely not Dave filoni either.I don't buy Marvel's history vs. Star Wars' history as a reason Lucasfilm is struggling at all.
Along with killing off Luke and Han, KK chose to discard TONS of material that could have been drawn from. Those are two massive mistakes in and of themselves.
KK has a long, impressive resume and may be a fabulous producer. She may even be a very creative producer (as much as I doubt it, it is still possible). At this point in the game though, I don't think she understands Star Wars or it's fanbase at all or that she's capable of heading up a studio dedicated to one franchise.
GAWD...the Ewoks. How did they get Chewie so right and the Ewoks so wrong?!?Nobody at Disney seems to grasp the reasons why Star Wars worked beyond its place and time (that’s a big one). I’m not sure George Lucas does…definitely not Dave filoni either.
it wasn’t “a kids movie that adults liked” or a special effects stunt.
it was a blended story that was told to adults that kids could still digest parts of…it wowed you without making you feel immature or stupid…
…except maybe the Ewoks
Disney said “how do we make it and maximize the market” when the truth is “make it as good as possible and the market will COME TO IT like baseball in a cornfield”
they continue to miss the targets at times…little bit better of late.
Well…George gave interviews…I believe it was for one of the 500 video releases about just this:GAWD...the Ewoks. How did they get Chewie so right and the Ewoks so wrong?!?
ETA: The Ewoks are the ONLY creatures in the OT that aren't convincing...because they look like they're wearing footie pajamas made from off-the-shelf fur fabric.
I assumed they would have to pay a King's ransom to Timothy Zahn and others should they want to really use the expanded universe. Otherwise how stupid to just disregard it and render illegitimate characters that in some cases show up in the launch bay. However, with Star Wars it's always a familiar theme and the same overall struggle, whereas Marvel is heroes/vilains battling with different superpowers.I don't buy Marvel's history vs. Star Wars' history as a reason Lucasfilm is struggling at all.
Along with killing off Luke and Han, KK chose to discard TONS of material that could have been drawn from. Those are two massive mistakes in and of themselves.
KK has a long, impressive resume and may be a fabulous producer. She may even be a very creative producer (as much as I doubt it, it is still possible). At this point in the game though, I don't think she understands Star Wars or it's fanbase at all or that she's capable of heading up a studio dedicated to one franchise.
My only real complaints about them are the obvious cheapness of the costumes, and that the celebration music just didn't fit - with the original, or the Lucas update. The original was too slap-dash with obviously dubbed vocals, and the updated one just took itself way too seriously. It was supposed to be music created by the Ewoks right then...not some orchestrated theme (or random noises) with dubbed choruses singing.Well…George gave interviews…I believe it was for one of the 500 video releases about just this:
Chewbacca was added to Star Wars because his original concept was use Wookiee for the Ewok parts…but he thought there was no chance he’d get to make 3 movies.
makes a lot of sense in retrospect. They are the same name with the syllables reversed
He’s a miserable old fart who signed up for a cash grab…I don't think they really had a choice with Han.
My guess is they had two options: 1. kill him off in Force Awakens or 2. announce he died off-screen before the movie even started. I'm pretty sure killing off the character was a condition for Harrison Ford to agree to return for TFA at all.
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