nytimez
Well-Known Member
Fair enough. But Diane Disney didn't, FWIW.
Yes, I remember she was quite upset. But, family members tend to prefer hagiography.
Fair enough. But Diane Disney didn't, FWIW.
True, but it was her property that Walt wanted.
And he was extremely difficult himself to work with as any of the greats that worked with him -- and are left -- can attest.
He was a visionary and a genius, but also obstinate and not nice at times. In other words, he was human.
sad thing is many people likely believe he is a character created by TWDC ...no, I am not kidding.
Yes, I remember she was quite upset. But, family members tend to prefer hagiography.
In some cases. But sometimes they simply know the truth and prefer the truth to be told.
Hurrah for middle aged men molesting underage girls in the parks.
And he's proud of it too.
And sure, Walt could be difficult. Demanding. Not effusive with praise (his dad was like that too). He smoked (too much), drank (not nearly as much, thank goodness) and he swore (but never in front of women or children). But he wasn't the phony manipulative bigoted moneygrubbing monster some in the press and other media have tried to paint him as. That's the stuff that makes me mad. Some people get a perverse pleasure in tearing him down, because of the family values he stood for. Because some people hate those values. They either think they're entirely false (which is a sad way to think) or they think such values stand in the way of "progress". No, Walt was amazing because he was a good man and accomplished so much despite being human. That's why I admire him so much and why he inspires me still. A person's humanity doesn't have to get in the way of greatness.
I love Fantasia - except the part about dinosaurs. First of all, I hate "Rite of Spring". What a mess of a melody. I can't understand why it's so famous. And the dinosaur segments nowadays look very lame. If that part were cut out, Fantasia would be the perfect animated film IMO. I love the Nutcracker Suite segment. So beautiful...
http://www.cartoonbrew.com/disney/the-walt-disney-image-problem-76157.html
Last weekend, The Guardian published a long-ish piece on Philip Glass’s soon-to-debut opera The Perfect American based on the novel of the same name by Peter Stephan Jungk. The book (and it appears the opera, too) is a veritable checklist of accusations that have been leveled against Walt Disney throughout the years: he was a McCarthyite, a racist, a misogynist, an anti-Semite, a megalomaniac. It manages to come up with new fictional flaws too, like philandering and incestuous obsession with his daughters.
Jungk’s book has been described by Walt Disney biographer Michael Barrier as “infantile” and “wretched.” That is perhaps why the Guardian reported that the Disney company called Glass to ask him not to work on the opera. The article also says that the finished opera was submitted to the Disney Studios for consideration, and there was no response. Jungk, the author of the book, said that he interpreted the company’s lack of response as “a green light.”
Glass says that despite all the negative (and untrue) traits the opera attaches to Walt, his intentions were noble:
“When I started out, people thought I was going to laugh at him. But I see Walt Disney as an icon of modernity, a man able to build bridges between highbrow culture and popular culture; just like Leonard Bernstein, who could jump from a Broadway musical to a Mahler cycle.”
To me, the opera is representative of a bigger problem faced by the Disney company, and that is that the company has been unable to present an alternative narrative to the perpetual vilification of Walt Disney in contemporary pop culture. The lack of honest and easy-to-access information about Walt is precisely why a majority of teens and twenty-somethings today have a wildly distorted and inaccurate view of Walt Disney, the man.
The Disney company could do much more to humanize the founder of their company. Instead the company has taken the tactical approach that its founder must be deified. In response, they build statues of Walt using every conceivable material that is known to mankind, from bronze to Tom Hanks.
These statues end up being as one-dimensional and untrue as the negative portrayals. Today’s generation is too savvy to accept an image of Walt Disney as an irreproachable god-like entity, and so they seek their truth elsewhere. It is through this cycle that the Disney company continues to lose control over its founder’s image.
Disney animator and director Ward Kimball, the subject of my own as-yet-unpublished biography, rebelled in his own idiosyncratic fashion against the Disney company’s deification of Walt, which he felt diminished the man’s accomplishments and tainted his legacy. Ward never censored himself when he was asked to speak about Walt Disney at public functions. He made sure to incorporate stories about honest human interactions with Walt, of which he had more of than almost any other artist who worked at the company. In Ward’s stories, Walt may have used a cuss word and he may have just walked out of the bathroom after taking a , but he was a human being who people could recognize, understand, and most importantly, admire.
The Disney family-operated Walt Disney Family Museum, in its own way, does a great job of humanizing the founder of the company. However, the museum is not a panacea for Walt’s image problem because its impact is limited to tourists and Disney fans. It cannot combat the steady stream of misinformation about Walt from mainstream cultural sources like Family Guy and Saturday Night Live.
The Disney company itself, with its vast media reach, is in the best position to rehabilitate the image of its founder and offer a counterimage to the flood of negative portrayals of its founder. A good first step would be to acknowledge the fact that Walt Disney wasn’t a god, but a human being.
Hey Everyone who wanted to readthat crazy lady'sSara Strand's Blogs (including @WDW1974)
Here's the google cache links:
Day 1 Where she hates on MK
Day 2 Where she Rants on Epcot
Somewhere lost in her racism, homophobia and xenophobia is the underlying point (I guess) that Disney is an utter pain the the for the uninitiated and ill-prepared. It is not for the 1D1P or 2D1P guests anymore; it is a true vacation destination that takes days and planning to be able to do anything. Which is awfully sad....
As a brit, how would you feel if they built a ride in the UK pavilion centered around Wallace and Gromit?
I wouldn't mind quite frankly Wallace and Gromit although in Claymation form best represents the UK in our sense of design, innovation and quirky sensibilities.
However, before that what UK pavilion needs is a ride based on "A Christmas Carol" seen as we are the country that invented Christmas cards. You could even have a little shop selling replicas of early Christmas cards - as well as merchandise from one our most celebrated authors.
Well, she sounds like a simply lovely individual! A regular Donna F******g Reed.
Whoa, whoa, whoa ... who you calling middle aged? He's younger than me!
Also, why should the parks be any different than the rest of Orlando? (I kid, that last girl I saw David with was 19 at least ...)
Nice.I don't recall Donna Reed graphically discussing coitus in a very uncomfortable place.... And I don't mean the back of a Volkswagen.
I would love for my family to go to Uni, but my kids are still to young at 5 and 2 to justify for us to go, hence why we do Disney instead. Uni barely had anything for them to do or ride...the worst part is my DS5 loves Harry Potter but I don't want him to go and not be able to experience anything...
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