I would say, if forced, the spaces should be distinct instead of disconnected. Turn a corner and find this alley that is cartoonishly askew or let that all occur beyond the portal of the attraction entrance. That’s a better spatial experience than, walk out the Pavilion, go around the corner, walk along the back of the building, turn the corner, walk between the back of that same building a small oddly detailed “Norman” building, walk through a marquee and then suddenly get to these buildings that are vertically askew but laid out on a rather formal plan. In the world of the movie the buildings are more whimsical and skewed but the plan of Paris becomes more of a grid? That doesn’t make sense.
