Well I went with the 2.8 IS.
The lens isn't just for WDW, so I went faster, and slightly bulkier.
Should be here Thursday, and we leave Thursday night for WDW:lol:
Good call on the glass. I was told by both Calumet and Samy's in LA that of the 70-200's, the 2.8 IS is the sharpest, then the F4, then the 2.8 non-is.
I shoot a 5D, 70-200 2.8L IS, 24-70 2.8L, 17-40 f4L and a 100mm macro for food.
Also shoot Fuji S2 Pros for schools, but only because they talk to my software still, and I'm too cheap to upgrade.
Take a Rebel XSi and PowerShot SD750 to DL for family snapshots.