Look, no one complains that Aladdin makes appearances in Morocco even though he lives in the fictional city of Agrabah. Arendelle is the same vein, the difference being Frozen is absurdly popular. If they're putting the woman in charge of Cars Land (a subpar movie with a jaw-dropping, awe-inspiring land that's the best thing I've seen the Imagineers do in years) in charge of this project AND they're already promising the same animatronics that they have on SDMT, this isn't going to be a half-assed project.
I get it. I'm sick of Frozen too, particularly the forcing it on us from every aspect of the company. But at the end of the day, it's still a damn good movie that stands above a lot of Disney's more recent work. Would you rather wait twenty years and get The Little Mermaid ride? Disney's avoiding that same mistake and capitalizing on it. They're a business. It's what they do. But writing the project off as garbage before it's even off the ground is a pointless and unfair exercise. The money is in this, and (for now) it doesn't look like they're doing it on a nickel-and-dime budget, particularly if they're involving next-gen animatronics.
If you were expecting an E-ticket, you were either looking for disappointment/******** material or you never rode the Maelstrom. But if they do this ride like they say they're going to, there's no reason this can't be a legitimately great attraction, one that Epcot desperately needs.