No, everyones entitled to their opinion.
I liked the Irons ending when I saw it first. Looking back though although clever in the space available it was just too cramped. The forced perspective was too severe and the mannaquins looked just like what they were. The whole original entering the space station and descending through it with freaky images really played to me. Or maybe I`m just freaky.
The score though... as much as TC is one of my favourites from anywhere the `94 descent is still spine chilling. So dark. So dramatic. So moody.
Mannequin always look like mannequin, AA's too. That never really works on me. What DID get to me was the symbolism. All of the "foreign" cities beaming there information to one huge "Utopian" and futuristic one, the glitter of information at the speed of light, and finally Spaceship Earth, finally visable floating in space start flying around it. It made the building you see on the outside have more meaning, to see it in the attraction. That, and combined with the music, as you said, was just phenomenal.
If you are freaky, I'm freaky, too. TC was a fun ending, IMHO. It made you smile. The song, the imagery, the constant movement. It really was cool. SSE94 was just more meaningful to me.
SSE 94 score is as good as it gets anywhere. The new score is really growing on me, especially the main theme, but it isn't 94.
Agreed. Martin described it perfectly above. It wasn't background music, it WAS the story of SSE. The new one, while VERY good when audible (as it was on my past ride!:sohappy
is BGM. It doesn't carry the story in the same way.
However, it still is very good, and a favorite of mine.
