This was my my response to Kevin's glowing praise:
First a correction, Phil Holmes isn’t the Prez of the MK as that position does not exist. He is the VP of the MK, a position he has held for over a decade since Erin Wallace was moved up when Karl Holz was handed the top spot in Paris.
Second, at the risk of becoming a critic of a critic (and someone I genuinely like), I am sorta shocked that anyone who has been to TDS would compare this project (perhaps, rockwork aside) with it. TDS stands as the benchmark for what Disney can create when money is no object. Also, having been to DL and WDW back-to-back over the last few weeks of September and first week of October and seen just what a spectacular job WDI did in creating BVS and CL at DCA 2.0, I find it very hard to place this relatively small scale project close to that as well.
To be fair, I’ve only experienced Storybook Circus. The walls to the rest were still up when I left waiting for the bloggers/podcasters/Disney Lifestyle whores to be let in (you do know that many of them were told exactly when to be there with the strict order that it not be placed on any sites, so they benefited while their followers did not?). SC didn’t impress me very much at all. It’s like an improved more permanent version of Mickey’s Tentland and it already has issues with safety (the absurd kids water play area with a fence around the train) and upkeep (I've already told you about the Spirited carpet patch in the Big Top tent).
I’m starting to wonder if you’ve fallen victim to the same virus that afflicts many WDW fans now after living here for almost a decade. That is, people are so starved for any new product because WDW is so stale that you overdo the praise when you actually get something new.
Look, I haven’t experienced the tiny shop that likely will soon be selling vinyl and Avengers DVDs instead of Beauty and the Beast themed china. I haven’t walked into what looks like the beautiful BoG dining hall (where they serve that great French dessert — cupcakes — with every meal!) I haven’t taken pics of the Gaston’s fountain from 876 angles or had pork shank (not that I eat it) at the Tavern that I was told is so small it’s capacity is 80 people. But the one and only (until 2014) attraction that was added was Mermaid, which I honestly believe is the weakest thing added in the DCA ExtremeMakeover. It’s plastic and has long places with no props or projections or anything as it transitions and it ends with the same lame ending the one in Anaheim does. So, it’s in a nicer building and has a nicer queue, which it will need because FP+ will likely cause the same absurd waits we see at TSMM at the Studios, while Mermaid in Anaheim is at most a 15-20 minute wait on the busiest of days and usually a walk-on.
Ultimately, people visit Disney parks for attractions and this beautification project (I think that’s the best way to describe it) is sorely lacking in that respect. Mermaid got added, but Snow White disappeared.
I just don’t get all the glowing praise for this without really talking about what it adds and what it represents.
And comparing it to Disney’s best work, be it in Anaheim or Tokyo just seems over the top.
Two decades and counting and the world’s alleged No. 1 theme park still hasn’t added a true E-Ticket and isn’t looking to. Oh, and they mangled (ruined?) CBJ in order to up the guest counts, but I’m sure you saw that when you were there too.
John Lasseter is in town, btw. You might want to chase him down and ask him about what’s coming to TPFKaTD-MGMS.