Perhaps, subconsciously, WDI phones it in on projects such as Pixar Pier in hopes execs nix the project, though I'm betting the execs just keep saying "don't like it, what else do you have" until they find something they think they can sell. At some point in this type of environment, creative types begin to shut down and produce lackluster work that will simply just get their boss off their back. Jack Jack on pneumatic sticks just screams, "I don't really care about this project, just approve it so we can move on to something else".