Not quite.The budget for this project is half a billion dollars..
Not quite.The budget for this project is half a billion dollars..
Buildings get expanded in complementary ways all the time.FW doesn't just feature a bunch of themed arbitrary "buildings." It features themed pavilions. Each of these themed structures is meant to be some sort of abstract representation of what is "inside" (not physically) them. That's why the Soarin' building is completely unthemed - the attraction is part of the already themed Land pavilion. Calling attention to the GotG gravity building would only serve to detract from the concept of a unified pavilion represented by the UoE building. Making the gravity building invisible is not physically possible, so they went with the color that would most closely approximate invisibility. I do expect that most casual Disney fans will be under the impression that the ride actually takes place in the energy building, but even if they are aware that it takes place somewhere else, it doesn't mean Disney has to highlight that fact.
"Average guests" won't notice the gravity building because they will have their heads down looking at MDE or some other app on their phone/device. It's almost as if Disney is counting on this in some way... As if they no longer want you to have your head up, looking ahead at where you're going and looking around at what's around you. You know, like people used to do in years past. That theming stuff is for the birds and old people, because it costs money (unless it's Star Wars-related, then they spend on it because the SW fans wallets will reward them handsomely for doing it).
I've said it before and I'll say it again - Most guests are sheep these days. Something that is "New" means they should love it. Disney does not want anyone to cast a critical eye towards it, because that could mean less guest spending both now and in subsequent quarters. But I'm going way off topic, so I'll digress.
Yes, but.... Repeat visitors tend to know how to time manage their trips better (although FP+ tries its best to screw you up with what you want to do while you're there) and are, indeed, looking up.
I’m guessing this article doesn’t cover him refusing Bob Gurr’s assistance on the Mark VII and the trains being ovens that couldn’t navigate the beam.So a few months back we learned that Scot Drake is the new head of the Marvel Portfolio inside Disney Imagineering. Forbes had an article on him back in 2016 discussing his work as the lead designer on Shanghai Disneyland's Tomorrowland:
http://fortune.com/shanghai-disney-tomorrowland-china/
You may very well be right. It's total conjecture on my part. They may not have chosen it because it's the lazy way to design and cheapest way to build. But whatever their intentions, we see the end result. The construction sure looks cheap and the design sure looks lazy. Can anyone imagine anything lazier or cheaper than a giant box with blend-in paint and one corner that's a little higher than the rest?However, I think suggestions that this design was chosen either out of pure laziness or because it is the cheapest option are unfounded, and probably incorrect.
You may very well be right. It's total conjecture on my part. They may not have chosen it because it's the lazy way to design and cheapest way to build. But whatever their intentions, we see the end result. The construction sure looks cheap and the design sure looks lazy. Can anyone imagine anything lazier or cheaper than a giant box with blend-in paint and one corner that's a little higher than the rest?
I also agree that most backstage buildings don't need to be themed, even if some parts remain visible. But can't you also agree that this is not a typical backstage building. This is not like Soarin. This is gigantic--maybe the biggest structure at any Disney park, maybe even one of the biggest building in the world (someone who knows more than I can speak to that)--and it's in a very prominent location clearly visibly from multiple vantage points, particularly on the approach to the entrance.
DeathCOT.I think the only answer regarding the new ugly box and destruction of the previously beautiful skyline view is to not only fix up the inside of SSE, but rebuild it completely. I'm talking 4 or 5 times the size. A huge ball the size of the moon. And make it float also! No more pylons in the ground. And put a giant planet destroying lazer inside of it. And maybe theme it to......oh............I don't know............Star Wars or something like that. DeathStar Earth?
DeathCOT.
I get what you're saying. But I'd still love to see a design for this bldg given its location that you wouldn't hate.
Now, I'm not a designer or architect, so I'm sure it's just a failure of my imagination... anyone want to take a crack at it?? I've been asking for a while now...
DeathCOT.
Future World is unthemed. The concept is the theme.How about this? I'd forgive the Blend-in-Blue if the building were this size.
View attachment 346598
There are designs within WDI for a themed version of this show building. I don't know what they are, but just knowing that it makes it all the more lame that they decided to go with the unthemed one. It's not like it never crossed their mind that something as big as this is should be themed.
Epcot is not "themed" in the traditional way, meaning the Future World Pavilions were not designed to reflect pre-existing architecture or natural forms the way that Frontierland needs to reference specific sorts of forms to serve its theme in the eyes of the audience who are already familiar with that world and how it should look.Aren’t they spending money on the attraction? So to describe it as cheap and lazy on designing the exterior is a rather “waste” of money. I always remarked that Epcot itself is not themed as a traditional park. I was told the Future World theme was actually Technology Innovation. If sticking to the theme, the box design is unimportant. Only the interior attraction is important. Otherwise, give the park a new theme and everything follows.
there's no "shared consensus" on this.
Of course nobody said that the "ugly box" is equal to visual appeal to Spaceship Earth. The point is that aesthetic quality is not merely subjective opinion, and in many cases the differences between good and bad are quite clear (Spaceship Earth and an ugly box), unlike personal preferences (Rembrandt and Michelangelo) which are a matter of individual opinion.Not sure who you’re arguing with on this one. Has anyone said this ugly box is equal in visual appeal to SSE? That’s not where the subjectivity comes in — which has been repeated A LOT in this thread.
Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.