JEANYLASER
Well-Known Member
I got confused!
I don't think you guys get it. FANS may not like this move, but we as fans make up such a small % of the population that it means nothing if they "boo".From the "Save Maelstrom" Facebook page operator, who attended a D23 Faniversary event
I don't think you guys get it. FANS may not like this move, but we as fans make up such a small % of the population that it means nothing if they "boo".
The ride will be immaculately popular with the masses and that's honestly all "the mouse" cares about.
religious propaganda? lol Considering you are talking to an atheist, I don't think you need to worry about that.Let's keep the religious propaganda at home please.
I see. Well then, what's this? (from the 1800s)
Dejlig er Jorden(Fairest Lord Jesus) is written in Denmark, in Norwegian named Deilig er Jorden. Its a full out christmas-song. The Danes had nothing to do with Eatnemen Vuelie or any of the Frozen.
The Norwegian composer Frode Fjellheim wrote Eatnemen Vuelie (named Vuelie in Frozen) in 1996, then for the recording of a christmas-cd that the Norwegian choir Cantus made. So he mixed Saami joiking and Norwegian choir music with one of the most used christmas songs in Norway, Deilig er Jorden. When Disney wanted it, they didnt want the christmas part of it, regardless of it being Danish or Norwegian, so the Deilig er Jorden was taken out, leaving it a 100% Norwegian song...
as they describe it:
Eatnemen Vuelie (Song of the Earth), is based on Norwegian composer Frode Fjellheim's piece which combines Saami yoiking with the Norwegian hymn, Deilig er Jorden (Wonderful is the Earth). The interchange of the lyrics in the climax envisions the cooperation between two cultures coexisting in one land as they share the common goal of earth's sustainability with humility and reciprocity. This version is arranged and conducted by Yoomi Kim, and is sung by the Pearson College Choir - students from approximately a hundred countries singing in unity to promote peace and a sustainable future.
Oh, I get it. I just don't like it. And I keep hoping (with increasing desperation) to a return to "quality will out". Hope springs eternal, etc.I don't think you guys get it. FANS may not like this move, but we as fans make up such a small % of the population that it means nothing if they "boo".
The ride will be immaculately popular with the masses and that's honestly all "the mouse" cares about.
This could be (okay, is) the wine talking, but do you ever wonder if the reason TWDC treats its hardcore fans with such indifference (disdain?) is because we're theme park fans? It's as though they view us as uncultured swine, the unwashed masses who consider a trip to a Ripley's Believe it or Not Museum as a dose of actual culture. I keep picturing Bob Iger as Terry Benedict in Ocean's Twelve with that super-smarmy, condescending tone: "I'd like to say a few words... about commitment. About honor. About responsibility. About a very special someone and admitting to her in front of everybody that her wedding... and that very special honeymoon trip to Epcot Center... will have to be postponed."
Just pointing one thing out. Disney has always been a for profit business. Even when they strived for quality more than just the cheapest option.I think it's because as a business Disney is reacting to what their larger group (i.e. non hardcore fans) of guest are asking for, which at this point in time is Frozen in this case. It's about drawing more guest to the parks and thru the gates. I would guess Disney is thinking that any guest they might "lose" with this move will be more than offset by the guest they "get" with it. I agree with them, this is a strong draw for them at Epcot, one that will cost them less to build than a new attraction.
What would interesting to see is the number that the Norway M&G drew to Epcot vs what they were after the girls left for MK. I would guess they were looked at when the is move was being talked about.
Either way it's a for profit business so I am not surprised at all that they are doing what is the best balance between controlling cost and drawing guest.
The fact that you used a reference to Ocean's Twelve rather than a literary reference might be why some fans are not taken seriously.This could be (okay, is) the wine talking, but do you ever wonder if the reason TWDC treats its hardcore fans with such indifference (disdain?) is because we're theme park fans? It's as though they view us as uncultured swine, the unwashed masses who consider a trip to a Ripley's Believe it or Not Museum as a dose of actual culture. I keep picturing Bob Iger as Terry Benedict in Ocean's Twelve with that super-smarmy, condescending tone: "I'd like to say a few words... about commitment. About honor. About responsibility. About a very special someone and admitting to her in front of everybody that her wedding... and that very special honeymoon trip to Epcot Center... will have to be postponed."
Just pointing one thing out. Disney has always been a for profit business. Even when they strived for quality more than just the cheapest option
Yes there are probably many factors that have lead to where we are today. My guess is that some form of greed, overall cheapness and just an unwillingness to push the envelope like they used to (what I wouldn't do for another grand new ride today like Tower of Terror was in '94) is definitely part of it. Sadly this probably won't change in WDW until new management comes in that values the old Disney standard of quality. This is why I'm excited for my first trip to Disneyland, I hear the old standard of quality is still alive and well over there.And they have always watch their dollars, we just have the internet these days to debate operating budgets we really have no ideal about
But WDW could very well be on a different business model than ever before. Who knows what factors are driving that exactly. Greed? Could be or it could be that and other factors. I don't claim to know...
Yes there are probably many factors that have lead to where we are today. My guess is that some form of greed, overall cheapness and just an unwillingness to push the envelope like they used to (what I wouldn't do for another grand new ride today like Tower of Terror was in '94) is definitely part of it. Sadly this probably won't change in WDW until new management comes in that values the old Disney standard of quality. This is why I'm excited for my first trip to Disneyland, I hear the old standard of quality is still alive and well over there.
Unfortunately for me, few of the literary giants have made quotes about Epcot that I could reference.The fact that you used a reference to Ocean's Twelve rather than a literary reference might be why some fans are not taken seriously.
Oh, I get it. I just don't like it. And I keep hoping (with increasing desperation) to a return to "quality will out". Hope springs eternal, etc.
See damouse blog and OBJ for Disney Springs photo updates. Remember what was said at one time about Pandora which was wrong. Very wrong. Same will prove true of Frozen in WS. And something great is obviously underway at the Studios. Plus DAK expansion. Lots of reasons for optimism.
I've been saying this for some time now. What is worse is that it is a view shared and celebrated by many so-called theme park fans. Being "just" theme parks and unimportant, even compared to other methods of storytelling, is a very common position that is proudly proclaimed even outside of the Disney theme park. That idea of theme parks of being of no importance had been repeatedly stated in this very thread.This could be (okay, is) the wine talking, but do you ever wonder if the reason TWDC treats its hardcore fans with such indifference (disdain?) is because we're theme park fans? It's as though they view us as uncultured swine, the unwashed masses who consider a trip to a Ripley's Believe it or Not Museum as a dose of actual culture.
Absolute nonsense. Impress the fans and you will more than likely impress the masses. The very film this is about had a name change and lousy marketing campaign because the film itself was not properly made to go for "what the masses want" and it in turn has pulled in over one billion dollars. The Avengers, another film to recently make a boat load of money, was helmed by a man who has repeatedly "failed" because he did not "appeal to the masses."I think it's because as a business Disney is reacting to what their larger group (i.e. non hardcore fans) of guest are asking for, which at this point in time is Frozen in this case. It's about drawing more guest to the parks and thru the gates. I would guess Disney is thinking that any guest they might "lose" with this move will be more than offset by the guest they "get" with it. I agree with them, this is a strong draw for them at Epcot, one that will cost them less to build than a new attraction.
What would interesting to see is the number that the Norway M&G drew to Epcot vs what they were after the girls left for MK. I would guess they were looked at when the is move was being talked about.
Either way it's a for profit business so I am not surprised at all that they are doing what is the best balance between controlling cost and drawing guest.
The factors that drove the change in business model was the promotion of people who were familiar with malls and a per square footage analysis but completely unfamiliar with theme parks. Walt Disney World is no longer a single business venture, but a geographic region of competing businesses that just happen to share ownership.But WDW could very well be on a different business model than ever before. Who knows what factors are driving that exactly. Greed? Could be or it could be that and other factors. I don't claim to know...
What was said about Pandora that has been proven wrong? The only thing that any credible source said about it was that the project was having troubles which is not in the hard to believe at all. We certainly have no proof that the project went smoothly.
Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.