Serpico Jones
Well-Known Member
The next few months are going to be rough for Disney.
I doubt that they’ll be that rough.The next few months are going to be rough for Disney.
I would be shocked (wouldn’t be the first time) if it did Inside Out 2 numbers. Inside Out 1 was considered by many to be one of the last great Pixar titles, an emotional piece that was heartfelt and amusing; it enjoyed critical acclaim in a way that WDAS and Zootopia haven’t enjoyed.Unrelated to your point, but my gut tells me Zootopia 2 is doing Inside Out 2 numbers, especially abroad. Whereas Wicked will do very well but will probably have worse legs than part one.
To paraphrase the Timekeeper, if Captain America bombs Burbank’s pants will be full.Besides, the only films that might disappoint for Disney and bomb are Captain America: Brave New World and Snow White.
Zootopia was acclaimed at the time and is still generally well-regarded, although it's commentary on racism hasn't aged the best in a post 2020 world.I would be shocked (wouldn’t be the first time) if it did Inside Out 2 numbers. Inside Out 1 was considered by many to be one of the last great Pixar titles, an emotional piece that was heartfelt and amusing; it enjoyed critical acclaim in a way that WDAS and Zootopia haven’t enjoyed.
I think CinemaScore is more of a test of "did the audience get what they thought they were paying for?" There have been many great movies with bad cinemascores, usually because the movies took bold swings that pushed audiences out of their comfort zone or the movies were mismarketed and the movie people ended up seeing was very different from what they were expecting based on the trailers.Though, CinemaScore can be misleading at times. The Nightmare Before Christmas got a bad B+ score. Probably because opening night audiences didn't know what to make of it. But then it later got high critic and audience scores and became a beloved classic (and even made a profit at the BO).
They’ll get over it once The Fantastic 4 makes a billion and Thunderbolts* is a success with $450-$500M WW on a $150M budget.To paraphrase the Timekeeper, if Captain America bombs Burbank’s pants will be full.
I would be shocked (wouldn’t be the first time) if it did Inside Out 2 numbers. Inside Out 1 was considered by many to be one of the last great Pixar titles, an emotional piece that was heartfelt and amusing; it enjoyed critical acclaim in a way that WDAS and Zootopia haven’t enjoyed.
I mean anything’s possible but I don’t think the IP is in the same realm as Inside Out or even Moana.
In the sense that what made Inside Out 2 the biggest animated film of all time?
That's still a really impressive opening, and considerably ahead of Mufasa. (And Wonka on the equivalent pre-Christmas weekend last year, and look what legs that had.)Sonic 3 is not the record opening weekend of the franchise many thought it would be…. It is now projected at 62 million
No, but Disney probably expected big things out of a continuation of their biggest non-Marvel hit of 2019. I'm mixing metaphors but when they're putting so many eggs into so few baskets, every movie has to be a home run now.If I had to place money on it… I would say Sonic is a hit and Mufasa is not, but the box office is so unpredictable post pandemic you never know…. Regardless… despite what some posters want to declare…. Disney is very happy with the results of 2024… they are the top studio by a large margin…. And no studio expects every movie to be a home run
Family-friendly movies in the first half of 2024 were nonexistent aside from Kung Fu Panda 4 and IF, (I've heard anecdotal evidence that one reason Godzilla X Kong performed as well as it did was because at least kids wanted to see that) and neither of those had the kind of pop culture footprint that a sequel to one of the most beloved Pixar films can manage. And since the only other family film that summer was Despicable Me 4 (and the only other Disney-backed releases were Deadpool and Wolverine and Alien: Romulus, which weren't aimed at families; Disney didn't have to move its advertising spread to another family title for months) it had a lot of time and space to develop legs beyond that giant opening weekend.I still don't quite get what set Inside Out 2 that ablaze. In the sense that what made Inside Out 2 the biggest animated film of all time? I understand more Lion King and Mario and Frozen 2.
Yeah, I do wonder if the goodwill the original Zootopia has is as strong as what Moana has. Disney was slower-than-expected to capitalize on both the way they did with Frozen and even Big Hero 6, and that just made people more excited for Moana 2 once it was finally announced as a movie, but Zootopia might not be the same case because it would be wading into much more fraught waters by bringing up the issue of prejudice again. I suppose they might try to simply center the narrative and expanded worldbuilding around other issues, but what would those be?I think Zootopia 2 will be a landmine if it's anything like the first movie as we are in a much more politically charged and tense situation than we were in March of 2016. Disney claims its trying to stay out of politics, but the first Zootopia film was probably it's most political animated movie.
I doubt Elio will bomb if it’s a great movie and if word of mouth saves its at the worldwide box office like it did for Elemental.On the subject of Moana 2 and Mufasa being released too close together, next year Disney has:
May 23: Lilo and Stitch remake
June 13: Elio
The “original non-IP stories bomb” are already being written.
And after releasing one Marvel film this year:
Feb: Captain America
May: Thunderbolts
July: Fantastic Four
There’s gonna be MCU oversaturation at some point. Only question is how much and when.
Yeah, that's cutting it awfully close, especially if Lilo & Stitch is as big a hit as early enthusiasm for it suggests it can be. Elio's home stretch ad campaign can't start until after Lilo's. And it opens the same day as the How to Train Your Dragon remake.On the subject of Moana 2 and Mufasa being released too close together, next year Disney has:
May 23: Lilo and Stitch remake
June 13: Elio
The “original non-IP stories bomb” are already being written.
The inherent problem with the 2025 slate isn't so much oversaturation as much as that these are all B- and C-list characters, a far cry from mega-fan-favorites Deadpool & Wolverine. The sheer confidence shown by Sony in bumping back Paddington in Peru's American release to the same day as Captain America: Brave New World suggests they feel Cap is less of an adversary than Dog Man (which the originally planned January 31st date would have put it up against); Disney probably shouldn't expect a strong family audience for that one.And after releasing one Marvel film this year:
Feb: Captain America
May: Thunderbolts
July: Fantastic Four
There’s gonna be MCU oversaturation at some point. Only question is how much and when.
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