Disney (and others) at the Box Office - Current State of Affairs

Wendy Pleakley

Well-Known Member
Very curious to see how Twisters does at the box office, because I feel like it could go either way.

Looking forward to the inevitable bad puns the trades will come up with to describe its performance:

"Twisters blows away competition!"

"Twisters sucks up box office receipts!"

"Twisters spirals out of control, leaves disappointing weekend a wreck..."

I checked and it's tracking to open in the $50 million range, which is decent but falls short of the original when inflation is taken into account.

It seems like a smart movie to release, as it's fun type of movie to see in a theater, the premise hasn't been beaten into the ground through other movies, and has the nostalgia factor.

I don't think it will hit the way other long-term sequels like Top Gun did, especially since the cast is new, but I'd expect it to do okay.

Makes me wonder if Beverly Hills Cop 4 should have gotten a theatrical release instead of straight to Netflix, as it was good.
 

Phroobar

Well-Known Member
Very curious to see how Twisters does at the box office, because I feel like it could go either way.

Looking forward to the inevitable bad puns the trades will come up with to describe its performance:

"Twisters blows away competition!"

"Twisters sucks up box office receipts!"

"Twisters spirals out of control, leaves disappointing weekend a wreck..."
"Twisters: where are all the damn sharks?"
 

Disney Analyst

Well-Known Member
Original Poster
UPDATED: The global and international box office were extra animated this weekend with the expansion of Illumination/Universal’s Despicable Me 4 to domestic as well as another 52 overseas markets. At the same time, Disney/Pixar’s Inside Out 2 continues to jump for joy having reached $1,216.9M globally. It’s also now the No. 5 animated film of all time worldwide and No. 10 internationally. A notable new record places IO2 as the biggest film of all time in Mexico.

DM4, which began a staggered overseas release pattern a few weeks back, now counts $229.5M globally with several key majors still to come including France, Germany, China, UK, Japan, Korea and Italy. The international cume to date is $107M.


Although Inside Out 2 had a slightly bigger overseas weekend ($78.3M) than DM4 ($73M), let’s start with the latter as there were a host of new openings.

In a total 73 markets, DM4’s $107M through Sunday is in line with Minions, above Minions: The Rise of Gru and well above DM3 and DM2 at the same point. In total, 18 of the new markets are estimated to have logged the biggest opening of the franchise, bringing the tally to 24 which have done so thus far.

This wider frame for the return of Gru included such notable new markets as Mexico, Spain and Brazil. Mexico brought in $12.6M. The film had a very strong start on Thursday with $2.5M, the 3rd highest opening day for the franchise and the 4th biggest opening Thursday ever for an animation. Note that around 52 sites were impacted this weekend by Hurricane Beryl. The 4-day $12.6M opening is in line with Minions, DM3 and above MTROG and DM2. Wide holidays begin on July 12.

Brazil grossed $5.9M for the biggest launch of the DM/Minions franchise and the 2nd biggest Illumination opening in the market, narrowly below Super Mario, as well as the 4th biggest animated opening of all time. Winter school holidays run until the end of July.

Spain opened across 808 screens with $5.7M at No.1, well above DM2 and DM and just off MTROG. The Wednesday debut delivered the 2nd biggest opening day of 2024 and the 2nd biggest opening day of the DM/Minions franchise.



Indonesia’s $2.6M came in above DM2, Inside Out 2, Super Mario and just off DM3. Wednesday, was the 2nd biggest opening day ever for Illumination, the 2nd biggest opening day of the franchise and the biggest opening day of 2024.

In the Netherlands, $2.6M including six days of previews during which the film was No. 1 each day, places DM4 above MTROG, Minions and DM2 (excluding previews). Poland opened with $2.5M at No.1, surpassing the total lifetimes of DM and DM2, performing above Inside Out 2 and just off DM3. The film grossed $900K from four days of previews which is the biggest preview result of the franchise. The UAE at $2M is estimated to have beaten Super Mario to become Illumination’s biggest opening in the market as well as the biggest animated opening of all time.

Sweden, with $1.9M, notched the 2nd biggest animated opening ever, only behind Frozen 2‘s Christmas start; Vietnam ($1.6M) put Gru at the top of the chart with over 75% market share and surpassing the total lifetime of Super Mario after three days of play. Other No. 1 starts include Central America, Taiwan, Czech Republic, Peru, Malaysia, Norway, Denmark, Turkey and Philippines.



The Top 5 markets to date are Australia ($16.2M), Mexico ($12.6M), Argentina ($6.6M), Brazil ($5.9M) and Spain ($5.7M).

Imax delivered $9.6M in 50 markets globally, including $1.8M from overseas (and with the previously released markets). The Imax worldwide cume is $10.1M as the movie prepares to launch on another 96 Imax screens the UK, France, Germany and more.

Over in Joy-land, Inside Out 2 has now grossed an estimated $1,216.9M worldwide after four weekends, including $683.1M from the international box office. The juggernaut is now the No. 5 animated film of all time globally. Internationally, it is the No. 10 animated release ever, overtaking Incredibles 2 ($635M), Toy Story 4 ($640M) and Toy Story 3 ($652M) during the frame.



It has also become the biggest movie ever in industry history in Mexico ($90.2M), Colombia, Chile and Uruguay — and the 2nd biggest film of all time across Latin America (behind only Avengers: Endgame).

The weekend generated $78.3M from 45 material overseas markets.With a terrific 31% drop, the Kelsey Mann-helmed pic was No. 1 again in the UK, France, Germany, Italy, Brazil, Korea, Australia and China (the latter non-local). Key markets showing strong holds included Australia (+4%), France (even), Germany (-7%), Korea (-11%), UK (-21%), China (-23%), Brazil (-32%) and Italy (-47%).

Here are the Top 5 grossing markets to date: Mexico ($90.2M), Brazil ($55.3M), UK ($50.3M), Korea ($48.3M) and Italy ($39.6M).


The Imax global cume is $38.1M to date.

 

TP2000

Well-Known Member
Did everyone have a fun 4th weekend?! 🇺🇸 🥳 Box office is out for the holiday weekend, and no real surprises. Inside Out 2 continues to do very well, and is over $1.2 Billion (with a B) globally now. I can only imagine how many people are breathing again in Emeryville, can't you?

Boffo.jpg


 

TP2000

Well-Known Member
Very curious to see how Twisters does at the box office, because I feel like it could go either way.

Looking forward to the inevitable bad puns the trades will come up with to describe its performance:

"Twisters blows away competition!"

"Twisters sucks up box office receipts!"

"Twisters spirals out of control, leaves disappointing weekend a wreck..."

If I were a headline writer and it flops, I would go with...

"Twisters fails to touch down!"
 

Wendy Pleakley

Well-Known Member
BHC4 was really good. Probably the best in the franchise after the first one. The only thing that didn't work for me was forcing in Bronson Pinchot's character.

For me, when we're talking about the fourth movie in the series that needs to find a way to repeat the same basic premise, everything that happens is arguably forced.

You're not wrong, but there's a suspension of disbelief that allows the movie to exist.

If I can accept that the Detroit cop who plays by his own rules has to follow a case to Beverly Hills where he's a fish out of water, for the fourth time, shoehorning in the same character is pretty much a non-issue for me.
 

BrianLo

Well-Known Member
I checked and it's tracking to open in the $50 million range, which is decent but falls short of the original when inflation is taken into account.

It’s going to need a 75-80 million opening weekend or a strong over performative international market to break even with that type of opening. It’s a 200 million production.

I’d qualify 50 as a probable miss if it sticks.
 

Wendy Pleakley

Well-Known Member
Given the strength of the trailer and the behavior of the 2024 box office, my skepticism regarding the potential of Gladiator 2 has faded considerably.

It's so unpredictable.

Last year it was all about Oppenheimer and Barbie. The era of sequels was over. It was all about the cultural event (Barbie) or the prestige quality release (Nolan + IMAX).

This year it's all about the familiar. An original franchise with the so-so reviews Despicable Me 4 got would probably be dead on arrival. However, minions. They're still a super popular thing.

Inside Out was good, but who would have thought that a sequel would eclipse it to become one of the biggest animated movies of all time?

Bad Boys and Beverly Hills Cop are long-term franchises that are still drawing viewers.

Gladiator 2 looks fun, but will it jump the shark? No, really, There are sharks now. I can see it doing well based on the trailer, just from a spectacle standpoint. Will it have the same draw the other sequels have, with a shift to new characters? Will the trailer sell the movie to enough of us who were asking, why is there a Gladiator 2?
 

Minnesota disney fan

Well-Known Member
Maybe Kevin Costner can go back and finish Yellowstone since his Horizon gamble failed miserably.

My daughter and her husband, who love Westerns, went to see that movie last night.
They did not like it at all. They had nothing but bad to say about it. It seems they introduce several different themes or stories and never connect them at all. They stayed for the whole thing, but did not have anything nice to say about it. Too bad. I like Kevin Costner and hoped this would be a winner for him.
 

Disney Irish

Premium Member
My daughter and her husband, who love Westerns, went to see that movie last night.
They did not like it at all. They had nothing but bad to say about it. It seems they introduce several different themes or stories and never connect them at all. They stayed for the whole thing, but did not have anything nice to say about it. Too bad. I like Kevin Costner and hoped this would be a winner for him.
I haven't seen it, but its a multi-part movie series. So that is probably why it seems like they introduce things that don't finish or connect. The next part was suppose to come out in August, guess its not anymore.
 

Minnesota disney fan

Well-Known Member
I haven't seen it, but its a multi-part movie series. So that is probably why it seems like they introduce things that don't finish or connect. The next part was suppose to come out in August, guess its not anymore.
Yes, I know it was supposed to. It seems ALL of the movie was not liked. They struggled to stay 2 hours, and then suffered through to the 3 hoping they would tie something together. Didn't happen. I don't know what Costner was thinking?
 

Prince-1

Well-Known Member
My daughter and her husband, who love Westerns, went to see that movie last night.
They did not like it at all. They had nothing but bad to say about it. It seems they introduce several different themes or stories and never connect them at all. They stayed for the whole thing, but did not have anything nice to say about it. Too bad. I like Kevin Costner and hoped this would be a winner for him.

I saw it and felt the same way. It was pretty bad which was unfortunate as I’m a fan of Costner but this was trash. I think his ego got to big for this project.
 

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