LittleBuford
Well-Known Member
On a visually impressive film that has garnered appreciably more positive critical responses and higher audience scores than Kung Fu Panda 4.Where does all that Disney/Pixar money go?
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On a visually impressive film that has garnered appreciably more positive critical responses and higher audience scores than Kung Fu Panda 4.Where does all that Disney/Pixar money go?
On a visually impressive film that has garnered appreciably more positive critical responses and higher audience scores than Kung Fu Panda 4.
Box office isn’t helped by the service fees created by reserved seating. To see a movie at a multiplex here is $14.00, but to get the ticket in advance to avoid an undesirable seat means a $2.20 service fee, plus tax, so the total for one ticket is $17.11. That’s a lot to risk on a movie if you’re on the fence about seeing it. Not to mention PLF up-charges which are even more ridiculous. $23 for a ticket to see Challengers in Dolby? Most people are gonna shake their heads and say get real.
I really don’t care. Given that I actually watch the films you keep posting about (a radical concept, I know!), my main concern is how well made they are and how enjoyable they are to view.But as this is the box office thread, how much are "positive critical responses" and "audience scores" worth at the corporate deposit window at the Burbank branch of Bank of America?![]()
I am not sure which theater chain you visit…. But my local Marcus theaters have never utilize such practices… and I go to the theater weeklyBox office isn’t helped by the service fees created by reserved seating. To see a movie at a multiplex here is $14.00, but to get the ticket in advance to avoid an undesirable seat means a $2.20 service fee, plus tax, so the total for one ticket is $17.11. That’s a lot to risk on a movie if you’re on the fence about seeing it. Not to mention PLF up-charges which are even more ridiculous. $23 for a ticket to see Challengers in Dolby? Most people are gonna shake their heads and say get real.
I really don’t care. Given that I actually watch the films you keep posting about (a radical concept, I know!), my main concern is how well made they are and how enjoyable they are to view.
Most of those movies that have opened that big over the last decade have been apart of a proven franchise… sure The Fall Guy is loosely based on an old 80’s tv show… but I would guess most people under 40(maybe under 50) have not even heard of it.,. It has not really held up in the pop culture zeitgeistOh wow, I had this one increasingly pegged at doing well. Theatrical really is drying up horrendously.
I think we're going to see increasing amalgamation and reduction in how much is theatrically pushed. Maybe a world where the only three blockbuster producers left are Disney, Universal and WB+++.
And as a lifelong Disney fan, you should know that Walt very rarely skimped on quality in order to ensure a higher profit margin. I’m very happy that Pixar isn’t churning out Kung Fu Panda-level films, even if they would be more profitable.But as a lifelong Disney fan, especially their theme parks, my main concern is how profitable their movies are.
Really? AMC, Regal, Cinepolis, Epic, CMX, all the chains in Florida do service fees if you order tickets in advance without visiting the box office kiosks on site.I am not sure which theater chain you visit…. But my local Marcus theaters have never utilize such practices… and I go to the theater weekly
Well I guess I am glad the chain in my state exists hereReally? AMC, Regal, Cinepolis, Epic, CMX, all the chains in Florida do service fees if you order tickets in advance without visiting the box office kiosks on site.
Really? AMC, Regal, Cinepolis, Epic, CMX, all the chains in Florida do service fees if you order tickets in advance without visiting the box office kiosks on site.
And as a lifelong Disney fan, you should know that Walt very rarely skimped on quality in order to ensure a higher profit margin. I’m very happy that Pixar isn’t churning out Kung Fu Panda-level films, even if they would be more profitable.
It’s not like they were building ride after ride a few years ago when their films were routinely bringing in a billion each. Your understanding of the company’s finances, and how each division impacts the other, doesn’t seem very sound to me.That's a valid point. But here's the thing... when Walt was churning out quality films, he was still expanding and lavishing money on Disneyland. Nearly every single year that Walt was alive, Disneyland got new rides and shows and lands. It continued after he died too.
And it wasn't a Walt thing, or even a Card Walker or Ron Miller thing. Eisner lavished new rides and shows and lands and entirely new theme parks while movies came and went, some bombed and some were hits. Iger had a few good years too, notably his DCA 2.0 rethink on that failed park.
But now? The parks are stagnant and woefully under-capacity and under-invested in. No new park capacity is under construction on either coast. There isn't a single night parade in the entire USA. Hyperion Theatre is abandoned, Tomorrowland is abandoned, Wonders of Life is abandoned, DAK, DHS, Magic Kingdom, DCA, etc., etc.
But they still dump $200 Million on movies that can barely break even if they don't outright bomb?!?
Something isn't right there. And it's not at all sustainable. Either the whole thing collapses, or it undergoes massive change and a complete rethink of their business model.
Really? AMC, Regal, Cinepolis, Epic, CMX, all the chains in Florida do service fees if you order tickets in advance without visiting the box office kiosks on site.
Not to mention that most of his domestic Park "complaints" are about to be moot based on information from insiders on the changes coming to the domestic Parks starting later this year.It’s not like they were building ride after ride a few years ago when their films were routinely bringing in a billion each. Your understanding of the company’s finances, and how each division impacts the other, doesn’t seem very sound to me.
So does Cinemark here in the US, almost all chains do. Its really only the local regional theaters that may not charge service fees.Cineplex in Canada does this too
Not to mention that most of his domestic Park "complaints" are about to be moot based on information from insiders on the changes coming to the domestic Parks starting later this year.
I tend to temper my expectations based on reality when it comes to the Parks. I don't expect Disney to build a new attraction every year at the domestic Parks, something they haven't done like ever. So you don't have to feel badly or sorry or any other feeling for anyone especially me, and no one at Disney is laughing at me as they don't even know who I am or that I even exist.Even if Sidekick Tightpants announces 2 new E Tickets for each coast to begin construction this October, they won't open until 2027 or 2028.
And the DisneylandForward plan is a 40 year plan. Four Oh years. That's 2064, for those who can't scroll that fast on their phone's calendar.
They should have been building rides on both coasts 5 years ago solely based on 2019 attendance levels, to open in quick succession every year from 2022 to 2026. Just re-opening all of their existing yet closed pavilions and 2,000 seat theaters and entire buildings and complexes in forgotten lands should have been happening years ago.
If your expectations are so low that you can look forward to yet another hazy Blue Sky Proposal! on the big screen at the next D23 Expo, then so be it. My expectations for Disney theme parks were honed in the 20th century, so my expectations are far higher than yours apparently are. I feel badly that you think they're doing something nice for you, when they clearly aren't. They're laughing at you, while they drop another $200 Million on Inside Out 2.![]()
Also have you even stepped foot on a Disney Park property anytime in the last couple years, or even this decade?
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