brideck
Well-Known Member
I think it will come to how well the film is received…I have not seen any reviews yet
It looks like it premiered at Beyond Fest (https://twitter.com/BeyondFest) yesterday.
I think it will come to how well the film is received…I have not seen any reviews yet
I think I’ve only seen one ad one time.Some early numbers from Deadline today on The First Omen. [Source: https://deadline.com/2024/04/godzil...the-first-omen-box-office-preview-1235874366/]
Projected Opening: $12m-$15m
Screens: 3300
Budget: $30m-$35m
That would put it well below last year's Exorcist revival re: domestic, maybe on target for $30m-$35m overall. We'll have to see how it plays overseas, too. The Pope's Exorcist last year did 3x there.
You could argue the opposite — they’re throwing gussied-up tv content into theaters, which suggests a lack of commitment to theatrical-grade product.All all we can go by now then is that theater attendance has been on an increase per release since 2021.
And Disney, not even close to ready to stick to streaming as a primary income when they took a Disney Plus series and are rushing to give it a theatrical release this year.
You could argue the opposite — they’re throwing gussied-up tv content into theaters, which suggests a lack of commitment to theatrical-grade product.
AMC’s financials are very bad. Alamo is selling a good portion of their Drafthouse locations. Theatrical has lost a lot of ground in the last two decades. The writing is on the wall. The business can’t survive on subscription services, discount Tuesdays, and getting people to turn out for three tentpoles a year.
Sorta can’t say without knowing the quality of Moana 2. Certainly seems like they’re gambling that the first movie’s popularity will translate to box office success, and there’s a recognition that shouldn’t be squandered on streaming. But if it feels like a cobbled-together cash grab, that’s going to further the narrative that Disney’s creatively lost its way.Millions more in advertising and work to get it to theaters.
It is not just guised up for free. They want that theater money for Moana 2.
If they thought so many would watch it on DIsney Plus could make more money without doing it, they would.
Their brand for that studio certainly needs the help. I do agree that it is going to be hard to get that a theatrical grade product.
But if you say something is not committed to a theatrical grade product, don't you admit that theatrical releases is something people are going to spend more money on than what they are willing to watch at home because it will make more money in theaters first? I think that reinforces the argument.
Edited to be more pertinent.
Sorta can’t say without knowing the quality of Moana 2. Certainly seems like they’re gambling that the first movie’s popularity will translate to box office success, and there’s a recognition that shouldn’t be squandered on streaming. But if it feels like a cobbled-together cash grab, that’s going to further the narrative that Disney’s creatively lost its way.
We just came off a once-in-a-century respiratory pandemic that shuttered cinemas for a long time and made the world wary of crowds. This came at a moment when streaming was already fairly well established as an alternate method of consuming media. The studios were very ready to move on from the cinema model and took steps to do so. It is very hard to imagine a confluence of events more perfectly designed to kill cinemas.I said it was debatable on this part of your post, and we did debate a bit -
We don't know what the future will bring. So we cannot say with any certainty that theaters will indeed be the major source for income of Hollywood in that future. We've debated this many times over in this thread and others and we're not really changing each others opinions here. There is not going to be a finality to this debate. Maybe things turn out ok and in 50 years theaters with floating seats will be around as the major source of income for Hollywood, or maybe the whole thing will have imploded and all theaters are gone due to movies being beamed via chips directly in our brains. I'll be almost on the other side of 100 at that point, so maybe I'll still be around to find out.
So I'm just saying instead of going round and round again for 10 pages lets just see what happens. And I'm happy to revisit it from time-to-time for a few posts as new data come out, such as yearly totals.
The pandemic hit Alamo at the exact moment it was massively overextended due to incredibly ambitious expansion. Not sure that’s a signal cinema is dead.You could argue the opposite — they’re throwing gussied-up tv content into theaters, which suggests a lack of commitment to theatrical-grade product.
AMC’s financials are very bad. Alamo is selling a good portion of their Drafthouse locations. Theatrical has lost a lot of ground in the last two decades. The writing is on the wall. The business can’t survive on subscription services, discount Tuesdays, and getting people to turn out for three tentpoles a year.
Rebounding to what though, pre-pandemic levels? I think its unlikely at least not this year, or maybe not even next.We just came off a once-in-a-century respiratory pandemic that shuttered cinemas for a long time and made the world wary of crowds. This came at a moment when streaming was already fairly well established as an alternate method of consuming media. The studios were very ready to move on from the cinema model and took steps to do so. It is very hard to imagine a confluence of events more perfectly designed to kill cinemas.
Yet Cinemas survived and are rebounding. It’s rare we get such clear evidence of the resilience of a cultural institution.
People like going to movies. They like watching movies in groups. They like watching movies on the big screen. That’s why cinemas have survived the Paramount decrees, TV, suburbanization, home video, cable, and every other challenge. Just as importantly, theatrical release serves a vital role for the studios, marking films as legitimate in a way that sending them direct to streaming doesn’t, even with a big PR campaign. We’ve known this for decades, but the last few years have vividly reinforced it.
Because it is on trend by a certain group in this country to hate on Disney… most of the hate you see come from people who did not watch the filmJust saw Wish on D+
Why did they hate this one again?
I thought it was a fresh take, not the same old Princess looking for a Prince or whatever.
Thought the goat would be funnier based on the trailer, but was ok.
Little callbacks were cool, fitting for the anniversary.
Dude…the major theater chains have been predicted for bankruptcy for 10+ yearsWe just came off a once-in-a-century respiratory pandemic that shuttered cinemas for a long time and made the world wary of crowds. This came at a moment when streaming was already fairly well established as an alternate method of consuming media. The studios were very ready to move on from the cinema model and took steps to do so. It is very hard to imagine a confluence of events more perfectly designed to kill cinemas.
Yet Cinemas survived and are rebounding. It’s rare we get such clear evidence of the resilience of a cultural institution.
People like going to movies. They like watching movies in groups. They like watching movies on the big screen. That’s why cinemas have survived the Paramount decrees, TV, suburbanization, home video, cable, and every other challenge. Just as importantly, theatrical release serves a vital role for the studios, marking films as legitimate in a way that sending them direct to streaming doesn’t, even with a big PR campaign. We’ve known this for decades, but the last few years have vividly reinforced it.
Because it is on trend by a certain group in this country to hate on Disney… most of the hate you see come from people who did not watch the film
Dude…the major theater chains have been predicted for bankruptcy for 10+ years
It has nothing to do with the bug. That may only hasten it.
The current model won’t work over the long haul.
Just like it doesn’t matter that MCU was huge 7 years ago…cause it’s crap now…
Waxing nostalgically over theaters is gonna come empty as well.
They need a backup plan.
And Disney is doing them no favors…making garbage that is drawing no masses.
Yes, people have been predicting cinemas would collapse… forever. They’d collapse because of TV, because of suburbanization, because of home video… Now they’re so doomed even a pandemic that forced them to close and the studios going all in on streaming didn’t kill them. People who learn anything from the past might say that maybe they were wrong about cinemas.Dude…the major theater chains have been predicted for bankruptcy for 10+ years
It has nothing to do with the bug. That may only hasten it.
The current model won’t work over the long haul.
Just like it doesn’t matter that MCU was huge 7 years ago…cause it’s crap now…
Waxing nostalgically over theaters is gonna come empty as well.
They need a backup plan.
And Disney is doing them no favors…making garbage that is drawing no masses.
I agree people have predicted for 10 plus… in fact it has been more like 50 + years… and we are still waiting for it to happenDude…the major theater chains have been predicted for bankruptcy for 10+ years
The real estate AMC and regal sit on is worth more than the popcorn standsI agree people have predicted for 10 plus… in fact it has been more like 50 + years… and we are still waiting for it to happen
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