Heppenheimer
Well-Known Member
I hate using this term, because it gets overused on the internet... but I think the lightning in a bottle analogy is apt for Pixar. They just assembled and nurtured an incredible roster of talent, the kind that was probably only really possible with the dawning of a new technology. Even if John Lasseter didn't have the problem with the, um, huggies, the old gang was eventually going to move on in their own separate ways. Who is still left there from their original Murderers Row creative team, besides Peter Doctor?Pixar really is an interesting situation. Chapek did not seem to be supportive of it at all but it is a bit of a chicken and the egg scenario. Who failed who first? Do they feel like the Pixar acquisition did what it needed to do and now its time to erase the brand distinction? Would make for an awkward situation at DCA.
An interesting observation related to this... Luca (Pixar) and Raya (WDAS) came out relatively close to one another. IMO the former was much better than the latter but look at the amount of merchandising Raya has in stores compared to Luca, even today, despite the fact that Raya doesn't feel like its all that popular (perhaps I am wrong?).
At first I thought it was because Luca would just be treated as one of the summer season IPs from a merch standpoint like Stitch and Moana but that has not been the case.
Maybe Chapek didn't give Pixar the love they needed, but in retrospect, it seems the division was already past its prime by the time he took over. Especially because Disney Feature Animation has long since found its footing in the CGI era, after some initial stumbles.
On the other hand, Chapek never seemed like the right type to recruit and nurture creative talent.
And I don't think you are mistaken, Luca was much better received than Raya.