Sirwalterraleigh
Premium Member
Compared to the middle one, no way. Compared to the original? Yep.
But you end up at the same spot: and awful, non Epcot quality pavilion anchor that has sat for 16 years as if nobody notices
Compared to the middle one, no way. Compared to the original? Yep.
That's fair. Such a shame too. The original was so great. At least with Horizons they completely gutted it, and M:S is unique and enjoyable to some (I happen to like it). This is just a sad shadow of the original.But you end up at the same spot: and awful, non Epcot quality pavilion anchor that has sat for 16 years as if nobody notices
Did Disney make IAO ?
Disney didn't fully understand the lessons that needed to be learned then though. I have little confidence that Disney or Comcast is understanding why things are successful or not in the parks. Movie IP based attractions are easy to market, but at what point does that cease to matter? That gets people in the door for year 1, but these rides live on for 20+ years. The quality still needs to be there, the theme still needs to be there. They're building for year 1, not years 2-20.Universal changed it all. They threw big money at an IP and bet a big audience would come. It worked. Since then, Disney has revamped Fantasy Land, created Avatar Land and Toy Story Land, reworked Tower of Terror in DL to Guardians of the Galaxy – Mission: BREAKOUT (and it's a huge hit), creating Star War Land with concept hotel, Mickey & Minnie’s Runaway Railway, Tron Coaster. Frozen Land and Marvel Land are coming to Paris. (From Times article) "Each of Disney’s six theme park resorts around the world is undergoing major expansion, along with Disney Cruise Line. Michael Nathanson, a longtime media analyst, estimates that Disney will spend $24 billion on new attractions, hotels and ships over the next five years. That’s more than Disney paid for Pixar, Marvel and Lucasfilm combined. "
What #s do you have?1988 was the highest attended year.
We call that going full World of Disney.“Overhaul Epcot” translated: Paint Epcot beige and remove all theming. Streamline merchandise, push IPs.
My bad. 87 did slightly beat 88. But those figures are slightly off.What #s do you have?
I have 1987 as 13.277 mil and 1988 as 12.576 mil
I couldn't disagree more. Unlike DCA, Epcot and DHS had strong concepts. Obviously time changes things but Epcot and DHS were not profoundly broken as DCA was and (in my opinion) is again now. Between DHS losing GMR and Epcot losing ROE. I feel those are key parts of those parks identities and when you take them away it will make the whole park feel like a whole different animal.Hot Take:
EPCOT needed an almost total gutting/reconfiguring much more than DHS/DCA did and EPCOT has needed an almost total gutting/reconfiguring for much longer than DHS/DCA went before their gutting/reconfiguring.
EPCOT truly is the Jan Brady of the Disney parks.
I've been laughing at this for the past 10 minutesEPCOT truly is the Jan Brady of the Disney parks.
However, even thought they were IPs, at least they tied in somewhat with the theme of the pavilion, except for Nemo and maybe Honey. Nemo definitely doesn’t get an excuse there.The more I research things, the more I realize that Eisner is really the one who killed Epcot. Bulldozing Horizons and WoM; destroying Imagination, IP into the park (Ellen/Bill Nye/Jeopardy, Honey I Shrunk the Kids, Nemo, Lion King, Martin Short - all happened under his watch). Even Illuminations 25(a) was a big change from what proceeded it and had some IP in it (luckily the backlash here led to a quick change to Illuminations 25b and eventually RoE)... Chapek and Iger are just really continuing what Eisner set in motion.
You could stretch nemo in saying it follows the theme of aquatic life, i.e. fish. But really it's a stretch.However, even thought they were IPs, at least they tied in somewhat with the theme of the pavilion, except for Nemo and maybe Honey. Nemo definitely doesn’t get an excuse there.
However, even thought they were IPs, at least they tied in somewhat with the theme of the pavilion, except for Nemo and maybe Honey. Nemo definitely doesn’t get an excuse there.
So would you be OK with IP as long as it tied to the theme? Say, if they redid Seas and really made it about marine life (a la Finding Dory's Marine Life Institute), or with Mulan narrating a film about China history and culture? Or even Guardians if it were to talk about the Science of the Universe?You could stretch nemo in saying it follows the theme of aquatic life, i.e. fish. But really it's a stretch.
Oh absolutely not, and for the record I'm just playing devil's advocate, I can't stand what the seas became, I am just glad that the exhibit tanks haven't been turned into something ridiculous.So would you be OK with IP as long as it tied to the theme? Say, if they redid Seas and really made it about marine life (a la Finding Dory's Marine Life Institute), or with Mulan narrating a film about China history and culture? Or even Guardians if it were to talk about the Science of the Universe?
I highly doubt Eisner had northing to do with Martin Short in Epcot. O'Canada debuted in 2007 and Iger was named CEO of Disney in March of 2005. Eisner was still CEO through he resigned on September 30, 2005. but Iger was the true Ceo of the Walt Disney Company for 6 months already.The more I research things, the more I realize that Eisner is really the one who killed Epcot. Bulldozing Horizons and WoM; destroying Imagination, IP into the park (Ellen/Bill Nye/Jeopardy, Honey I Shrunk the Kids, Nemo, Lion King, Martin Short - all happened under his watch). Even Illuminations 25(a) was a big change from what proceeded it and had some IP in it (luckily the backlash here led to a quick change to Illuminations 25b and eventually RoE)... Chapek and Iger are just really continuing what Eisner set in motion.
The more I research things, the more I realize that Eisner is really the one who killed Epcot. Bulldozing Horizons and WoM; destroying Imagination, IP into the park (Ellen/Bill Nye/Jeopardy, Honey I Shrunk the Kids, Nemo, Lion King, Martin Short - all happened under his watch). Even Illuminations 25(a) was a big change from what proceeded it and had some IP in it (luckily the backlash here led to a quick change to Illuminations 25b and eventually RoE)... Chapek and Iger are just really continuing what Eisner set in motion.
Circle of Life was the finale of I25a. Maybe that’s what they mean?Lion King did not ruin Epcot. Lion King IP was used properly in Epcot by having it as an Educational film.
Chapeks destroying it. WDI are doing what they’re told.Chapek and Imagineering are trying to fix FW. I think they will succeed.
Disney didn't fully understand the lessons that needed to be learned then though. I have little confidence that Disney or Comcast is understanding why things are successful or not in the parks. Movie IP based attractions are easy to market, but at what point does that cease to matter? That gets people in the door for year 1, but these rides live on for 20+ years. The quality still needs to be there, the theme still needs to be there. They're building for year 1, not years 2-20.
I wrote this a few years ago: https://micechat.com/101023-tim-grassey-addicted-easy-money/
Now on to the "Can they make this work?" What if Disney created a S.E.A. type backstory that connected the Future World Pavilions? Extend the Marvel Theme Park Universe to include relevant characters and you've got a loose tie. I think you can call the Guardians Adventurers, Explorers, Discoverers or Dreamers, whatever word you want to use. Bringing in and bringing back similar concepts to existing pavilions could also work. Dreamfinder, the Land Keeper, etc could provide a blending of movie based characters mixed with theme park originals. It's loose, but it's a tie.
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