News Big changes coming to EPCOT's Future World?

dmc493

Well-Known Member
Slightly wider shot than the one from yesterday with a decent look at the Spaceship Earth pavement pattern going in at the far end of the former Fountain of Nations site. Also, it looks like some new walls might be getting staged along the path toward The Land.

This area has been closed so long, I forgot how large the Project Tomorrow/SSE building is. should be interesting much the positioning of the Walt statue will accentuate the building right behind it... I assume most will ignore it because of SSE hovering above it but those glass windows right behind the statue location are looking not too hot
 

yensidtlaw1969

Well-Known Member
Hasn’t that been the question since they sort of started reusing symbols back with the last Spaceship Earth refresh? They keep flirting with them but never truly commit.
Is it time for us to talk about how one of the biggest issues of these parkwide redos is how wishy-washy they seem to be?

DCA, DHS, WDS, and now EPCOT - they clear out huge swaths of infrastructure but don't seem to know how to put the parks back together in ways that make complete sense. It's so rare to see them actually deliver a new vision that's also cohesive.
 
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lazyboy97o

Well-Known Member
Is it time for us to talk about how one of the biggest issues of these parkwide redos is how wishy-washy they seem to be?

DCA, DHS, WDS, and now EPCOT - they clear out huge swaths of infrastructure but don't seem to know how to put the parks back together in ways that makes complete sense. It's so rare to see them actually deliver a new vision that's also cohesive.
It certainly doesn’t help that for a variety of reasons the creative leadership lacks consistency. Disney loudly brought back Bob Weis for Disney’s California Adventure but he then jumped on to Shanghai Disneyland. Evolving Epcot is apparently now on its third creative lead plus the chaos of Iger bailing when he was such a driving force for the project.
 

yensidtlaw1969

Well-Known Member
It certainly doesn’t help that for a variety of reasons the creative leadership lacks consistency. Disney loudly brought back Bob Weis for Disney’s California Adventure but he then jumped on to Shanghai Disneyland. Evolving Epcot is apparently now on its third creative lead plus the chaos of Iger bailing when he was such a driving force for the project.
Almost makes you wonder if they could avoid those types of problems by condensing the build times to a reasonable window instead of stretching them out over a half-decade.
 

tparris

Well-Known Member
How utterly charmless. Like a slightly upscale office park.
Kind of like these?
IMG_5885.jpeg
IMG_5884.jpeg
 

James Alucobond

Well-Known Member
You can certainly make an argument for the first. The second is much more dynamic.
The first isn’t even an argument. It’s plain fact, and it’s the exact parallel to this sign, just aesthetically 30+ years removed. People will seriously complain about the most inoffensive things ever. The iconography is a consistency issue worthy of attention, but there’s just nothing at all wrong with the design of this sign in the context of the setting.
 

Casper Gutman

Well-Known Member
people just like to complain dude, they complain about GotG even though most people love it, they complain about JoW eve though most people love it, they will complain about anything just to complain. People like to complain nowadays about everything.
So the best argument here is that, after a multi-year, very expensive redesign that has ripped the guest experience to shreds, elements of EPCOTs core are no more charmless than they used to be? Great.

Oh, and you may want to reassess opinion on GotG, which is a fun coaster but a failure as anything more and nowhere near worth its budget.
 

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