mharrington
Well-Known Member
But I think the overriding point is that while there have been individual sequences of the package films that had broken out, or that people might have been expected to recognize, that is not necessarily true for the films themselves.
Then as now, far many people might have recognized Mickey and the Beanstalk, which would have indeed been seen more frequently (if only because the studio had much less material in the vault to work with), but those same people would have given you blank looks, then as now, if you mentioned Fun and Fancy Free, the film it came from. While they certainly used certain characters and sequences more prominently, I don't know that that's indicative that the film as a whole was easily identifiable to most audiences.
I was also curious and looked at the re-releases for the package features. The latest theatrical re-release of each package film was:
Saludos Amigos: 1949 (only theatrical re-release ever)
Three Caballeros: 1977 (only)
Make Mine Music: never re-released
Fun and Fancy Free: never re-released?
Melody Time: never re-released?
Ichabod & Mr. Toad: Sleepy Hollow alone in 1963
The Disney studio itself has always been pragmatic about the role of the package features, and how they were more about keeping the studio running than creating art. Hence why individual segments might pop up or be featured prominently for a time but the films they came from remained buried, obscure, and forgotten. And it's hard to fully blame them: while there are some good shorts within them, it's also hard to argue that most any of those films, as a collective work, could match the other more iconic features. Perhaps for Cabelleros or Ichabod/Toad; certainly not for the others.
So really, I think we both have a point here: the films themselves have generally remained obscure and weren't particularly beloved by anyone then or now, but there are segments that broke out and were utilized more prominently then compared to now.
The contents of "Make Mine Music" and "Melody Time", as well as "Saludos Amigos", were all released separately as shorts in the 1950s.