Shaman
Well-Known Member
That's the point.
How much MORE did the other studios spend though? We need net income.
That's the point.
I'm sorry you are missing out on El Toro, probably one of the best rides not only in the park but potentially in the USA. At least Nitro is always runningYeah I'm walking around it and can't help but make comparisons to Disney and Uni. Just rode Skull Mountain. Some of the worst "theming" ever I'm here mostly to say I've done it and have a little fun.
Nitro was great. Everything else I've been on though is no where close to anything in Orlando. Not doing Batman, Superman, etc. since I don't even do Hulk. Also, how do you have a Safari ride with only one truck going around? Smh.I'm sorry you are missing out on El Toro, probably one of the best rides not only in the park but potentially in the USA. At least Nitro is always running
I would suggest that big celebrations for anniversaries has been a Disney thing. I could still have argued for a 25th celebration (even just for summer) at UNI, but I get why they didn't. They don't play on the past, that's a Disney strength.
But when you see the effort Disney is putting into Anaheim's 60th, it does make you wonder why WDW has been ignoring anniversaries since the never-ending 25th. Yes, they did 10O Years of Walt instead of a 30th. But have since ignored the 35th and 40th, as well as EPCOT's 25th (the one that should have been big) and 30th and DAK's 10th.
No, they won't ignore the 50th. I know that for a fact. But the 45th next year? Some pins, vinyls and cupcakes unless they add the Wishes replacement. Even if so, I don't see a 45th marketing celebration.
Which is a shame because the safari is actually really good. It's a shame they used those type of trucks. It's tough to find drivers... That said, be sure to take a ride on the sky ride as its from the 64 worlds fair (trying for Disney tie-in).Nitro was great. Everything else I've been on though is no where close to anything in Orlando. Not doing Batman, Superman, etc. since I don't even do Hulk. Also, how do you have a Safari ride with only one truck going around? Smh.
Wait... Disney calls them franchises? I'm pretty sure successfull films and books were considered a franchise outside of disney.
Gonna correct myself and say there's more than one truck. The person in line was wrong.Which is a shame because the safari is actually really good. It's a shame they used those type of trucks. It's tough to find drivers... That said, be sure to take a ride on the sky ride as its from the 64 worlds fair (trying for Disney tie-in).
MillionsWhat unit is the y-axis in? Billions?
The point of the chart is to show how Iger's tentpole mandate has decreased the studios' revenues. The Studio Entertainment numbers reflect not just the theatrical box office numbers, but the entire pay window structure. When a studio like Disney chooses to release fewer, higher budget films, they make less overall as you go down from theatrical to home video to pay-TV to cable and so on because there is less product to sell. The long term consequence of this being you have fewer films in your back catalogue. It's hard to be able to afford write downs, or those very expensive deals to get the rights to "The Avengers" and "Iron Man 3", when you don't have the cushion a strong, diverse back catalogue can provide. In reposting this chart, I want to show how the long term effects of the weatherman's decisions have hurt the studios and how the numbers are presented and spun to the press in such a way as to hide this.It's not necessarily "better" to be releasing more films or having greater revenues, which is what your chart and commentary suggests.
At a minimum, having a chart indicating the film profits would be more meaningful. Or at least revenue per film. Otherwise, why not just directly chide Disney for not making more films per year if that is your concern?
The studios only keep half, or less depending on the territory, of the box office. Once the likely $100 million plus marketing campaign has been accounted for, this film will be a write down.Sorry to beat a dead horse (that never happens on WDWMagic ) but I just saw Tomorrowland is now at $169 million globally so far, with an opening this past weekend in Japan. At this rate, it could make its budget back before Blu-Ray/DVD/Online sales possibly.
Are we seeing yet again where domestic sales are not important anymore even though they're reported as being the only factor in the success or failure of a movie?
Now I realize that this is still considered a "flop" by any standard if it can't make its budget back, but part of that could also be the headlines about how terrible it did on opening weekend.
The point of the chart is to show how Iger's tentpole mandate has decreased the studios' revenues. The Studio Entertainment numbers reflect not just the theatrical box office numbers, but the entire pay window structure.
The studios only keep half, or less depending on the territory, of the box office. Once the likely $100 million plus marketing campaign has been accounted for, this film will be a write down.
Sadly, the studio will learn to wrong lessons as they compare "Tomorrowland" to "Maleficent" and avoid making live action films that don't fit directly into their Annie Lebowitz gritty reboot state of mind.
Gotta say I really enjoyed the safari. Bison, Lions, Tigers, Bears, and even Kangaroos (and more). Doesn't touch the theming of Kilamanjaro but animal wise it's pretty great.Nitro was great. Everything else I've been on though is no where close to anything in Orlando. Not doing Batman, Superman, etc. since I don't even do Hulk. Also, how do you have a Safari ride with only one truck going around? Smh.
The studios only keep half, or less depending on the territory, of the box office. Once the likely $100 million plus marketing campaign has been accounted for, this film will be a write down.
Sadly, the studio will learn to wrong lessons as they compare "Tomorrowland" to "Maleficent" and avoid making live action films that don't fit directly into their Annie Lebowitz gritty reboot state of mind.
Details on the Edison out. "Industrial Gothic" nightclub. In the middle of Disney Springs.
Really. Just think on that. A hipster bar populated with children in strollers and ... lifestylers.
Curious why I've only seen info on one of my favorite lifestyler blogs....Details on the Edison out. "Industrial Gothic" nightclub. In the middle of Disney Springs.
Really. Just think on that. A hipster bar populated with children in strollers and ... lifestylers.
Wouldn't an Industrial Gothic nightclub have an age limit? They can't keep out the lifestylers (unfortunately), but one would hope they could keep kids out of a nightclub...Details on the Edison out. "Industrial Gothic" nightclub. In the middle of Disney Springs.
Really. Just think on that. A hipster bar populated with children in strollers and ... lifestylers.
Ahhhh... So nice to hear someone that knows things. It still adds to the cost over a straight-up plain napkin and that conversation can go in a whole other direction with the multitude of issues that McD's corporate is dealing with.Indeed, but not for the purpose of customer advertisement. It's for the purpose of identifying that the napkin was purchased from the authorized McDonald's supply chain as required by the franchise contract.
I'm confused how Disney gained such high revenue for 2004 when I can't remember any film in that fiscal year, other than The Incredibles, being a major hit.Millions
The point of the chart is to show how Iger's tentpole mandate has decreased the studios' revenues. The Studio Entertainment numbers reflect not just the theatrical box office numbers, but the entire pay window structure. When a studio like Disney chooses to release fewer, higher budget films, they make less overall as you go down from theatrical to home video to pay-TV to cable and so on because there is less product to sell. The long term consequence of this being you have fewer films in your back catalogue. It's hard to be able to afford write downs, or those very expensive deals to get the rights to "The Avengers" and "Iron Man 3", when you don't have the cushion a strong, diverse back catalogue can provide. In reposting this chart, I want to show how the long term effects of the weatherman's decisions have hurt the studios and how the numbers are presented and spun to the press in such a way as to hide this.
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