I'd surmise that this is actually some of the point. After all, plenty of intelligent, well-meaning people live under authoritarian regimes even today, and most of them remain content (or are even enthusiastic) to do so. If a viewer finds themselves thinking that life didn't seem so bad under Magnifico, that the tradeoffs made for security and a relatively empty happiness are worth it, then that probably says something about the viewer and how they would think about a real-world analogue. The film was trying to challenge its viewers to consider whether this is really okay or not. Asha (and by extension, probably the writers) didn't think so. Audiences need not agree.